Village In The Vaucluse

Laurence Wylie's remarkably warm and human account of life in the rural French village he calls Peyrane vividly depicts the villagers themselves within the framework of a systematic description of their culture. Since 1950, when Wylie began his study of Peyrane, to which he has returned on many occasions since, France has become a primarily industrial nation--and French village life has changed in many ways. The third edition of this book includes a fascinating new chapter based on Wylie's observations of Peyrane since 1970, with discussions of the Peyranais' gradual assimilation into the outside world they once staunchly resisted, the flux of the village population, and the general transformation in the character of French rural communities.

Laurence Wylie's remarkably warm and human account of life in the rural French village he calls Peyrane vividly depicts the villagers themselves within the framework of a systematic description of their culture. Since 1950, when Wylie began his study of Peyrane, to which he has returned on many occasions since, France has become a primarily industrial nation--and French village life has changed in many ways. The third edition of this book includes a fascinating new chapter based on Wylie's observations of Peyrane since 1970, with discussions of the Peyranais' gradual assimilation into the outside world they once staunchly resisted, the flux of the village population, and the general transformation in the character of French rural communities.

From Rocks to Riches Time and Change and Ochre in a Village in the Vaucluse Roussillon en Provence! GRAHAM F. PRINGLE AND HILDGUND SCHAEFER Fifty miles north of Marseille and thirty miles east of Avignon lies the village of Roussillon. With its spectacular ochre cliffs, it is one of the most popular tourist villages in the internationally famous region of the Luberon. Fifty years ago, in his Village in the Vaucluse, Laurence Wylie described life in Roussillon at the beginning of the 1950s. At that time, following the collapse of the world’s ochre market after World War II, it had been reduced from the epicenter of a thriving ochre-mining industry that had flourished for more than 150 years to a small, inwardly turned farming community with little contact with the outside world, which it mostly viewed with disdain and hostility. After describing the village’s rise and fall as a mining center, the authors follow its rise to even greater wealth as a tourist village, second-home community, and dormitory town for nearby urban centers—its economy once again based on the ochre that had enriched it before as a mineral to be extracted, but now as a tourist attraction, with Roussillon’s colorful red cliffs and ochre-tinted houses drawing visitors from all over Europe. But this came at a price, and the price was social: the loss of a more intimate way of life, with evenings spent with friends or neighbors, sipping wine and trading gossip. In the new age, those evenings are spent around the family’s television set, vicariously living the lives of others. In a series of interviews in the second half of the book, people who experienced the transformation describe their feelings about the changes, and the relationships that still exist, some strong, some weak, between the old life and the new, and the perceived gains and losses between the two.

Samuel Beckett, whose play Waiting for Godot was one of the most influential works for the post-World War II generation, has long been identified with the debilitated and impotent characters he created. In this provocative book, Lois Gordon offers a new perspective on Beckett, challenging the prevalent image of him as reclusive, self-absorbed, and disturbed. Gordon investigates the first forty years of Beckett's life and finds that he was, on the contrary, a kind and generous man who responded sensitively and even heroically to the world around him. Gordon describes the various places and events that affected Beckett during this formative period: war-torn Dublin during the Easter Uprising and World War I, where he spent his childhood and student days; Belfast and Paris in the 1920s and London during the Depression, where he lived and worked; Germany in 1937, where he traveled and witnessed Hitler's brutal domestic policies; prewar and occupied France, where he was active in the Resistance (for which he was later decorated); and the war-ravaged town of Saint-L� in Normandy, which he helped to restore following the liberation. Gordon also portrays the individuals who were important to Beckett, including Jack B. Yeats, Alfred P�ron, Thomas McGreevy, and, most significantly, James Joyce, who was a model for Beckett personally, artistically, and politically. Gordon argues convincingly that Beckett was very much aware of the political and cultural turmoil of this period and that the enormously creative works he wrote after World War II can, in fact, be viewed as a product of and testament to those tumultuous times.