Volcanic Reflections A Bilingual Anthology Of Contemporary Ecuadorian Poetry

Volcanic Reflections: A Bilingual Anthology of Contemporary Ecuadorian Poetry is the third in a series of books that aspires to address a dearth of information in the English-speaking world about South American poetry of the past thirty years. The nineteen outstanding poets included here represent a wide diversity of themes, styles, and perspectives in one of South Americas smaller nations. All of them have published extensively, have been recognized through literary awards and inclusion in national and international anthologies, and continue writing and publishing today. For readers unfamiliar with Ecuador, the Introduction provides a brief background of its geography, history, politics, economy, and society. This is followed by an ample selection of representative poems published previously in Spanish, with translations in English on facing pages. The book concludes with a brief biographical sketch of each poet and an unprecedented bibliography of primary and secondary sources for those readers who might want to pursue further reading or research on any poet of interest. Contemporary Uruguayan Poetry: A Bilingual Anthology and Exotic Territory: A Bilingual Anthology of Contemporary Paraguayan Anthology are two companion volumes that offer similar exposure to poetry that deserves to be better known in the English-speaking world.

Andean Journeys: A Bilingual Anthology of Contemporary Bolivian Poetry is the fourth in a series of books that aspire to address a dearth of information in the English-speaking world about South American poetry of the past thirty years. The fourteen outstanding poets included here represent a diversity of themes, styles, and perspectives in one of South Americas more marginalized nations. All of them have published extensively, have been recognized through literary awards and inclusion in national and international anthologies, and continue writing and publishing today. For readers unfamiliar with Bolivia, the introduction provides a brief background of its geography, history, politics, economy, and society. This is followed by an ample selection of representative poems published previously in Spanish, with translations in English on facing pages. The book concludes with a brief biographical sketch of each poet and an extensive bibliography of primary and secondary sources for readers wishing to pursue further reading or research. Contemporary Uruguayan Poetry: A Bilingual Anthology; Exotic Territory: A Bilingual Anthology of Contemporary Paraguayan Poetry; and Volcanic Reflections: A Bilingual Anthology of Contemporary Ecuadorian Poetry are companion volumes that offer similar exposure to poetry that deserves to be better known in the English-speaking world.

Andean Journeys: A Bilingual Anthology of Contemporary Bolivian Poetry is the fourth in a series of books that aspire to address a dearth of information in the English-speaking world about South American poetry of the past thirty years. The fourteen outstanding poets included here represent a diversity of themes, styles, and perspectives in one of South America's more marginalized nations. All of them have published extensively, have been recognized through literary awards and inclusion in national and international anthologies, and continue writing and publishing today. For readers unfamiliar with Bolivia, the introduction provides a brief background of its geography, history, politics, economy, and society. This is followed by an ample selection of representative poems published previously in Spanish, with translations in English on facing pages. The book concludes with a brief biographical sketch of each poet and an extensive bibliography of primary and secondary sources for readers wishing to pursue further reading or research. Contemporary Uruguayan Poetry: A Bilingual Anthology; Exotic Territory: A Bilingual Anthology of Contemporary Paraguayan Poetry; and Volcanic Reflections: A Bilingual Anthology of Contemporary Ecuadorian Poetry are companion volumes that offer similar exposure to poetry that deserves to be better known in the English-speaking world.

The extraordinary Muna Lee was a brilliant writer, lyric poet, translator, diplomat, feminist and rights activist, and, above all, a Pan-Americanist. During the twentieth century, she helped shape the literary and social landscapes of the Americas. This is the first biography of her remarkable life and a collection of her diverse writings, which embody her vision of Pan America, an old concept that remains new and meaningful today.

The "world of letters" has always seemed a matter more of metaphor than of global reality. In this book, Pascale Casanova shows us the state of world literature behind the stylistic refinements--a world of letters relatively independent from economic and political realms, and in which language systems, aesthetic orders, and genres struggle for dominance. Rejecting facile talk of globalization, with its suggestion of a happy literary "melting pot," Casanova exposes an emerging regime of inequality in the world of letters, where minor languages and literatures are subject to the invisible but implacable violence of their dominant counterparts. Inspired by the writings of Fernand Braudel and Pierre Bourdieu, this ambitious book develops the first systematic model for understanding the production, circulation, and valuing of literature worldwide. Casanova proposes a baseline from which we might measure the newness and modernity of the world of letters--the literary equivalent of the meridian at Greenwich. She argues for the importance of literary capital and its role in giving value and legitimacy to nations in their incessant struggle for international power. Within her overarching theory, Casanova locates three main periods in the genesis of world literature--Latin, French, and German--and closely examines three towering figures in the world republic of letters--Kafka, Joyce, and Faulkner. Her work provides a rich and surprising view of the political struggles of our modern world--one framed by sites of publication, circulation, translation, and efforts at literary annexation.

In a time that for many of us in Tokyo and beyond feels far removed from the events of March 11, 2011, when we are not sure how to retain and respect those moments and their aftermath, this collection does exactly that.

Surrealist Women displays the range and significance of women's contributions to surrealism. Penelope Rosemont, affiliated with the Paris Surrealist Group in the 1960s and now a Chicago poet and painter, has assembled nearly three hundred texts by ninety-six women from twenty-eight countries. She opens the book with a succinct summary of surrealism's basic aims and principles, followed by a discussion of the place of gender in the origins of the movement.The texts are organised into historical periods ranging from the 1920s to the present, with introductions describing trends in the movement for each period; and each surrealist's work is prefaced by a brief biographical statement. Authors include El Allailly, Bruna, Cunard, Carrington, Cesaire, Gauthier, Giovanna, van Hirtum, Kahlo, Levy, Mansour, Mitrani, Pailthorpe, Joyce Peters, Rahon, Svankmajerova, Taub, Zangana

Written by leading international scholars and activists, this guidebook provides ideas and strategies to support language revitalization.