Visions Of Caliban

The authors use Shakespeare's Tempest as a metaphor for the relationship between people and chimps, exploring the very human aspects of this remarkable species. Original.

In all latitudes, writers hold out a mirror, leading the reader to awareness by telling real or imaginary stories about people of good will who try to save what can be saved, and about animals showing humans the way to follow. Such tales argue that, in spite of all destructions and tragedies, if we are just aware of, and connected to, the real world around us, to the blade of grass at our feet and the star above our heads, there is hope in a reconciliation with the Earth. This may start with the emergence, or, rather, the return, of a nonverbal language, restoring the connection between human beings and the nonhuman world, through a form of communication beyond verbalization. Through a journey in Anglophone literature, with examples taken from Aboriginal, African, American, English, Canadian and Indian works, this book shows the role played by literature in the protection of the planet. It argues that literature reveals the fundamental idea that everything is connected and that it is only when most people are aware of this connection that the world will change. Exactly as a tree is connected with all the animal life in and around it, texts show that nothing should be separated. From Shakespeare’s theatre to ecopoetics, from travel writing to detective novels, from children’s books to novels, all literary genres show that literature responds to the violence destroying lands, men and nonhuman creatures, whose voices can be heard through texts.

Table of Contents: Past the Human: Narrative Ontologies and Ontological Stories. Editorial, Serenella Iovino, Roberto Marchesini, Eleonora Adorni - Posthumanism in Literature and Ecocriticism. Introduction, Serenella Iovino - From Posthumanism to Posthuman Ecocriticim, Serpil Oppermann - Threatening Animals?, Heather I. Sullivan - The Posthuman that Could Have Been: Mary Shelley’s Creature, Margarita Carretero González - Gadda’s Pasticciaccio and the Knotted Posthuman Household, Deborah Amberson, Elena Past - Posthuman Spaces of Relation: Literary Responses to the Species Boundary in Primate Literature, Diana Villanueva Romero - Can the Humanities Become Post-human? Interview with Rosi Braidotti, Cosetta Veronese - Recent Approaches in the Posthuman Turn: Braidotti, Herbrechter, and Nayar, Başak Ağın Dönmez - More-than-green Ecologies, Christopher Schliephake - Posthuman Narratives, Italian Style, Emiliano Guaraldo - Deep Breathing Ecocriticism: Stories, Matter, and Spiritual Dimensions, Alessandro Macilenti

TABLE OF CONTENTS. EDITORIAL: Past the Human: Narrative Ontologies and Ontological Stories, Serenella Iovino, Roberto Marchesini, Eleonora Adorni - INTRODUCTION: Posthumanism in Literature and Ecocriticism, Serenella Iovino - STUDIES AND RESEARCH CONTRIBUTIONS: From Posthumanism to Posthuman Ecocriticim, Serpil Oppermann - Threatening Animals?, Heather I. Sullivan - The Posthuman that Could Have Been: Mary Shelley's Creature, Margarita Carretero González - Gadda's Pasticciaccio and the Knotted Posthuman Household, Deborah Amberson, Elena Past - Posthuman Spaces of Relation: Literary Responses to the Species Boundary in Primate Literature, Diana Villanueva Romero - COMMENTS, DEBATES, REPORTS AND INTERVIEWS: Can the Humanities Become Post-human? Interview with Rosi Braidotti ,Cosetta Veronese - REVIEWS

This book traces the discovery and interpretation of the human-like great apes and shows how the taboo-ridden animal-human boundary was challenged.

The organization of Shakespeare's plays has challenged, even baffled audiences and critics since the 17th century. Cymbeline has been dismissed as "incoherent." Hamlet "is of no clear shape." And Antony and Cleopatra "bewilders the mind." These judgments result from an incomplete understanding of Shakespeare's constructive practice. It is not the narrative arc alone that organizes the plays but a complex structure of interwoven narrative and thematic actions. While the narrative varies from play to play, thematic actions are invariably created in mirroring pairs around the central scene: A-B-C-B-A. This symmetrical pattern, which can be visualized as an arch with a focal keystone, is the foundation of all of Shakespeare's mature work, as shown through an analysis of the 26 plays in this book. This arch illuminates the structure of plays that have long been puzzling, demonstrating that they are thematically organized and rigorously crafted. It also reveals subtleties otherwise invisible.

A lifelong fascination with primates led Dale Peterson to Africa, which he crisscrossed in hope of sighting chimpanzees in the wild. As with any adventure worth retelling, however, Peterson's detours are as notable as his destinations. With the good-natured fatalism of the tested traveler, Peterson tells of trains and riverboats, opportunists and ecotourists, rain forests and shantytowns as he conveys the pitfalls of going forth on a budget as tiny as the continent is vast. Along the way, we also meet Jane Goodall and several other renowned primate researchers and caretakers. This is travel writing with a purpose, an account that inspires both admiration and concern for Africa's people, places, and natural diversity.

W.E.H. Stanner's words changed Australia. Without condescension and without sentimentality, in essays such as 'The Dreaming' Stanner conveyed the richness and uniqueness of Aboriginal culture. In his Boyer Lectures he exposed a 'cult of forgetfulness practised on a national scale,' regarding the fate of the Aborigines, for which he coined the phrase 'the great Australian silence'. And in his essay 'Durmugam' he provided an unforgettable portrait of a warrior's attempt to hold back cultural change. 'He was such a man,' Stanner wrote. 'I thought I would like to make the reading world see and feel him as I did.' The pieces collected here span the career of W.E.H. Stanner as well as the history of Australian race relations. They reveal the extraordinary scholarship, humanity and vision of one of Australia's finest essayists. Their revival is a significant event. With an introductory essay by Robert Manne. "Stanner's essays still hold their own among this country's finest writings on matters black and white." - Noel Pearson