Walt Disney Productions Presents The Rescuers In Trouble In Devil S Bayou

Two villains looking for buried pirate treasure upset the lives of some swamp creatures.

The authors provide an organized source of examples of Library of Congress cataloguing practice according to Anglo-American Cataloguing Rules, Second Edition (AACR 2) and seek to save the cataloger's time and assist them in maintaining consistency in their catalogs. The examples are arranged by AACR 2 rule numbers. The book includes numerous examples of descriptive cataloguing and of serial cataloguing, while it does not include examples of chapters 7-11 of the rules, which cover motion-pictures and video recordings, graphic materials, machine readable data files, three-dimensional artifacts and microforms, and of rules covering geographic names and references. Throughout the book, few examples are given for rules requiring little or no interpretation and many when individual judgement is required. ISBN 0-8108-1683-0 : $19.50 (For use only in the library).

Includes entries for maps and atlases.

Uncle Scrooge McDuck refuses to advance any pay to poor nephew Donald to buy Christmas presents for Huey, Dewey, and Louis.

Two enterprising mice live up to the motto of the Rescue Aid Society, "We help anyone ... anywhere," when they rescue a kidnapped orphan.

An in-depth view of the way popular female stereotypes were reflected in—and were shaped by—the portrayal of women in Disney’s animated features. In Good Girls and Wicked Witches, Amy M. Davis re-examines the notion that Disney heroines are rewarded for passivity. Davis proceeds from the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society, both at the time of their first release and subsequently. Analyzing the construction of (mainly human) female characters in the animated films of the Walt Disney Studio between 1937 and 2001, she attempts to establish the extent to which these characterizations were shaped by wider popular stereotypes. Davis argues that it is within the most constructed of all moving images of the female form—the heroine of the animated film—that the most telling aspects of Woman as the subject of Hollywood iconography and cultural ideas of American womanhood are to be found. “A fascinating compilation of essays in which [Davis] examined the way Disney has treated female characters throughout its history.” —PopMatters