Violation Collected Essays

Most Anticipated, Too: The Great 2016 Nonfiction Book Preview The Millions GROUNDBREAKING. A career-defining book. -The New Yorker Sallie Tisdale is the author of seven books on such varied subjects as medical technology, her pioneer ancestors and Buddhist women teachers. Her many essays have appeared in Harper's, Conjunctions, The New Yorker, Antioch Review, Threepenny Review and many other journals. This first collection of work spans thirty years, and includes an introduction and brief epilogues to each essay. Tisdale's questing curiosity pursues subjects from the biology of flies to the experience of working in an abortion clinic, why it is so difficult to play sports with men, and whether it's possible for writers to tell the truth. She restlessly returns to themes of the body, the family, and how we try to explain ourselves to each other. She is unwilling to settle for easy answers, and finds the ambiguity and wonder underneath ordinary events. The collection includes a recent essay never before published, about the mystery of how we present ourselves to each other and whether it is possible to know even our own inner lives.

While all armed conflicts are marked by violations of international humanitarian law, non-international armed conflicts appear to be characterised by even more serious violations of international humanitarian law on a colossal scale. This study is aimed at understanding the possible factors that may cause parties to non-international armed conflicts to engage in violations despite the fact that not only international humanitarian law but also other bodies of rules (e.g. legal and moral) impose restrictions and obligations similar to international humanitarian law. Somalia, which for over two decaces has been experiencing internal armed conflicts marked by widespread violations, is a typical case.

Theorists critique photography for ÒobjectifyingÓ its subjects and manipulating appearance for the sake of art. In this bold counterargument, John Roberts recasts photographyÕs violating powers and aesthetic technique as part of a complex Òsocial ontologyÓ that exposes the hierarchies, divisions, and exclusions behind appearances. Photography must Òarrive unannouncedÓ and Òget in the way of the world,Ó Roberts argues, committing to the truth-claims of the spectator over the self-interests and sensitivities of the subject. Yet even though the violating capacity of the photograph results from external power relations, the photographer is still faced with an ethical choice: whether to advance photographyÕs truth-claims on the basis of these powers or to diminish or veil these powers to protect the integrity of the subject. PhotographyÕs acts of intrusion and destabilization constantly test the photographer at the point of production, in the darkroom, and at the computer, especially in our 24-hour digital image culture. RobertsÕs refunctioning of photographyÕs place in the world is therefore critically game-changing, as it politically and theoretically restores the reputation of the art.

Reprint of the original. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

This book comprises 13 articles on topics drawn from the European Convention on Human Rights. The book provides the reader with interesting information on aspects of Human Rights explored for the first time and presented from a critical standpoint.