War In The Western Theater

War in the Western Theater offers fresh perspectives on pivotal Civil War events, shedding light on overlooked battles and figures, revealing untold stories that reshape our understanding of this crucial region. The Western Theater has long been pushed to the side by events in the Eastern Theater, but it was in the West where the Federal armies won the Civil War. Interest in this complex region is finally increasing, and the authors at Emerging Civil War add substantially to that growing body of literature with War in the Western Theater: Favorite Stories and Fresh Perspectives from the Historians at Emerging Civil War. Dozens of entries offer fresh and insightful aspects and angles to key events that unfolded between the Appalachians and the Mississippi River. Revisit an important Confederate charge at Shiloh, discover how key decisions won (and lost) the bloody fighting at Chickamauga, and ponder how whiskey may have impacted the fighting at Corinth. Readers will walk the battlefield at Fort Blakeley outside Mobile, fight in the hellish cedars at Stones River, and mourn with a Mississippi family. Insights abound. How many students of the war knew a Confederate major, watching the riverine bombardment of Fort Donelson up close and personal, rushed to send detailed sketches of the ironclads to Gen. Robert E. Lee to warn him of this new way of fighting—and the lethal dangers it portended? And these are just a taste of what’s waiting inside. The selections herein bring together the best scholarship from Emerging Civil War’s blog, symposia, and podcast, revised and updated, together with original pieces designed to shed new light and insight on some of the most important and fascinating events that have for too long flown under the radar of history’s pens.

Confederate Generals in the Western Theater ultimately comprise several volumes that promise a host of provocative new insights into not only the South's ill-fated campaigns in the West but also the eventual outcome of the larger conflict. --Book Jacket.

A Civil War First! Never has anything comparable to this massive volume been published on the Western Theatre in America's War Between the States. Bush takes the reader through every major battle in the West complete with an order of battle listing all units involved for each confrontation. Richly illustrated with nearly 700 photographs maps, charts and drawings to embellish each detailed account. You'll see extraordinary features of some of the most outstanding artifact collections in the world, all of Western Theatre battles and men who fought them.

During the first fifteen months of the Civil War, the policies and attitudes of Union officers toward emancipation in the western theater were, at best, inconsistent and fraught with internal strains. But after Congress passed the Second Confiscation Act in 1862, army policy became mostly consistent in its support of liberating the slaves in general, in spite of Union army officers' differences of opinion. By 1863 and the final Emancipation Proclamation, the army had transformed into the key force for instituting emancipation in the West. However, Kristopher Teters argues that the guiding principles behind this development in attitudes and policy were a result of military necessity and pragmatic strategies, rather than an effort to enact racial equality. Through extensive research in the letters and diaries of western Union officers, Teters demonstrates how practical considerations drove both the attitudes and policies of Union officers regarding emancipation. Officers primarily embraced emancipation and the use of black soldiers because they believed both policies would help them win the war and save the Union, but their views on race actually changed very little. In the end, however, despite its practical bent, Teters argues, the Union army was instrumental in bringing freedom to the slaves.

For this book, which follows an earlier volume of previously published essays, Hewitt and Bergeron have enlisted ten gifted historians---among them James M. Prichard, Terrence J. Winschel, Craig Symonds, and Stephen Davis---to produce original essays, based on the latest scholarship, that examine the careers and missteps of several of the Western Theater's key Rebel commanders. Among the important topics covered are George B. Crittenden's declining fortunes in the Confederate ranks, Earl Van Dom's limited prewar military experience and its effect on his performance in the Baton Rouge Campaign of 1862, Joseph Johnston's role in the fall of Vicksburg, and how James Longstreet and Braxton Bragg's failure to secure Chattanooga paved the way for the Federals'push into Georgia. --

Includes 8 maps and numerous other illustrations The Mississippi River had figured prominently in the North’s strategic planning from the outset of the war. In May 1861, then-General in Chief of the U.S. Army Winfield Scott had drafted the so-called Anaconda Plan. Scott had proposed that the Federal armed forces squeeze the life out of the Confederacy by blockading the Southern coastline and launching an amphibious thrust down the Mississippi. He had argued that his plan would end the war with minimal bloodshed, conveniently ignoring the fact that it would take years for the North to build a sufficient navy. President Abraham Lincoln thought the Anaconda Plan had merit, but he knew that the Army would have to play a far more active role than Scott had envisioned—especially in Kentucky and Missouri—where Unionist and secessionist forces were already maneuvering for power. Lincoln was determined not only to keep the two crucial border states in the Union, but to rescue eastern Tennessee. One senator, Andrew Johnson, and one congressman, Horace Maynard, from that region remained in Washington to represent their Unionist supporters. On 4 August, Maj. Gen. George B. McClellan, the Army of the Potomac’s new commander, presented his own strategic plan for the West that accorded with Lincoln’s wishes yet proved more elaborate. He recommended a grand campaign involving two western armies—one based in Kentucky and the other in Missouri. The first army would divide into two columns in order to capture eastern Tennessee and Nashville. They would reunite at Chattanooga and proceed to Atlanta and then Montgomery, Alabama. After gaining control of Missouri, the second army would launch an amphibious expedition down the Mississippi River and seize New Orleans. All that remained was for the president to find generals willing and able to put these ambitious plans into action.

Though its most famous battles were waged in the East at Antietam, Gettysburg, and throughout Virginia, the Civil War was clearly a conflict that raged across a continent. From cotton-rich Texas and the fields of Kansas through Indian Territory and into the high desert of New Mexico, the Trans-Mississippi Theater was site of major clashes from the war's earliest days through the surrenders of Confederate generals Edmund Kirby Smith and Stand Waite in June 1865. In this comprehensive military history of the war west of the Mississippi River, Thomas W. Cutrer shows that the theater's distance from events in the East does not diminish its importance to the unfolding of the larger struggle.