Victory S Shadow

The Mesan Alignment is revealed, and, for Honor Harrington and the Manticoran Star Kingdom, this means war! Unintended Consequences Sometimes things don’t work out exactly as planned. The Mesan Alignment has a plan—one it’s been working on for centuries. A plan to remake the galaxy and genetically improve the human race—its way. Until recently, things have gone pretty much as scheduled, but then the Alignment hit a minor bump in the road called the Star Empire of Manticore. So the Alignment engineered a war between the Solarian League, the biggest and most formidable interstellar power in human history. To help push things along, the Alignment launched a devastating sneak attack which destroyed the Royal Manticoran Navy’s industrial infrastructure. And in order to undercut Manticore’s galaxy-wide reputation as a star nation of its word, it launched Operation Janus—a false-flag covert operation to encourage rebellions it knows will fail by promising Manticoran support. The twin purposes are to harden Solarian determination to destroy the Star Empire once and for all, and to devastate the Star Empire’s reputation with the rest of the galaxy. But even the best laid plans can have unintended consequences, and one of those consequences in this case may just be a new dawn of freedom for oppressed star nations everywhere. About Shadow of Freedom: “This entry is just as exciting as Weber’s initial offering . . . The result is a fast-paced and action-packed story that follows [our characters] as they move from reaction to command of the situation. Weber builds Shadow of Freedom to an exciting and unexpected climax.”—Daily News of Galveston About Mission of Honor, #13 in the Honor Harrington series: “Weber combines realistic, engaging characters with intelligent technological projection and a deep understanding of military bureaucracy in this long-awaited Honor Harrington novel . . . Fans of this venerable space opera will rejoice to see Honor back in action.”—Publishers Weekly “This latest Honor Harrington novel brings the saga to another crucial turning point . . . Readers may feel confident that they will be Honored many more times and enjoy it every time.”—Booklist About David Weber and the Honor Harrington series: “. . . everything you could want in a heroine . . . Excellent . . . plenty of action.”—Science Fiction Age “Brilliant! Brilliant! Brilliant!”—Anne McCaffrey “Compelling combat combined with engaging characters for a great space opera adventure.”—Locus

The Shadow of Victory: A Romance of Fort Dearborn, is a classical and a rare book, that has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and redesigned. These books are not made of scanned copies of their original work, and hence their text is clear and readable. This remarkable volume falls within the genres of Language and Literatures American and Canadian literature

At the beginning of the eleventh century, Catalonia was a patchwork of counties, viscounties, and lordships that bordered Islamic al-Andalus to the south. Over the next two centuries, the region underwent a dramatic transformation. The counts of Barcelona secured title to the neighboring kingdom of Aragon through marriage and this newly constituted Crown of Aragon, after numerous failed attempts, finally conquered the Islamic states positioned along its southern frontier in the mid-twelfth century. Successful conquest, however, necessitated considerable organizational challenges that threatened to destabilize, politically and economically, this triumphant regime. The Aragonese monarchy's efforts to overcome these adversities, consolidate its authority, and capitalize on its military victories would impose lasting changes on its governmental framework and exert considerable influence over future expansionist projects. In Victory's Shadow, Thomas W. Barton offers a sweeping new account of the capture and long-term integration of Muslim-ruled territories by an ascendant Christian regime and a detailed analysis of the influence of this process on the governmental, economic, and broader societal development of both Catalonia and the greater Crown of Aragon. Based on over a decade of extensive archival research, Victory's Shadow deftly reconstructs and evaluates the decisions, outcomes, and costs involved in this experience of territorial integration and considers its implications for ongoing debates regarding the dynamics of expansionism across the diverse boundary zones of medieval Europe.

"[...]knew you weren't, as soon as I saw you-you're altogether too young. The barracks are full of old ladies with the rheumatism. The parade ground is bloody with red flannel when the troops limp out, which is seldom, by the way, the Captain having a tender heart. Me and the other officers are the only ones under the age limit, if there is any age limit. When a man gets too old to be of use in the army, the President says: 'Don't discharge the poor cuss-send him out to Fort[...]".

What connects Africa and the Caribbean is trans-Atlantic slavery which transported numerous sons and daughters of Africa to the plantations of the New World in the service of Western European capitalism. Because of this shared experience of trans-Atlantic slavery and European colonialism, issues of culture and identity are major concerns for African and Caribbean playwrights. Slavery and colonialism had involved systematic acts of cultural denigration, de-humanisation and loss of freedom, which left imprints on the collective psyches of the colonised Africans and enslaved peoples of African descent in the Caribbean. Both experiences brought intense cultural and psychic dislocations which still impact in various ways on the lives of Africans and peoples of African descent around the world. African and Caribbean playwrights try to help their peoples regain their dignities by affirming their cultures, histories and identities. The book focuses on the similarities and differences between Caribbean theatre and the theatre of sub-Saharan Africa, showing how identities and cultures are negotiated and affirmed in each case.

A SUNDAY TIMES TOP TEN BESTSELLER 'A stunning blockbuster' Robert Fisk 'A brilliant tour de force of revisionist scholarship and thrilling storytelling' Simon Sebag Montefiore 'A compelling detective story of the highest order' Sunday Times 'Tom Holland has an enviable gift for summoning up the colour, the individuals and animation of the past' Independent In the 6th century AD, the Near East was divided between two venerable empires: the Persian and the Roman. A hundred years on and one had vanished forever, while the other seemed almost finished. Ruling in their place were the Arabs: an upheaval so profound that it spelt, in effect, the end of the ancient world. In the Shadow of the Sword explores how this came about. Spanning from Constantinople to the Arabian desert, and starring some of the most remarkable rulers who ever lived, he tells a story vivid with drama, horror, and startling achievement.

It was a long, low room, with a fireplace, roughly built of limestone, at one end of it. The blazing logs illuminated one corner and sent strange shadows into the others, while the winter wind moaned drearily outside. At the right and left of the fireplace were rude counters, hewn from logs, resting on stumps of unequal height, and behind them were shelves, packed with the sordid miscellany of a frontier trading-post. A closed door on either side seemingly led to other apartments, but there was no sound save the wind and the crackle of the flames.A candle, thrust into the broken neck of a bottle, gave a feeble light to a little space around one end of the counter on which it stood. The rafters were low—so low that a tall man, standing on tiptoe, might easily unhook the smoked hams and sides of bacon that hung there, swaying back and forth when the wind shook the house.Walls, ceiling, and floor were of logs, cut into a semblance of smoothness. The chinks were plastered with a bluish clay, and the crevices in the floor were filled with a mixture of clay and small chips. At the left of the chimney was a rude ladder which led to the loft through an opening in the ceiling. Fingers of sleet tapped at the glass, swirling phantoms of snow drifted by, pausing for a moment at the windows, as if to look within, and one of the men moved his chair closer to the fire.

"Prince of the Shadow: Engineer on the Road" by Abdullah Barghouti is a novel written within the confines of Israeli detention cells. The narrative begins as it responds to a question from the author's daughter, Tala, who witnessed her father's arrest in 2003. In a letter, she asks her father, "Who are you? And why are you?" She inquires about the father who left her in the car at the moment of his arrest and has since been incarcerated in Israeli prisons for 21 years. The story recounts his enduring spirit against his jailers and the decade spent in solitary confinement, detailing his life story and resistance against the occupation. Abdullah Barghouti holds the record for the longest sentence in the history of Israeli jurisprudence, having been sentenced to 67 life terms plus 5,200 years—a sentence naturally intriguing to anyone wishing to understand the man subjected to such unprecedented punishment. "Prince of the Shadow," now translated into English for the first time, offers a chance to get closer to this man through a book resembling an autobiography, or perhaps a form of it. This biography allows us to journey through a lengthy saga with an exceptional hero in every sense of struggle and humanity. A hero that, if he belonged to any nation that honors its heroes, would have his true-life heroism turned into the greatest of films, for here the heroism is real, not fictitious.