Views Of New Brunswick N J

This collection of photographs and illustrations offers a glimpse into life in New Brunswick, New Jersey in the early 20th century. The images capture a variety of scenes from daily life, including architecture, transportation, local industry, and social activities. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Union list catalog of the lithographic views of cities and towns made during the 19th century.

Includes its Report, 1896-19 .

Modern mainstream journalism faces a very real disturbance of its foundational premise that credible news is gathered and articulated from an objective stance. This volume offers new examinations of how the traditional notion of objectivity is changing as professional journalists grapple with a rapidly evolving news terrain--one that has become increasingly crowded by those with no journalistic credentials. Examining historical antecedents, current dilemmas, international aspects, and theoretical considerations, contributors make the case that the journalist's impulse to hold onto objectivity, and to ignore the increasing subjectivities to which citizens are attuned, actually contributes to the news media's disconnect from today's news consumer. Revealing how traditional journalism needs to incorporate "post-objective" stances, these essays stimulate further thought and conversation about news with a view in both theory and practice.

Much of the recent research in autism comes from a quantitative, researcher's viewpoint. However, this book's mission is to look at the "whole picture" in order to capture the meaning of Autism and its effects on the family. The book is written primarily for social work professionals in the field of autism and developmental disabilities, Students, individuals affected with Autism Spectrum Disorders and their families alike, and anyone who has a special interest in the ASD field. In order to capture the impact of autism, the author utilizes her own personal and professional experience in identifying the different aspects that make up the culture of autism: its history, the biological and environmental aspects; past and present governmental and educational policies; the social impact of autism and its impact on the family unit.

Much of the recent research in autism comes from a quantitative, researcher’s viewpoint. However, this book’s mission is to look at the “whole picture†in order to capture the meaning of Autism and its effects on the family. The book is written primarily for social work professionals in the field of autism and developmental disabilities, Students, individuals affected with Autism Spectrum Disorders and their families alike, and anyone who has a special interest in the ASD field.In order to capture the impact of autism, the autor utilizes her own personal and professional experience in identifying the different aspects that make up the culture of autism: its history, the biological and environmental aspects; past and present governmental and educational policies; the social impact of autism and its impact on the family unit.

While many older American cities struggle to remain vibrant, New Brunswick has transformed itself, adapting to new forms of commerce and a changing population, and enjoying a renaissance that has led many experts to cite this New Jersey city as a model for urban redevelopment. Featuring more than 100 remarkable photographs and many maps, New Brunswick, New Jersey explores the history of the city since the seventeenth century, with an emphasis on the dramatic changes of the past few decades. Using oral histories, archival materials, census data, and surveys, authors David Listokin, Dorothea Berkhout, and James W. Hughes illuminate the decision-making and planning process that led to New Brunswick’s dramatic revitalization, describing the major redevelopment projects that demonstrate the city’s success in capitalizing on funding opportunities. These projects include the momentous decision of Johnson & Johnson to build its world headquarters in the city, the growth of a theater district, the expansion of Rutgers University into the downtown area, and the destruction and rebuilding of public housing. But while the authors highlight the positive effects of the transformation, they also explore the often heated controversies about demolishing older neighborhoods and ask whether new building benefits residents. Shining a light on both the successes and failures in downtown revitalization, they underscore the lessons to be learned for national urban policy, highlighting the value of partnerships, unwavering commitment, and local leadership. Today, New Brunswick’s skyline has been dramatically altered by new office buildings, residential towers, medical complexes, and popular cultural centers. This engaging volume explores the challenges facing urban America, while also providing a specific case study of a city’s quest to raise its economic fortunes and retool its economy to changing needs.

This collection of essays challenges conceptions of "high" modernism, its preoccupation with style at the expense of issues such as race, class and gender, and its exclusive focus both on predominately male writers, poetry and prose fiction by highlighting the diversity of cultural production in the modernist period. This book focusses specifically on women's cultural production, covering a wide range of arts and genres including chapters on painting, theatre, and magazines. The book investigates how women usually constructed as "others", themselves construct others in their work in a period prominently concerned with the construction of self as an issue. This diversity offers a new format of reading modernism in a cross-disciplinary context.