Visions And Wounds

A New York Times bestseller and enduring classic, All About Love is the acclaimed first volume in feminist icon bell hooks' "Love Song to the Nation" trilogy. All About Love reveals what causes a polarized society, and how to heal the divisions that cause suffering. Here is the truth about love, and inspiration to help us instill caring, compassion, and strength in our homes, schools, and workplaces. “The word ‘love’ is most often defined as a noun, yet we would all love better if we used it as a verb,” writes bell hooks as she comes out fighting and on fire in All About Love. Here, at her most provocative and intensely personal, renowned scholar, cultural critic and feminist bell hooks offers a proactive new ethic for a society bereft with lovelessness--not the lack of romance, but the lack of care, compassion, and unity. People are divided, she declares, by society’s failure to provide a model for learning to love. As bell hooks uses her incisive mind to explore the question “What is love?” her answers strike at both the mind and heart. Razing the cultural paradigm that the ideal love is infused with sex and desire, she provides a new path to love that is sacred, redemptive, and healing for individuals and for a nation. The Utne Reader declared bell hooks one of the “100 Visionaries Who Can Change Your Life.” All About Love is a powerful, timely affirmation of just how profoundly her revelations can change hearts and minds for the better.

Foreword Review's Annual INDIEFAB Book of the Year Finalist Outreach Resource of the Year Christianity Today Award of Merit Leadership Journal Best Books for Church Leaders Book of the Year from Byron Borger, Hearts and Minds Bookstore Is it possible to know the world and still love the world? Of all the questions we ask about our calling, this is the most difficult. From marriages to international relations, the more we know, the harder it is to love. We become cynics or stoics, protecting our hearts from the implications of what we know. But what if the vision of vocation can be recovered—allowing us to step into the wounds of the world and for love's sake take up our responsibility for the way the world turns out? For decades Steve Garber has come alongside a wide range of people as they seek to make sense of the world and their lives. With him we meet leaders from the Tiananmen Square protest who want a good reason to still care about China. We also meet with many ordinary people in ordinary places who long for their lives to matter: Jonathan who learned he would rather build houses than study history Todd and Maria who adopted creative schedules so they could parent better and practice medicine D.J. who helped Congress move into the Internet Age Robin who spends her life on behalf of urban justice Hans who makes hamburgers the way they are meant to be made Susan who built a home business of hand-printing stationary using a letterpress Santiago who works with majority-world nations in need of capital George who has given years to teaching students to learn things that matter most Claudius and Deirdre whose openhearted home has always been a place for people Dan who loves Wyoming, the place, its people and its cows Vocation is when we come to know the world in all its joy and pain and still love it. Vocation is following our calling to seek the welfare of the world we live in. And in helping the world to flourish, strangely, mysteriously, we find that we flourish too. Garber offers a book for everyone everywhere—for students, for parents, for those in the arts, in the academy, in public service, in the trades and in commerce—for all who want to discover the virtue of vocation.

The disunity of the church is a social and theological scandal for it betrays the prayer of Jesus that we "will be one . . . so that the world will believe" (John 17:21). As a Baptist whose academic background focused on the Orthodox Church and whose teaching has included Catholic and Protestant contexts, this division is for Elizabeth Newman personal and professional. Attending to the Wounds on Christ's Body rests on the conviction that the broad tradition of Christianity already contains resources to heal the church, namely the saints of the church. Newman examines especially how Teresa of Avila (1515-1582) speaks to the whole church today in the midst of political, economic, and ecclesial brokenness. Teresa's reliance upon three scriptural figures--dwellings, marriage, and pilgrimage--helps make sense of an ecclesial way of life that is inherently unitive, a unity that stands in contrast to that of the nation-state or the global market. Teresa's scriptural journey offers an alternative at once liturgical, political, and economic. This Doctor of the Church provides "medicine" that can repair wounds of division that separate brothers and sisters in Christ.

Visions of Glory brings together twenty-two images and twenty-two brisk essays, each essay connecting an image to the events that unfolded during a particular year of the Civil War. The book focuses on a diverse set of images that include a depiction of former slaves whipping their erstwhile overseer distributed by an African American publisher, a census graph published in the New York Times, and a cutout of a child’s hand sent by a southern mother to her husband at the front. The essays in this collection reveal how wartime women and men created both written accounts and a visual register to make sense of this pivotal period. The collection proceeds chronologically, providing a nuanced history by highlighting the multiple meanings an assorted group of writers and readers discerned from the same set of circumstances. In so doing, this volume assembles contingent and fractured visions of the Civil War, but its differing perspectives also reveal a set of overlapping concerns. A number of essays focus in particular on African American engagements with visual culture. The collection also emphasizes the role that women played in making, disseminating, or interpreting wartime images. While every essay explores the relationship between image and word, several contributions focus on the ways in which Civil War images complicate an understanding of canonical writers such as Emerson, Melville, and Whitman.

Someone once said, "Real poetry doesn't have to say anything at all, it just has to make people feel, and change their perceptions of the way the world is. As long as it suits them." If I can accomplish the change of Visionfor at least one person who has read my words and experienced what I experienced, felt what I felt, then I have accomplished that which is what I want most desperately... to be a poet. Vision is Pete J. Golod's first published book of poetry, and it is a culmination of over a decade's work.His dark and non-linear approach to poetry with the heavy use of imagery and metaphor help paint the canvas of the mind, creating a new voice and way for the reader to 'see'. PETE J.GOLOD, a connoisseur of imagery and a master of the subtleties of language, draws upon his myriad life experiences to create a true poetic autobiography in his first publication, Vision. Born and raised in northern New Jersey, Pete's Polish-heritage influences are evident in his verse. Messages of pride, love, loyalty, trust, and betrayal abound as he intimately explores relationships with his family, lovers, and friends. Inspired by the likes of Jim Morrison and Hunter S. Thompson, his sometimes eccentric, yet always unpretentious and candid poems will move any reader to reflection.A firm believer in living life in the moment, Pete shares his unique perspectives on life, death, and all things that come between, especially love and its loss. Visionrepresents the realization of a longtime dream for Pete: the opportunity to illuminate the human condition - for better or for worse - in the honest, limitless light it deserves.

A stunning combination of landscape photography and thematic essays exploring how the concept of wilderness has evolved over time Our ideas of wilderness have evolved dramatically over the past one hundred and fifty years, from a view of wild country as an inviolable "place apart" to one that exists only within the matrix of human activity. This shift in understanding has provoked complicated questions about the importance of the wild in American environmentalism, as well as new aesthetic expectations as we reframe the wilderness as (to some degree) a human creation. Wild Visions is distinctive in its union of landscape photography and environmental thought, a merging of short, thematic essays with a striking visual narrative. Often, the wild is viewed in binary terms: either revered as sacred and ecologically pure or dismissed as spoiled by human activities. This book portrays wilderness instead as an evolving gamut of understandings, a collage of views and ideas that is still in process.