War And Freddy

September 1939 - Freddy is three, and the Second World War begins. All he knows is that his father has gone away and may not be back for some time. We see the war through Freddy's eyes - watching dogfights in the sky, playing war games, and worrying whether he will get a Meccano set for Christmas!

Includes "A dozen questions for further discussion" at the end of the book.

Winner of the 2012 Robert Kroetsch City of Edmonton Book Prize Shortlisted for the 2012 Edmonton Public Library Alberta Readers' Choice Award In 1941, a young man imagines thrilling battles and heroic acts when he lies about his age and joins the army. Assigned to the Winnipeg Grenadiers, part of the Canadian army in Hong Kong, Freddy McKee becomes a prisoner of war six weeks after arriving in Hong Kong. Five years pass and Freddy finally returns home from the war, but three women—Joanna Keegan, her daughter Hope, and the beautiful and mysterious Su Li—feel echoes of Freddy’s ordeal in each of their lives. For Freddy, the memory of war is a heavier burden than the weapon he once carried. Freddy must fight to survive in a world that has left him behind.

A New York Times bestseller by Mark Helprin, author of Winter's Tale, which is now a major motion picture starring Colin Farrell, Jessica Brown Findlay, Russell Crowe, William Hurt, and Jennifer Connelly “Freddy and Fredericka is a vast, sprawling book of Homeric proportions and design in which Helprin exploits to the fullest his powers of invention as well as a lesser known talent for comedy.” —Bookreporter.com Mark Helprin’s legions of devoted readers cherish his timeless novels and short stories, which are uplifting in their conviction of the goodness and resilience of the human spirit. Freddy and Fredericka—a brilliantly refashioned fairy tale and a magnificently funny farce—only seems like a radical departure of form, for behind the laughter, Helprin speaks of leaps of faith and second chances, courage and the primacy of love. Helprin’s latest work, an extraordinarily funny allegory about a most peculiar British royal family, is immensely mocking of contemporary monarchy and yet deeply sympathetic to the individuals caught in its lonely absurdities.

INSTANT NEW YORK TIMES BESTSELLER As Europe buckles under Nazi occupation, Maisie Dobbs investigates a possible murder that threatens devastating repercussions for Britain's war efforts in this latest installment in the New York Times bestselling mystery series. October 1941. While on a delivery, young Freddie Hackett, a message runner for a government office, witnesses an argument that ends in murder. Crouching in the doorway of a bombed-out house, Freddie waits until the coast is clear. But when he arrives at the delivery address, he’s shocked to come face to face with the killer. Dismissed by the police when he attempts to report the crime, Freddie goes in search of a woman he once met when delivering a message: Maisie Dobbs. While Maisie believes the boy and wants to help, she must maintain extreme caution: she’s working secretly for the Special Operations Executive, assessing candidates for crucial work with the French resistance. Her two worlds collide when she spots the killer in a place she least expects. She soon realizes she’s been pulled into the orbit of a man who has his own reasons to kill—reasons that go back to the last war. As Maisie becomes entangled in a power struggle between Britain’s intelligence efforts in France and the work of Free French agents operating across Europe, she must also contend with the lingering question of Freddie Hackett’s state of mind. What she uncovers could hold disastrous consequences for all involved in this compelling chapter of the “series that seems to get better with every entry” (Wall Street Journal).

Almost half a century has passed since the Nigerian Civil War ended. But memories die hard, because a million or more people perished in that internecine struggle, the majority women and children, who were starved to death. Biafra’s war was modern Africa’s first extended conflict. It lasted almost three years and was based largely on ethnic, by inference, tribal grounds. It involved, on the one side, a largely Christian or animist southeastern quadrant of Nigeria which called itself Biafra, pitted militarily against the country’s more populous and preponderant Islamic north. These divisions – almost always brutal – persist. Not a week goes by without reports coming in of Christian communities or individuals persecuted by Islamic zealots. It was also a conflict that saw significant Cold War involvement: the Soviets (and Britain) siding and supplying Federal Nigeria with weapons, aircraft and expertise and several Western states – Portugal, South Africa and France especially – providing clandestine help to the rebel state. For that reason alone, this book is an important contribution towards understanding Nigeria’s ethnic divisions, which are no better today than they were then. Biafra was the first of a series of religious wars that threaten to engulf much of Africa. Similar conflicts have recently taken place in the Ivory Coast, Kenya, Southern Sudan, the Central African Republic, Senegal (Cassamance), both Congo Republics and elsewhere. As the war progressed, Biafra also attracted mercenary involvement, many of whom arriving from the Congo which had already seen much turmoil. Western pilots were hired by Lagos and they flew the first Soviet MiG-17 jet fighters to have played an active role in a ‘Western’ war. Al Venter spent time covering this struggle. He left the rebel enclave in December 1969, only weeks before it ended and claims the distinction of being the only foreign correspondent to have been rocketed by both sides: first by Biafra’s tiny Swedish-built Minicon fighter planes while he was on a ship lying at anchor in Warri harbour and thereafter, by MiG jets flown by mercenaries. Among his colleagues inside the beleaguered territory were the celebrated Italian photographer Romano Cagnoni as well as Frederick Forsyth who originally reported for the BBC and then resigned because of the partisan, pro-Nigerian stance taken by Whitehall. He briefly shared quarters with French photographer Giles Caron who was later killed in Cambodia. Prior to that Venter had been working for John Holt in Lagos. It is interesting that his office at the time was at Ikeja International Airport (Murtala Muhammed today) where the second Nigerian army mutiny was plotted and from where it was launched. From this perspective he had a proverbial ‘ringside seat’ of the tribal divisions that followed as hostilities escalated. Venter took numerous photos while on this West African assignment, both in Nigeria while he was based there and later in Biafra itself. Others come from various sources, including some from the same mercenary pilots who originally targeted him from the air.