Virtuous War

Virtuous War is the first book to map the emergence and judge the consequences of a new military-industrial-media-entertainment network. James Der Derian takes the reader from a family history of war and genocide to new virtual battlespaces in the Mojave Desert, Silicon Valley, Hollywood and American universities. He tracks the convergence of cyborg technologies, video games, media spectacles, war movies, and do-good ideologies that produced a chimera of high-tech, low-risk ‘virtuous wars’. In this newly updated edition, he reveals how a misguided faith in virtuous war to right the wrongs of the world instead paved the way for a flawed response to 9/11 and a disastrous war in Iraq. Blinded by virtue, emboldened by technological superiority, seized by a mimetic terror, the US blundered from one foreign fiasco to the next. Taking the long view as well as getting up close to the war machine, Virtuous War provides a compelling alternative to the partisan politics, instant analysis and technical fixes that currently bedevil US national security policy.

This is the first book to offer a long history of the military strategies, philosophical questions, ethical issues, and political controversies that lead up to the global war on terrorism and the Iraq War.

Unlike most books on the ethics of war, this book rejects the 'just war' tradition, proposing a virtue ethics of war to take its place. Like torture, war cannot be justified. It answers the question: 'If war is a very great evil, would a leader with courage, justice, compassion, and all the other moral virtues ever choose to fight a war?'

A powerful, genuinely ecumenical, meticulously documented, incontrovertible case on behalf of the moral teachings known to Eastern Orthodox, Roman Catholic and Protestants as the justifiable work traditions. Tis book provides a firm biblical, theological and historical foundation for that confidence and is an answer to the Christian peace movement.

This book assesses the ethical implications of using armed unmanned aerial vehicles (‘hunter-killer drones’) in contemporary conflicts. The American way of war is trending away from the heroic and towards the post-heroic, driven by a political preference for air-powered management of strategic risks and the reduction of physical risk to US personnel. The recent use of drones in the War on Terror has demonstrated the power of this technology to transcend time and space, but there has been relatively little debate in the United States and elsewhere over the embrace of what might be regarded as politically desirable and yet morally worrisome: risk-free killing. Arguably, the absence of a relationship of mutual risk between putative combatants poses a fundamental challenge to the status of war as something morally distinguishable from other forms of violence, and it also undermines the professional virtue of the warrior as a courageous risk-taker. This book considers the use of armed drones in the light of ethical principles that are intended to guard against unjust increases in the incidence and lethality of armed conflict. The evidence and arguments presented indicate that, in some respects, the use of armed drones is to be welcomed as an ethically superior mode of warfare. Over time, however, their continued and increased use is likely to generate more challenges than solutions, and perhaps do more harm than good. This book will be of much interest to students of the ethics of war, airpower, counter-terrorism, strategic studies and security studies in general.

In this seminal new work, Martin Shaw, a leading expert on the sociology of war, argues that the new Western way of war is in crisis. He charts the development of a new warfare, after Vietnam, through the Falklands, the Gulf, Kosovo and Afghanistan. He argues that in the Iraq (mis)adventure (of which he provides a detailed analysis) and the War on Terror, the US has consistently flouted the key rules that enabled Western states to fight these earlier wars successfully. The results are not only political failure and a disaster in Iraq, but also a loss of credibility for the very idea of Western warfare. For Shaw, the new way of war focuses on containing risks to the lives of Western soldiers in order to minimise political and electoral risk to governments. Risk is transferred to innocent civilians, whose killing is explained away as 'accidental'. Yet the idea of managing risk is fundamentally at odds with the brutal, unpredictable nature of war. Ultimately, attempts to manage, govern and rule over the risks of war produce greater risks for those in power. The New Western Way of War is a moral and political statement as well as a major contribution to sociology and international relations. It will make compelling reading not only for students and scholars of these disciplines, but for anyone concerned about Western political and military power, and the future for global justice.

With a detailed range of approaches, this new collection investigates how cinematic narratives can and have been used to portray different political 'threats' and 'dangers'. Including a range of chapters with a contemporary focus, it studies issues such as: how the geopolitical world has been constructed through film how cinema can provide explanatory narratives in periods of cultural and political anxiety, uneasiness and uncertainty. Examining the ways in which film impacts upon popular understandings of national identity and the changing geopolitical world, the book looks at how audiences make sense of the (geo)political messages and meanings contained within a variety of films - from the US productions of Hollywood, to Palestinian, Mexican, British, and German cinematic traditions. This thought-provoking book draws on an international range of contributions to discuss and fully investigate world cinema in light of key contemporary issues. This book was previously published as a special issue of Geopolitics.