Visualising The Neolithic

Prehistoric imagery is enigmatic and has been largely overlooked by archaeologists; it is only in the last two decades that it has garnered serious academic attention. This volume addresses this lacuna and discusses visual expression across Neolithic Europe. The papers in this volume result from a meeting of the Neolithic Studies Group on the topic of 'Neolithic visual culture' at the British Museum in November 2010. The intention of the meeting was to assess new studies of rock art from across Britain and Ireland, and to compare these with studies of Neolithic visuality from continental Europe. Here, the scope of the original meeting is widened, and includes further papers to provide a broader context and more coherent analysis of prehistoric expressionism. The volume is organised so that the rock art and passage tomb art traditions of the Neolithic in Britain and Ireland are compared for the first time to the rock art traditions of Northern and Southern Europe, with the mortuary costumes and figurines of South-eastern Europe.

A new generation of archaeologists has thrown down a challenge to post-processual theory, arguing that characterizing material symbols as arbitrary overlooks the material character and significance of artifacts. This volume showcases the significant departure from previous symbolic approaches that is underway in the discipline. It brings together key scholars advancing a variety of cutting edge approaches, each emphasizing an understanding of artifacts and materials not in terms of symbols but relationally, as a set of associations that compose people’s understanding of the world. Authors draw on a diversity of intellectual sources and case studies, paving a dynamic road ahead for archaeology as a discipline and theoretical approaches to material culture.

Considering that Orkney is a group of relatively small islands lying off the northeast coast of the Scottish mainland, its wealth of Neolithic archaeology is truly extraordinary. An assortment of houses, chambered cairns, stone circles, standing stones and passage graves provides an unusually comprehensive range of archaeological and architectural contexts. Yet, in the early 1990s, there was a noticeable imbalance between 4th and 3rd millennium cal BC evidence, with house structures, and ‘villages’ being well represented in the latter but minimally in the former. As elsewhere in the British Isles, the archaeological visibility of the 4th millennium cal BC in Orkney tends to be dominated by the monumental presence of chambered cairns or tombs. In the 1970s Claude Lévi-Strauss conceived of a form of social organization based upon the ‘house’ – sociétés à maisons – in order to provide a classification for social groups that appeared not to conform to established anthropological kinship structures. In this approach, the anchor point is the ‘house’, understood as a conceptual resource that is a consequence of a strategy of constructing and legitimizing identities under ever shifting social conditions. Drawing on the results of an extensive program of fieldwork in the Bay of Firth, Mainland Orkney, the text explores the idea that the physical appearance of the house is a potent resource for materializing the dichotomous alliance and descent principles apparent in the archaeological evidence for the early and later Neolithic of Orkney. It argues that some of the insights made by Lévi-Strauss in his basic formulation of sociétés à maisons are extremely relevant to interpreting the archaeological evidence and providing the parameters for a ‘social’ narrative of the material changes occurring in Orkney between the 4th and 2nd millennia cal BC. The major excavations undertaken during the Cuween-Wideford Landscape Project provided an unprecedented depth and variety of evidence for Neolithic occupation, bridging the gap between domestic and ceremonial architecture and form, exploring the transition from wood to stone and relationships between the living and the dead and the role of material culture. The results are described and discussed in detail here, enabling tracing of the development and fragmentation of sociétés à maisons over a 1500 year period of Northern Isles prehistory.

The Neolithic of Britain and Ireland provides a synthesis of this dynamic period of prehistory from the end of the Mesolithic through to the early Beaker period. Drawing on new excavations and the application of new scientific approaches to data from this period, this book considers both life and death in the Neolithic. It offers a clear and concise introduction to this period but with an emphasis on the wider and on-going research questions. It is an important text for students new to the study of this period of prehistory as well as acting as a reference for students and scholars already researching this area. The book begins by considering the Mesolithic prelude, specifically the millennium prior to the start of the Neolithic in Britain and Ireland. It then goes on to consider what life was like for people at the time, alongside the monumental record and how people treated the dead. This is presented chronologically, with separate chapters on the early Neolithic, middle Neolithic, late Neolithic and early Beaker periods. Finally it considers future research priorities for the study of the Neolithic.

This book offers a groundbreaking analysis of Neolithic art and architecture in Orkney, focussing upon the incredible collection of hundreds of decorated stones being revealed by the current excavations at the Ness of Brodgar.

This collection of studies on the cultural reconfigurations that occurred in western Europe between the 3rd and 2nd millennium BCE focuses on the evidence from the West of the Iberian Peninsula, and one on the South of England. They explore regional diversity and challenge grand narratives regarding Chalcolithic and Bronze Age communities.

Above the land and its horizon lies the celestial sphere, that great dome of the sky which governs light and darkness, critical to life itself, yet its influence is often neglected in the archaeological narrative. Visualising Skyscapes captures a growing interest in the emerging field of skyscape archaeology. This powerful and innovative book returns the sky to its rightful place as a central consideration in archaeological thought and can be regarded as a handbook for further research. Bookended by a foreword by archaeologist Gabriel Cooney and an afterword by astronomer Andrew Newsam, its contents have a wide-reaching relevance for the fields of archaeology, anthropology, ethnography, archaeoastronomy, astronomy, heritage and cultural studies. The volume balances six chapters on theory and methodology which elaborate on the history and practice of the field with six other chapters focused on case studies from around the world. Visualising Skyscapes captures the growing interest in the multidisciplinary study of skyscapes and will be of interest to academics, students and the general public, as well as having international appeal. It is topical, timely and relevant to current debates and will hopefully stimulate further interest in this exciting and relatively new area of investigation. The contributions showcase the work of distinguished academics in the field and the chapters are all enhanced by numerous photographs and images.

Stan Beckensall is renowned for his work, done on an entirely amateur basis, discovering, recording and interpreting Atlantic rock art in his home county of Northumberland and beyond. Presented on his 90th birthday, this diverse and stimulating collection of papers celebrates his crucial contribution to rock art studies, and looks to the future.