Voices Places

"Mason reveals a glorious passion for literature, as well as an almost Whitmanesque openness to the ideas and emotions that inspire creative acts at all levels."―Library Journal (starred review) "An illuminating literary cartography with many fascinating ports of call.”―Kirkus Reviews "Mason expertly weaves the stories of great writers and places both ancient and new together into an imaginative literary odyssey."―Publishers Weekly “How are voices like places? They move through us as we move through them.” Celebrated poet David Mason explores surprising connections in geography and time, considering writers who traveled, who emigrated or were exiled, and who often shaped the literature of their homelands. He writes of seasoned travelers (Patrick Leigh Fermor, Bruce Chatwin, Joseph Conrad, Herodotus himself), and writers as far flung as Omar Khayyam, Jamal al-Din al-Afghani, James Joyce, and Les Murray. In the end, he turns to his own native region, the American West, with Wallace Stegner, Edward Abbey, Robinson Jeffers, Belle Turnbull, and Thomas McGrath. These essays are about familiarity and estrangement, the pleasure and knowledge readers can gain by engaging with writers’ lives, their travels, their trials, and the homes they make for themselves.

This book considers how a combination of place-based writing and location responsive technologies produce new kinds of literary experiences. Building on the work done in the Ambient Literature Project (2016–2018), this books argues that these encounters constitute new literary forms, in which the authored text lies at the heart of an embodied and mediated experience. The visual, sonic, social and historic resources of place become the elements of a live and emergent mise-en-scène. Specific techniques of narration, including hallucination, memory, history, place based writing, and drama, as well as reworking of traditional storytelling forms combine with the work of app and user experience design, interaction, software authoring, and GIS (geographical information systems) to produce ambient experiences where the user reads a textual and sonic literary space. These experiences are temporary, ambiguous, and unpredictable in their meaning but unlike the theatre, the gallery, or the cinema they take place in the everyday shared world. The book explores the potentiality of a new literary form produced by the exchange between location-aware cultural objects, writers and readers. This book, and the work it explores, lays the ground for a new poetics of situated writing and reading practices.

Firsthand testimonies from Guantánamo Bay, inspiring future generations to never repeat the human rights violations of the detention center. Law scholar and Witness to Guantánamo founder Peter Jan Honigsberg uncovers a haunting portrait of life at the military prison and its toll, not only on the detainees and their loved ones but also on its military and civilian personnel and the journalists who reported on it. Honigsberg conducted 158 interviews across 20 countries so that the people who lived and worked there could tell their heartbreaking and inspirational stories. In each one, we face the reality that the healing process cannot begin until we start the conversation about what was done in the name of protecting our country. These are a few of them. Many alleged operatives in Guantánamo were purchased by the United States for ransom from Afghan and Pakistani soldiers. Brandon Neely, a prison guard who processed the first group of suspected operatives to arrive in Cuba, flew to London to embrace the detainees he guarded after leaving the military. Navy whistleblower Matt Diaz covertly released the names of 500 detainees by sending them in a greeting card to a lawyer in New York. Journalist Carol Rosenberg committed the past 17 years of her career to documenting life at Guantánamo. And Damien Corsetti, an interrogator who came to be known as the “King of Torture,” received ribbons and awards for the same cruel actions for which he was later prosecuted. In startling, aching prose, A Place Outside the Law shines a light on these unheard voices, and through them, encourages the global community to embrace humanity as our greatest tool to make the world a safer place.

Voices of the Ritual analyzes the revival of rituals performed at female saint shrines in the Middle East. In the midst of turbulent political contention over land and borders, Nurit Stadler shows, religious minorities lay claim to space through rituals enacted at sacred spaces in the Holy Land. Using ethnographic analysis, Stadler explores the rise of these rituals, their focus on the body, female materiality, and their place in the Israeli-Palestinian landscape. Stadler examines the varied features of the practice and implications of the rituals, looking at themes of femininity and material experience. She considers the role of the body in rituals that represent the act of birth or the circle of life and that aim to foster an intimate connection between the female saint and her worshippers. Stadler underscores the political, cultural, and spatial elements of this practice, bringing attention to how religious minorities (Jews, Christians, Muslims, and Druze, among others) have utilized these rituals to assert their right to the land. Voices of the Ritual offers a valuable assessment of religious ritual practice that encrypts female themes into a landscape that has historically been defined by war and conflict.

This book explores the restructuring of the labour market and the opportunities that have resulted from economic globalization. The historical, political, geographical, and social relationships that female workers have had within the production process and the politics of work are examined to provide an understanding of the positioning of women within the global production system and the international division of employment. Unheard Voices: Women, Work and Political Economy of Global Production aims to give the reader an understanding of new workplace arrangements and the changing gendered patterns of work. The book is relevant to those interested in labour economics, the political economy, and gender studies.

From one of Italy’s greatest writers, a stunning novel “filled with shimmering, risky, darting observation” (Colm Tóibín) After WWII, a small Italian town struggles to emerge from under the thumb of Fascism. With wit, tenderness, and irony, Elsa, the novel’s narrator, weaves a rich tapestry of provincial Italian life: two generations of neighbors and relatives, their gossip and shattered dreams, their heartbreaks and struggles to find happiness. Elsa wants to imagine a future for herself, free from the expectations and burdens of her town’s history, but the weight of the past will always prove unbearable, insistently posing the question: “Why has everything been ruined?”