W O Mitchell S Jake And The Kid

Jake and his friend, the Kid, on their Saskatchewan farm are part of our history. By way of the pages of Maclean’s, through episode after episode on CBC Radio and later on TV, the lively boy and his cranky old yarn-spinning hero have found their way into the hearts of millions of Canadians. Margaret Laurence wrote about the impact on her: “These stories were among the first that many of us who lived on the prairies had ever read concerning our own people, and our own place and our own time. When grain elevators, gophers, or the sloughs and bluffs of the ‘bald-headed prairie’ were mentioned, there was a certain thrill of recognition. The same applied to the characters who inhabited Crocus. A prevalent feeling on the subject was, as I recall–that’s us; he writing about us.” Laughter and tears, a Christmas Eve blizzard, a lost puppy, and “The Day Jake Made Her Rain” are all to be found in these tales of Crocus, Saskatchewan, along with as richly eccentric a cast of small-town characters as you will meet in a month of Prairie Sundays.

When Ma, the Kid, her twelve year old son, and Jake, the hired man, first appeared on the pages of Maclean's and shortly after on CBC Radio, the lively boy and his cranky hero found their way into the hearts of thousands of readers. Now, in this new edition of Jake and the Kid, Crocus, a prairie town in the forties and fifties, comes alive once again. In these lovingly rendered stories, we encounter the glorious minutia of small town life on the Canadian prairie. Jake and the Kid are surrounded by an entire community of richly eccentric characters: old Sam Gatenby, a rival to Jake and just as cantankerous; Miss Henchbaw, the stern and proper Rabbit Hill schoolteacher; and Mayor MacTaggart, the owner of the town's General Store. In all, W.O. Mitchell created about eighty characters to populate the town, including Daddy Johnson, the oldest man in Canada; Repeat Golightly, the philosophizing barber; and Professor Noble Winesinger, a conman with a heart. Touching and laugh-out-loud funny in equal measure, this classic Canadian story collection epitomizes the magic of W.O. Mitchell's storytelling. Pitting tall tale against reality, Mitchell delivers a realm resplendent with a vibrant setting, a compelling cast of characters, and everyday events that speak directly to what it means to be human.

Set in the forties and fifties, these stories take us back to a simpler, gentler world, the one we all like to think we grew up in. The Kid at the centre of the stories is a boy on a Saskatchewan farm “down Government Road from Crocus, which is on the CNR line between Tiger Lily and Conception.” Jake is the hired hand who helps the Kid’s mother run the farm (and who played a huge role in Canadian history, what with capturing “Looie Riel” and all), and who now keeps the Kid abreast of events in the greater world and in Crocus. This is no easy matter, for the stories reveal that Crocus is a town in constant ferment. The Kid’s teacher, Miss Henchbaw, is unfairly dismissed by the school board until her friends fight back in “Will of the People”; Chet Lambert of the Crocus Breeze is hauled into court for comparing George Solway with Malleable Brown’s goat in “The Face Is Familiar,” resulting in a courtroom confrontation unrivalled in the history of Canadian jurisprudence; and “Political Dynamite” shows the men terrified by women curlers threatening to vote en bloc in the upcoming town election to gain equal curling time. The town, of course, is rich not only in disputes but characters, from Repeat Golightly in the barbershop (“One ahead of you, Jake. I say there's one ahead of you”) to Old Man Sherry, the town’s Oldest Inhabitant, who wavers between tributes to Queen Elizabeth and Queen Victoria. Then there’s Old Man Gatenby, brought from death’s door by prolonged exposure to romantic purple prose in “Love’s Wild Magic.” Adding to this rich mixture are the entertainers who come through town: Belva Taskey, the sweet songstress (“Lo! The Noble Redskin!”) and her memorable poetry reading; The Great Doctor Suhzee, the hypnotist; and Professor Noble Winesinger, whose snake-oil remedies have been known to turn his customers black. There are also stories of prejudice against Indians, or against “foreigners” named Kiziw, that in the end remind us of the core of decency at the heart of this collection. Whether the stories are told by Jake or by the Kid, they always speak to our hearts, and provide us with W.O. Mitchell's usual magical mixture of tears and laughter.

Thirteen humorous short stories set in the small rural community of Crocus, Saskatchewan and revolving around a young boy and a hired hand named Jake Trumper. Based on the popular CBC radio series (1950-1958).

W.O. Mitchell's "Jake & The Kid" captivated radio audiences in the days before television and enjoyed ratings that rivalled those for the radio broadcasts of the CBC's "Hockey Night in Canada." These homespun tales about the hired hand, Jake Trumper and his sidekick, The Kid, explored very human stories about life on the often cruel Prairies of Saskatchewan in a humorous vein that made a household name for the series across the breadth of Canada. Although he wrote many novels, most notably " Who Has Seen the Wind," featured during the ceremonies at the 2010 Vancouver Olympics, Mitchell was as well known for these folksy plays. They enabled him to hone his writing craft in a mass medium, when few other outlets were available; to tackle social issues of the day with a light hand, and to develop many of the themes he would explore in his later novels. This study analyzes these popular radio plays, their Prairie and literary roots, the production process and their contribution and critical reception.

W.O. Mitchell's "Jake & The Kid" captivated radio audiences in the days before television and enjoyed ratings that rivalled those for the radio broadcasts of the CBC's "Hockey Night in Canada." These homespun tales about the hired hand, Jake Trumper and his sidekick, The Kid, explored very human stories about life on the often cruel Prairies of Saskatchewan in a humorous vein that made a household name for the series across the breadth of Canada. Although he wrote many novels, most notably " Who Has Seen the Wind," featured during the ceremonies at the 2010 Vancouver Olympics, Mitchell was as well known for these folksy plays. They enabled him to hone his writing craft in a mass medium, when few other outlets were available; to tackle social issues of the day with a light hand, and to develop many of the themes he would explore in his later novels. This study analyzes these popular radio plays, their Prairie and literary roots, the production process and their contribution and critical reception.