Violence And Genocide In Kurdish Memory

Kurdische Erinnerungen an den Genozid an den Armeniern stellen die systematische Leugnung durch die türkischen Staatsstrukturen in Frage und eröffnen neue Möglichkeiten der Vergangenheitsbewältigung. Dieses Buch untersucht kurdische Biografien, insbesondere aus Van in der Türkei, und erforscht die Dynamik der miteinander verflochtenen Erinnerungsregime in Bezug auf die politische Gewalt an Armeniern und syrischen Christ*innen der osmanischen kaiserlichen Untertanen und an kurdischen Bürger*innen der Türkei. Diese Lebensgeschichten beleuchten die Komplexität des Erinnerns, einschließlich kollektiver und individueller Erinnerungsvorstellungen über Gewalt, Täterschaft und Opferrolle in Vergangenheit und Gegenwart.

This book focuses on the ethical, aesthetic, and scholarly dimensions of how genocide-related works of art, documentary films, poetry and performance, museums and monuments, music, dance, image, law, memory narratives, spiritual bonds, and ruins are translated and take place as translations of acts of genocide. It shows how genocide-related modes of representation are acts of translation which displace and produce memory and acts of remembrance of genocidal violence as inheritance of the past in a future present. Thus, the possibility of representation is examined in light of what remains in the aftermath where the past and the future are inseparable companions and we find the idea of the untranslatability in acts of genocide. By opening up both the past and lived experiences of genocidal violence as and through multiple acts of translation, this volume marks a heterogeneous turn towards the future, and one which will be of interest to all scholars and students of memory and genocide studies, transitional justice, sociology, psychology, and social anthropology.

Between February and September 1988, the Iraqi government destroyed over 2000 Kurdish villages, killing somewhere between 50,000 and 100,000 civilians and displacing many more. The operation was codenamed Anfal which literally means 'the spoils of war'. For the survivors of this campaign, Anfal did not end in September 1988: the aftermath of this catastrophe is as much a part of the Anfal story as the gas attacks, disappearances and life in the camps. This book examines Kurdish women's experience of violence, destruction, the disappearance of loved ones, and incarceration during the Anfal campaign. It explores the survival strategies of these women in the aftermath of genocide. By bringing together and highlighting women's own testimonies, Choman Hardi reconstructs the Anfal narrative in contrast to the current prevailng one which is highly politicised, simplified, and nationalistic. It also addresses women's silences about sexual abuse and rape in a patriarchal society which holds them responsible for having been a victim of sexual violence.

The Kurdish people and the Kurdish Regional Government faced huge challenges rebuilding their nation and identity after the atrocities and human rights abuses committed by Saddam Hussein and his regime. In 2005 a new Iraqi constitution recognized as genocide the persecution of Faylee Kurds, the disappearance of 8,000 males belonging to the Barzanis and the chemical attacks of Anfal and Halabja paving the way to the investigations and claim by Kurdish people. This book provides in-depth analysis of the tensions caused by the Kurdish experience, the claim for the independence of a united Kurdistan and the wider tendency towards political and social fragmentation in Iraqi society.

Winner of the 2021 annual book award of the Central Eurasian Studies Society (CESS). “David Leupold’s exceptional book explores the complex and contested Turkish, Kurdish, and Armenian visions of homeland in the greater Van region of contemporary Turkey. Through a layered analysis of collective violence, constructed national histories, and imagined homelands, Embattled Dreamlands demonstrates how violence and population displacement in the early 1900s produced homeland imaginaries and mutually exclusive interpretations of the past. Based on five years of ethnographic and historical research, Leupold’s rich tapestry of Ottoman and Soviet history, imagined geographies, and national narratives makes unique theoretical contributions to studies of collective memory and provides an insightful and impartial assessment of sectarian and national identities. The book invites us to evaluate critically and carefully our past and its impact on our contemporary imagined worlds.” Embattled Dreamlands explores the complex relationship between competing national myths, imagined boundaries and local memories in the threefold-contested geography referred to as Eastern Turkey, Western Armenia or Northern Kurdistan. Spatially rooted in the shatter zone of the post-Ottoman and post-Soviet space, it sheds light on the multi-layered memory landscape of the Lake Van region in Southeastern Turkey, where collective violence stretches back from the Armenian Genocide to the Kurdish conflict of today. Based on his fieldwork in Turkey and Armenia, the author examines how states work to construct and monopolize collective memory by narrating, silencing, mapping and performing the past, and how these narratives might help to contribute and resolve present-day conflicts. By looking at how national discourses are constructed and asking hard questions about why nations are imagined as exclusive and hostile to others, Embattled Dreamlands provides a unique insight into the development of national identity which will provide a great resource to students and researchers in sociology and history alike.

What happens to people and the societies in which they live after genocide? How are the devastating events remembered on the individual and collective levels, and how do these memories intersect and diverge as the rulers of postgenocidal states attempt to produce a monolithic “truth” about the past? In this important volume, leading anthropologists consider such questions about the relationship of genocide, truth, memory, and representation in the Balkans, East Timor, Germany, Guatemala, Indonesia, Nigeria, Rwanda, Sudan, and other locales. Specialists on the societies about which they write, these anthropologists draw on ethnographic research to provide on-the-ground analyses of communities in the wake of mass brutality. They investigate how mass violence is described or remembered, and how those representations are altered by the attempts of others, from NGOs to governments, to assert “the truth” about outbreaks of violence. One contributor questions the neutrality of an international group monitoring violence in Sudan and the assumption that such groups are, at worst, benign. Another examines the consequences of how events, victims, and perpetrators are portrayed by the Rwandan government during the annual commemoration of that country’s genocide in 1994. Still another explores the silence around the deaths of between eighty and one hundred thousand people on Bali during Indonesia’s state-sponsored anticommunist violence of 1965–1966, a genocidal period that until recently was rarely referenced in tourist guidebooks, anthropological studies on Bali, or even among the Balinese themselves. Other contributors consider issues of political identity and legitimacy, coping, the media, and “ethnic cleansing.” Genocide: Truth, Memory, and Representation reveals the major contribution that cultural anthropologists can make to the study of genocide. Contributors. Pamela Ballinger, Jennie E. Burnet, Conerly Casey, Elizabeth Drexler, Leslie Dwyer, Alexander Laban Hinton, Sharon E. Hutchinson, Uli Linke, Kevin Lewis O’Neill, Antonius C. G. M. Robben, Debra Rodman, Victoria Sanford

Women Mobilizing Memory, a transnational exploration of the intersection of feminism, history, and memory, shows how the recollection of violent histories can generate possibilities for progressive futures. Questioning the politics of memory-making in relation to experiences of vulnerability and violence, this wide-ranging collection asks: How can memories of violence and its afterlives be mobilized for change? What strategies can disrupt and counter public forgetting? What role do the arts play in addressing the erasure of past violence from current memory and in creating new visions for future generations? Women Mobilizing Memory emerges from a multiyear feminist collaboration bringing together an interdisciplinary group of scholars, artists, and activists from Chile, Turkey, and the United States. The essays in this book assemble and discuss a deep archive of works that activate memory across a variety of protest cultures, ranging from seemingly minor acts of defiance to broader resistance movements. The memory practices it highlights constitute acts of repair that demand justice but do not aim at restitution. They invite the creation of alternative histories that can reconfigure painful pasts and presents. Giving voice to silenced memories and reclaiming collective memories that have been misrepresented in official narratives, Women Mobilizing Memory offers an alternative to more monumental commemorative practices. It models a new direction for memory studies and testifies to a continuing hope for an alternative future.