War Zones

In this book, militarization, nationalism, and globalization are scrutinized at sites of violent conflict from a range of feminist pespectives.

Whether you're a war correspondent or an aid worker, a tourist worried about an increasingly hostile world or an armchair traveler concerned that your own backyard is fast becoming a war zone, How to Avoid Being Killed in a War Zone will help you survive some of the world's most volatile environments. Well-traveled journalist Rosie Garthwaite offers practical advice drawn from her own personal experience and that of others, including many seasoned colleagues, who have worked in some of the world's most hostile regions. Topics covered include everything from avoiding land mines and hostage situations to amputating a limb and foraging for safe food. The book is a true survival manual (all medical advice has been vetted by doctors from Doctors Without Borders), but it is also a transporting read, filled with vicarious thrills and written with brio and humor by a woman who has seen it all. Perfect for those planning short trips or extended stays in dangerous destinations, or-much like the popular Worst-Case Scenario handbooks-for readers who simply prefer to be thoroughly prepared, wherever life may take them.

From the Director and Associate Director of the VA's National Center for Post-Traumatic Stress Disorder: a highly practical, user-friendly guide that answering all conceivable questions about returning from war--for veterans and families Two experts from the VA National Center for PTSD provide an essential resource for service members, their spouses, families, and communities, sharing what troops really experience during deployment and back home. Pinpointing the most common after-effects of war and offering strategies for troop reintegration to daily life, Drs. Friedman and Slone cover the myths and realities of homecoming; reconnecting with spouse and family; anger and adrenaline; guilt and moral dilemmas; and PTSD and other mental-health concerns. With a wealth of community and government resources, tips, and suggestions, After the War Zone is a practical guide to helping troops and their families prevent war zone stresses from having a lasting negative impact.

This is the first in-depth and comparative study of the experience of colonial encounters for troops from the British Empire during the First World War. Drawing on a rich variety of textual and visual material, Anna Maguire explores new contact zones that materialised beyond the battlefield, on troopships, in ports, in military camps and hospitals, in cafes and city streets. She reveals how the colonial mobilisation of troops during the conflict prompted the emergence of spaces for interactions, fleeting moments or ongoing relationships. Through their personal experiences, she uncovers how men from New Zealand, South Africa and the West Indies viewed themselves and their identities during a time of global conflict, simultaneously asserting the strength of the existing colonial order and challenging its enactment, through contact, conflict and collaboration. In spaces away from the frontlines, Maguire uses these cultural encounters of colonial troops to offer a more intricate understanding of imperial power relations.

What exactly is contemporary war art in the West today? This book considers the place of contemporary war art in the 2020s, a whole generation after 9/11 and long past the 'War on Terror'. Exploring the role contemporary art plays within conversations around war and imperialism, the book brings together chapters from international contemporary artists, theorists and curators, alongside the voices of contemporary war artists through original edited interviews. It addresses newly emerged contexts in which war is found: not only sites of contemporary conflicts such as Ukraine, Yemen and Syria, but everywhere in western culture, from social media to 'culture' wars. With interviews from official war artists working in the UK, the US, and Australia, such as eX de Medici (Australia) and David Cotterrell (UK), as well as those working in post-colonial contexts, such as Baptist Coelho (India), the editors reflect on contemporary processes of memorialisation and the impact of British colonisation in Australia, India and its relation to historical conflicts. It focuses on three overlapping themes: firstly, the role of memory and amnesia in colonial contexts; secondly, the complex role of 'official' war art; and thirdly, questions of testimony and knowing in relation to alleged war crimes, torture and genocide. Richly illustrated, and featuring three substantial interview chapters, The Politics of Artists in War Zones is a hands-on exploration of the complexities and challenges faced by war artists that contextualises the tensions between the contemporary art world and the portrayal of war. It is essential reading for researchers of fine art, curatorial studies, museum studies, conflict studies and photojournalism.

After the Second World War and the onset of the Cold War, warfare took different forms, and war zones became gradually blurred and often undeclared. People, landscapes, and built environments came to be subjugated to the strains and constraints of these forms of war, serving both civil and military purposes of armed conflicts. The contributions to ?War Zones? investigate some of these implicit or explicit conditions, legacies, and impacts. From colonial or total war, asymmetric war or counterinsurgency, to barricaded or besieged cities, refugee camps or borderlines, to nuclear bunkers or ?war ghosts,? to the state of emergency and drone warfare, these texts disclose the spatial aspects, statuses, and formation processes of past and current war zones.

World War I marks a well-known turning point in anthropology, and this volume is the first to examine the variety of forms it took in Europe. Distinct national traditions emerged and institutes were founded, partly due to collaborations with the military. Researchers in the cultural sciences used war zones to gain access to »informants«: prisoner-of-war and refugee camps, occupied territories, even the front lines. Anthropologists tailored their inquiries to aid the war effort, contributed to interpretations of the war as a »struggle« between »races«, and assessed the »warlike« nature of the Balkan region, whose crises were key to the outbreak of the Great War.