Voices From The Mackenzies

Re-live the experiences of the people who traveled to the distant and untouched Mackenzie Mountains of Canada’s Northwest Territories. This raw, beautiful land was opened to outfitting in 1965, when intrepid entrepreneurs carried out exploratory hunts by horse and backpack to determine whether the Mackenzies were worth an outfitting investment. Five men initially set out to build their businesses in this remote country, making a living through a lot of hard work and a little bit of luck. Guides, cooks and wranglers contributed to their success in the hunt for Dall sheep, grizzly bears, mountain caribou, mountain goats and moose. Their stories are filled with tales of animal encounters, tragedy and humour. Today, eight outfitters operate in the Mackenzie Mountains as the area remains as remote and beautiful as when the original five outfitters trekked into the area in the 1960’s. I hope you enjoy reading Voices From the Mackenzies as much as I enjoyed writing about the folks who made their living in this beautiful country.

Re-live the experiences of the people who traveled to the distant and untouched Mackenzie Mountains of Canada’s Northwest Territories. This raw, beautiful land was opened to outfitting in 1965, when intrepid entrepreneurs carried out exploratory hunts by horse and backpack to determine whether the Mackenzies were worth an outfitting investment. Five men initially set out to build their businesses in this remote country, making a living through a lot of hard work and a little bit of luck. Guides, cooks and wranglers contributed to their success in the hunt for Dall sheep, grizzly bears, mountain caribou, mountain goats and moose. Their stories are filled with tales of animal encounters, tragedy and humour. Today, eight outfitters operate in the Mackenzie Mountains as the area remains as remote and beautiful as when the original five outfitters trekked into the area in the 1960’s. I hope you enjoy reading Voices From the Mackenzies as much as I enjoyed writing about the folks who made their living in this beautiful country.

These emotional and suspenseful romances will give you all the feels! Sit back, put your feet up and prepare to go on a journey with the Mackenzie brothers and their close friends as they fall in love. But don’t expect an easy road to their happy ever afters! There are intense emotions and unexpected twists and turns because these macho men fall for strong women with minds of their own! If you love women's fiction with no profanity and no explicit sex scenes (contains mild sexual content only), The Mackenzies series is a great fit for you! This boxed set contains the complete six-book series: A Place Called Home Secrets at Parata Bay Escape to Shelter Springs What you see in the Stars Second Chance at Whisper Creek Summer at the Lakehouse Café A Place Called Home An art restorer looking for a home. A commitment-phobe running from his emotions. A painting which brings them together but which reveals a mysterious past from which neither can escape… Secrets at Parata Bay A grieving mother intent on revenge. A millionaire who values honesty above all else. A love threatened by the legacy of family… Escape to Shelter Springs A woman wanting freedom. A man determined to keep his family safe and secure. A marriage doomed before it’s begun… What You See in the Stars A nerdy astronomer. A macho cowboy. And a heartache that neither could have seen in the stars… Second Chance at Whisper Creek A woman who values her independence. A playboy who wants to make amends for past mistakes. A trust that has to be earned… Summer at the Lakehouse Café A staunchly independent solo mum. A winemaker who has lost his family. A summer in which to learn to trust again. The stories continue with the Connelly family of Lantern Bay (also available as a boxed set). Yours to Give Yours to Treasure Yours to Cherish Yours to Keep Yours Forever Yours to Love Happy reading!

As the D.C. city sprawl moved west along the banks of the Potomac in the late 1990s, what had once been a rural backwater was rapidly transformed into a dystopian suburbia of suspicion, greed, and naked self-interest. This collection examines the resulting blends of money, race, and class that have come to define the ongoing metamorphosis of Northern Virginia. In "Kalim Mansour," a boy trying to understand his father fixates on a mysterious Saudi car salesman. In "Rowdy," a man who was sexually assaulted by his high school football team still romanticizes their masculine code of behavior. In "A Non-Smoking House," two contractors battle the realtors who control their livelihood as the ties that bind civil behavior pull tight, and then snap. Each of MacKenzie's stories explores the incommensurable moments that lie at the heart of shared experience, the yawning gaps that separate us, and our desperate attempts to close them.Content warnings: suicide, derogatory epithets, sports rape, peer pressure, strong language, racism, xenophobia, social injustice, war trauma, disability, toxic masculinity

The changing adolescent voice counts among the most awkward of topics voice teachers and choir directors face. Adolescent voice students already find themselves at a volatile developmental time in their lives, and the stresses and possible embarrassments of unpredictable vocal capabilities make participation in voice-based music an especially fraught event. In this practical teaching guide, author Bridget Sweet encourages a holistic approach to female and male adolescent voice change. Sweet's approach takes full consideration of the body, brain, and auditory system; vocal anatomy and physiology in general, as well as during male and female voice change; and the impact of hormones on the adolescent voice, especially for female singers. Beyond the physical, it also addresses the emotional and psychological components: ideas of resolve and perseverance that are essential to adolescent navigation of voice change; and exploration of portrayals and stereotypes in pop culture that influence how people anticipate voice change experiences for teens and 'tweens, from The Brady Bunch to The Wonder Years to The Simpsons. As a whole, Teaching Outside the Voice Box encourages music educators to more effectively and compassionately assist students through this developmental experience.

From suffragettes to vegans, participants in social movements strive to change the worlds they inhabit, whether by direct action, rallies, marches, organized work stoppages, or engaging government power in service of their aims. Active Voices explores both the rhetorical dimensions of such activist activities and the integral role of rhetoric in the processes of social transformation. This collection balances in-depth analyses of particular movements and pedagogical projects with broader perspectives on how language and embodied action shape avenues for activism. Featured are a wide range of sites for social change, from the progressive education movement to African American drum circles, and from prisoner reentry programs to the nineteenth-century women's suffrage movement. Speaking as scholars, activists, storytellers, rhetoricians, and teachers, the contributors blur the boundaries between different aspects of their identities and challenge divisions between creating theory and practicing it.

Voices and Books in the English Renaissance offers a new history of reading that focuses on the oral reader and the voice- or performance-aware silent reader, rather than the historical reader, who is invariably male, silent, and alone. It recovers the vocality of education for boys and girls in Renaissance England, and the importance of training in pronuntiatio (delivery) for oral-aural literary culture. It offers the first attempt to recover the voice—and tones of voice especially—from textual sources. It explores what happens when we bring voice to text, how vocal tone realizes or changes textual meaning, and how the literary writers of the past tried to represent their own and others' voices, as well as manage and exploit their readers' voices. The volume offers fresh readings of key Tudor authors who anticipated oral readers including Anne Askew, William Baldwin, and Thomas Nashe. It rethinks what a printed book can be by searching the printed page for vocal cues and exploring the neglected role of the voice in the printing process. Renaissance printed books have often been misheard and a preoccupation with their materiality has led to a focus on them as objects. However, Renaissance printed books are alive with possible voices, but we will not understand this while we focus on the silent reader.