Voices From Pejuhutazizi

The stories told by these two talented men of the Upper Sioux Community in Mni Sota Makoce--Minnesota--bring people together, impart values and traditions, deliver heroes, reconcile, reveal place, and entertain.

A story within a story about Psipsi, a young Dakota girl, whose father shares a traditional Uŋktomi story with her. Uŋktomi stories have been shared in Dakota families and communities for a very long time. This tradition continued into the childhood of my mother's generation. Depending upon location and community, variations of this Uŋktomi story have been told. This Uŋktomi story is a local version my mother and her siblings heard from their father, primarily when they were ill, perhaps to lend comfort in addition to impart lessons to a captive audience.

After centuries of colonization, this important new work recovers the literary record of Oceti Sakowin (historically known to some as the Sioux Nation) women, who served as their tribes’ traditional culture keepers and culture bearers. In so doing, it furthers discussions about settler colonialism, literature, nationalism, and gender. Women and land form the core themes of the book, which brings tribal and settler colonial narratives into comparative analysis. Divided into two parts, the first section of the work explores how settler colonizers used the printing press and boarding schools to displace Oceti Sakowin women as traditional culture keepers and culture bearers with the goal of internally and externally colonizing the Dakota, Nakota, and Lakota nations. The second section focuses on decolonization and explores how contemporary Oceti Sakowin writers and scholars have started to reclaim Dakota, Nakota, and Lakota literatures to decolonize and heal their families, communities, and nations.

Travel through a garden’s seasons toward healing, reclamation, and wholeness—for us, and for our beloved relative, the Earth In this rich collection of prose, poetry, and recipes, Teresa Peterson shares how she found refuge from the struggle to reconcile her Christianity and Dakota spirituality, discovering solace and ceremony in communing with the earth. Observing and embracing the cycles of her garden, she awakens to the constant affirmation that healing and wellness can be attained through a deep relationship with land, plants, and waters. Dakota people call this way of seeing and being in the world mitakuye owasin: all my relations. Perennial Ceremony brings us into this relationship, as Peterson guides us through the Dakota seasons to impart lessons from her life as a gardener, gatherer, and lover of the land. We see the awakening of Wetu (spring), a transitional time when nature comes alive and sweet sap flows from maples, and the imperfect splendor of Bdoketu (summer), when rain becomes a needed and nourishing gift. We share in the harvesting wisdom of Ptaŋyetu (fall), a time to savor daylight and reap the garden’s abundance, and the restorative solitude of Waniyetu (winter), when snow blankets the landscape and sharpens every sound. Through it all, Peterson walks with us along the path that both divides and joins Christian doctrine, everyday spiritual experience, and the healing powers of Indigenous wisdom and spirituality. In this intimate seasonal cycle, we learn how the garden becomes a healing balm. Peterson teaches us how ceremony may be found there: how in the vegetables and flowers, the woods, the hillsides, the river valley—even in the feeding of friends and family—we can reclaim and honor our relationship with Mother Earth. She encourages us to bring perennial ceremony into our own lives, inviting us on a journey that brings us full circle to makoce kiŋ mitakuye: the land is my relative.

A child of a typical 1950s suburb unearths her mother's hidden heritage, launching a rich and magical exploration of her own identity and her family's powerful Native American past.

A haunting novel spanning several generations, The Seed Keeper follows a Dakhóta family’s struggle to preserve their way of life, and their sacrifices to protect what matters most. Rosalie Iron Wing has grown up in the woods with her father, Ray, a former science teacher who tells her stories of plants, of the stars, of the origins of the Dakhóta people. Until, one morning, Ray doesn’t return from checking his traps. Told she has no family, Rosalie is sent to live with a foster family in nearby Mankato—where the reserved, bookish teenager meets rebellious Gaby Makespeace, in a friendship that transcends the damaged legacies they’ve inherited. On a winter’s day many years later, Rosalie returns to her childhood home. A widow and mother, she has spent the previous two decades on her white husband’s farm, finding solace in her garden even as the farm is threatened first by drought and then by a predatory chemical company. Now, grieving, Rosalie begins to confront the past, on a search for family, identity, and a community where she can finally belong. In the process, she learns what it means to be descended from women with souls of iron—women who have protected their families, their traditions, and a precious cache of seeds through generations of hardship and loss, through war and the insidious trauma of boarding schools. Weaving together the voices of four indelible women, The Seed Keeper is a beautifully told story of reawakening, of remembering our original relationship to the seeds and, through them, to our ancestors.

In this remarkable collection, fourteen Somali women tell their stories, sharing experiences of love, war, displacement, family, identity, and everyday life. After civil war broke out in Somalia in 1991, thousands fled and sought asylum all over the world. Many Somali women carried the responsibility for finding safe passage and new homes for their families in the wake of the war.