Violeta Parra S Visual Art

This book explores Violeta Parra’s visual art, focusing on her embroideries (arpilleras), paintings, papier-mâché collages and sculptures. Parra is one of Chile’s great artists and musicians, yet her visual art is relatively unknown. Her fusion of complex imagery from Chilean folk music and culture with archetypes in Western art results in a hybrid body of work. Parra’s hybridism is the story of this book, in which Dillon explores Parra’s ‘painted songs’, the ekphrastic nature of her creations and the way ideas translate from her music and poetry into her visual art. The book identifies three intellectual currents in Parra’s art: its relationship to motifs from Chilean popular and oral culture; its relationship to the work of other modern artists; and its relationship to the themes of her protest music. It argues that Parra’s commentaries on inequality and injustice have as much resonance today as they did fifty years ago. Dillon also explores the convergence between Parra’s art and the work of other modern twentieth-century artists, considering its links to Surrealism, Pop Art and the Mexican Muralism Movement. Parra exhibited in open-air art fairs, museums and cultural centres as well as in prestigious venues such as Museu de Arte Moderna do Brasil (the Museum of Modern Art in Brazil) and the Musée des Arts Décoratifs (Museum of Decorative Arts) in Paris. This book reflects on Parra’s socially-engaged work as it was expressed through her exhibitions in these centres as well as in through own cultural centre La carpa de la reina.

Violeta Parra: By The Whim of the Wind is a biography about Chile's legendary musician and artist who championed her nation's rustic customs, songs and dances against a current of modernization. She left a legacy of topical songs and new respect for the dignity of humble roots. As a visual artist, Violeta Parra was the first Latin American to merit a solo exhibit in the Louvre. A woman of great passion, she paid for her choices tragically. Violeta Parra's story captivated Karen Kerschen when she was caught in the Chilean coup d'etat, September 11, 1973, and forced to flee. A New Yorker by birth, Kerschen's lifelong interest in the threads of folkloric culture date back to childhood stories of her family's emigration from Eastern Europe. She earned a Bachelor of Arts degree from The Cooper Union for the Advancement of Science and Art in NYC and worked in both humanities and technology. Kerschen now lives with her husband in rural northern New Mexico.

The first book in English to consider the full extent of the accomplishments and influence the Chilean cultural icon, Violeta Parra.

One of the leading figures in Latin American folk music and art during her lifetime, Violeta Parra was a vital force in the artistic, musical, visual, cultural, and social cultural production of the Chilean 1960s. Fifty years after her death, she continues to deeply influence artists of the present day. This book revisits Parra’s work and legacy to illustrate her global impact across artistic and political boundaries. Contributors offer multi-disciplinary perspectives that delineate how Parra contributed to shaping and—at the same time—antagonizing, societal processes in mid-20th century Chile.

The second in the Spanish Anti-Princess series explores the life of Violeta Parra, one of Chile's most famous musicians. This engaging nonfiction Spanish text is coupled with colorful illustrations, photographs and activity pages as readers learn about an extraordinary woman and a true superhero. Though her husband expected her to play the part of a submissive housewife, her passion could not be contained; instead, she scoured the Chilean countryside learning about and gathering folkloric music. A self-taught musician, she dedicated herself to preserving traditional songs that had nearly been forgotten, and was recognized internationally for her music as well as her painting and embroidery. Facts about Violeta¿s life and efforts are woven together with colorful illustrations, rich vocabulary and song lyrics to create an engaging exploration of one Chile¿s most heralded artists.

The exhibit celebrates the opening of the permanent exhibit of the art of famed Chilean singer/composer. The exhibit includes 47 pieces of which 25 are oils, 13 arpilleras and 9 pieces in paper mache.

A collection of interviews, essays and vaudeville skits from the 1930s to the 1950s all pertaining to Mexican American theater. Historical studies by Jorge Huerta, Nicol‡s Kanellos, Tom‡s Ybarra-Fausto and others; exclusive interview of Luis Valdez; and a vaudeville material from Lalo Astol, the Carpa Garc’a and others never before published.

The essays in this book, groundbreaking for its focus on teaching Latin American poetry, reflect the region's geographic and cultural heterogeneity. They address works from Mexico, Chile, Peru, Ecuador, Colombia, Cuba, Brazil, Argentina, Guatemala, Nicaragua, and Uruguay, as well as from indigenous communities found within these national distinctions, including the Kaqchikel Maya and Zapotec. The volume's essays help instructors teach poetry written from the second half of the twentieth century on, meaningfully connecting this contemporary corpus with older poetic traditions. Contributors address teaching various topics, from the silva and the long poem to Afro-descendant poetry, in ways that bring performance, digital approaches, queer theory, and translation into action. The insights offered here will demonstrate how Latin American poetry can become a part of classes in African diasporic studies, indigenous studies, history, and anthropology.