Visions Of The Roman North Art And Identity In Northern Roman Britain

This is the first book to analyse art from the northern frontier zones of Roman Britain and to interpret the meaning and significance of this art in terms of the formation of a regional identity. It argues that a distinct and vibrant visual culture flourished in the north, primarily due to its status as a heavily militarized frontier zone.

This study considers the relationship between geography and power in the Roman world, most particularly the visualisation of geographical knowledge in myriad forms of geography products: geographical treatises, histories, poems, personifications, landscape representations, images of barbarian peoples, maps, itineraries, and imported foodstuffs.

32 papers present research on the Antonine Wall in honour of Lawrence Keppie. Papers cover a wide variety of aspects: the environmental and prehistoric background; structure, planning and construction; military deployment; associated artefacts and inscriptions; logistics of supply; the people of the Wall, including womenfolk and children.

With the help of over 100 illustrations, many of them little known, Martin Henig shows that the art produced in Britannia rivals that of other provinces and deserves comparison with the art of metropolitan Rome.

This book takes a holistic look at Roman Britain, from the events leading up to its official inception in AD 43 until the Romans left the Isle entirely around AD 409. The timeline is straightforward, and each chapter delves into some aspect of Romano-British life: dealing with the concept of 'the Celts'; when Britannia actually became 'Roman'; how the two peoples attempted to blend their culture through religion; and lastly, why the Romans had to leave. Inside you will read about... ✓ The Timeline ✓ Ancient Celtic Ethnicity, A Modern Invention ✓ The Beginnings Of Roman Britain ✓ Religion And Blending Culture In Roman Britain ✓ The Bitter End It can be difficult to explain everything from a neutral, unbiased perspective as most of the records from the time are Roman in nature, but drawing on a variety of perspectives from archaeologists and historians alike has made for a thought-provoking assessment of the era. Rome's power bestowed cities like London and York to Britannia, and their lasting influence is still visible today in places like Bath, and at Hadrian's Wall to the north. Roman Britain lingers on still.

This highly illustrated book offers an accessible summary of Hadrian’s Wall, and an overview of the wider context of the Roman frontiers.

In this important and beautifully illustrated book, David Breeze elucidates the context of the most famous frontier, Hadrian’s Wall. The zone to north and south of the Wall was a heavily militarised landscape of roads, bridges, forts, fortlets and towers, but also the towns, settlements and supply infrastructure on which the army depended.

The artists of Ancient Rome portrayed the barbarian enemies of the empire in sculpture, reliefs, metalwork and jewellery. Enemies of Rome shows how the study of these images can reveal a great deal about the barbarians, as well as Roman art and the Romans view of themselves.