Visions Of Womanhood In Contemporary African Literature

Through an analysis of historical and contemporary literature, Visions of Womanhood in Contemporary African Literature argues that African women were not relegated to the background in African society until after colonization. Blessing Diala-Ogamba analyzes the history of women’s roles in African society through oral stories and biographies to show how colonialization worked to oppress women in Africa and explores the ways contemporary African literature confronts and works to overcome its colonial past. Using works by authors such as Akachi Adimora Ezeigbo, Lilian Masitera, Nawal El Sadaawi, Lauretta Ncgobo, Sembene Ousmane, and many others, Diala-Ogamba reveals the consistent progression of women and their roles in African novels and society.

A collection of work by six prominent artists accompanied by critical essays which place the work in the context of the artists' socio-cultural backgrounds. All six artists are of African origin but work in the West: Ethiopian painter Elisabeth T Atnafu; US fibre and mixed-media artist Xenobia Bailey; Jamaican photographer Renee Cox; Cameroon photographer Angele Essamba; painter Houria Niati from Algeria; and Ethiopian sculptor Etiye Dimma Poulsen.

Legacies of Departed African Writers analyzes and celebrates the resounding contributions of ten deceased African female writers of contemporary African literature and feminist scholarship, examining the ideologies, thematic concerns, and stylistic devices which constitute the fabrics of the legacies left by these iconic pacesetters.

The influence of colonialism and race on the development of African literature has been the subject of a number of studies. The effect of patriarchy and gender, however, and indeed the contributions of African women, have up until now been largely ignored by the critics. Contemporary African Literature and the Politics of Gender is the first extensive account of African literature from a feminist perspective. In this first radical and exciting work Florence Stratton outlines the features of an emerging female tradition in African fiction. A chapter is dedicated to each to the works of four women writers: Grace Ogot, Flora Nwapa, Buchi Emecheta and Mariama Ba. In addition she provides challenging new readings of canonical male authors such as Chinua Achebe, Ngugi wa Thiongo'o and Wole Soyinka. Contemporary African Literature and the Politics of Gender thus provides the first truly comprehensive definition of the current literary tradition in Africa.

Why do we preserve certain landscapes while developing others without restraint? Drew A. Swanson's in-depth look at Wormsloe plantation, located on the salt marshes outside of Savannah, Georgia, explores that question while revealing the broad historical forces that have shaped the lowcountry South. Wormsloe is one of the most historic and ecologically significant stretches of the Georgia coast. It has remained in the hands of one family from 1736, when Georgia's Trustees granted it to Noble Jones, through the 1970s, when much of Wormsloe was ceded to Georgia for the creation of a state historic site. It has served as a guard post against aggression from Spanish Florida; a node in an emerging cotton economy connected to far-flung places like Lancashire and India; a retreat for pleasure and leisure; and a carefully maintained historic site and green space. Like many lowcountry places, Wormsloe is inextricably tied to regional, national, and global environments and is the product of transatlantic exchanges. Swanson argues that while visitors to Wormsloe value what they perceive to be an "authentic," undisturbed place, this landscape is actually the product of aggressive management over generations. He also finds that Wormsloe is an ideal place to get at hidden stories, such as African American environmental and agricultural knowledge, conceptions of health and disease, the relationship between manual labor and views of nature, and the ties between historic preservation and natural resource conservation. Remaking Wormsloe Plantation connects this distinct Georgia place to the broader world, adding depth and nuance to the understanding of our own conceptions of nature and history.

The complexity of African society entering the 21st century necessitates an interdisciplinary examination of Africa's political, social, and cultural developments and challenges. Focusing on Social Movements and Literature, Social Change and Culture, the book brings together a wide range of essays by committed scholars, writers, and activists concerned with progressive approaches to Africa's dilemmas. Beginning with an overview by anthropologist Cheryl Mwaria, African Visions addresses such issues as structural adjustments, religious freedom, human rights, democratization, educational movements, and health care. Particular analyses consider intellectual property, student activism, and the AIDS epidemic. Mwaria, Federici, and McLaren also explore the way social and cultural questions have been treated in literary works and theoretical studies dealing with hybridity, sexual politics, literacy, socialist orientations, and language. Noted literary scholars Odun Balogun and Alamin Mazrui consider aspects of these issues. The collection also examines trends in literature, publishing, and theater in such countries as Algeria, Niger, Nigeria, and South Africa in relation to themes such as gender, popular culture, African novels, and protest. Highlighting articles by two of Africa's leading activist/writers Dennis Brutus of South Africa, stressing regional cooperation, and Ngûgî wa Thiong'o of Kenya, advocating African languages, African Visions avoids the pessimism associated with numerous 20th century studies. Brutus and Ngûgî consider the economic and cultural effects of globalization and the necessity for promoting self-determination. An essential resource for all scholars and students concerned with contemporary African life and culture.

African women writers have come a long way from the 1960s when they were hardly noticed as serious writers. Since the 1960s, female writing in Africa has been steadily rising in quantity and quality. This work shows how their literature is redefining images of womanhood.