Warring Visions

In Warring Visions, Thy Phu explores photography from dispersed communities throughout Vietnam and the Vietnamese diaspora, both during and after the Vietnam War, to complicate narratives of conflict and memory. While the visual history of the Vietnam War has been dominated by American documentaries and war photography, Phu turns to photographs circulated by the Vietnamese themselves, capturing a range of subjects, occasions, and perspectives. Phu's concept of warring visions refers to contrasts in the use of war photos in North Vietnam, which highlighted national liberation and aligned themselves with an international audience, and those in South Vietnam, which focused on family and everyday survival. Phu also uses warring visions to enlarge the category of war photography, a genre that usually consists of images illustrating the immediacy of combat and the spectacle of violence, pain, and wounded bodies. She pushes this genre beyond such definitions by analyzing pictures of family life, weddings, and other quotidian scenes of life during the war. Phu thus expands our understanding of how war is waged, experienced, and resolved.

The International Encyclopedia of Communication Theory and Philosophy is the definitive single-source reference work on the subject, with state-of-the-art and in-depth scholarly reflection on key issues from leading international experts. It is available both online and in print. A state-of-the-art and in-depth scholarly reflection on the key issues raised by communication, covering the history, systematics, and practical potential of communication theory Articles by leading experts offer an unprecedented level of accuracy and balance Provides comprehensive, clear entries which are both cross-national and cross-disciplinary in nature The Encyclopedia presents a truly international perspective with authors and positions representing not just Europe and North America, but also Latin America and Asia Published both online and in print Part of The Wiley Blackwell-ICA International Encyclopedias of Communication series, published in conjunction with the International Communication Association. Online version available at Wiley Online Library

Cold War Camera explores the visual mediation of the Cold War and illuminates photography’s role in shaping the ways it was prosecuted and experienced. The contributors show how the camera stretched the parameters of the Cold War beyond dominant East-West and US-USSR binaries and highlight the significance of photography from across the global South. Among other topics, the contributors examine the production and circulation of the iconic figure of the “revolutionary Vietnamese woman” in the 1960s and 1970s; photographs connected with the coming of independence and decolonization in West Africa; family photograph archives in China and travel snapshots by Soviet citizens; photographs of apartheid in South Africa; and the circulation of photographs of Inuit Canadians who were relocated to the extreme Arctic in the 1950s. Highlighting the camera’s capacity to envision possible decolonialized futures, establish visual affinities and solidarities, and advance calls for justice to redress violent proxy conflicts, this volume demonstrates that photography was not only crucial to conducting the Cold War, it is central to understanding it. Contributors. Ariella Azoulay, Jennifer Bajorek, Erina Duganne, Evyn Lê Espiritu Gandhi, Eric Gottesman, Tong Lam, Karintha Lowe, Ángeles Donoso Macaya, Darren Newbury, Andrea Noble, Sarah Parsons, Gil Pasternak, Thy Phu, Oksana Sarkisova, Olga Shevchenko, Laura Wexler, Guigui Yao, Donya Ziaee, Marta Ziętkiewicz

In this book, the presidential debates of 2000, 2004, and 2008 are analyzed in terms of linguistics, rhetoric, and religious context to offer a unique perspective on the styles, beliefs, and strategies of the two major parties and their candidates. In The Podium, the Pulpit, and the Republicans: How Presidential Candidates Use Religious Language in American Political Debate, a veteran minister analyzes the religious metaphors Republicans use at the podium and alleges that the party deliberately employs blaming tactics, fear metaphors, and coded references to apocalyptic judgment to sway undecided voters. Over the past 40 years, Frederick Stecker charges, the Republican Party has created fear for political expediency. Stecker's book traces the development of the Republican rhetoric of polarization and applies the linguistics-based "nation-as-a-family" political typology of George Lakoff to an analysis of the presidential debates of 2000, 2004, and 2008. He demonstrates how Republican candidates select their language and metaphors to signal adherence to rigid belief systems and simple, black-and-white choices in domestic and foreign policy.

How will the world end? Doomsday ideas in Western history have been both persistent and adaptable, peaking at various times, including in modern America. Public opinion polls indicate that a substantial number of Americans look for the return of Christ or some catastrophic event. The views expressed in these polls have been reinforced by the market process. Whether through purchasing paperbacks or watching television programs, millions of Americans have expressed an interest in end-time events. Americans have a tremendous appetite for prophecy, more than nearly any other people in the modern world. Why do Americans love doomsday? In Apocalyptic Fever, Richard Kyle attempts to answer this question, showing how dispensational premillennialism has been the driving force behind doomsday ideas. Yet while several chapters are devoted to this topic, this book covers much more. It surveys end-time views in modern America from a wide range of perspectives--dispensationalism, Catholicism, science, fringe religions, the occult, fiction, the year 2000, Islam, politics, the Mayan calendar, and more.

What the hell happened on the way to making the world a better place? We boomers were told our success would be unlimited. We had democracy and capitalism, and God was on our side. We took our religious teachings seriously, and set out to end bigotry, violence, and destitution. Inevitably, we collided with American Caesars, whose power and wealth was sufficient to dominate national and international affairs. Political and religious Caesars appropriated Jesus and used him to justify war, sexism, racism, dictatorships, and poverty. What were the faithful to do? Lots of boomers I know tossed the spiritual baby out with the religious institution's bathwater, and became cynical about civic engagement. It is not time to abandon hope in our goodness, however, and it is not time to surrender our conscience to Caesar. Our experiences as boomers teach us that it is possible to bring the love of God to bear in our lives, despite Caesar's constant pressure to cherish power, wealth, celebrity, and things more than we cherish people. This book is for folks who are ready to get off Caesar's treadmill and dig deeply into their hearts and minds to see what remains of the Kingdom of God within.

This is a print on demand book and is therefore non- returnable. Three abortion doctors and eight aides are gunned down and six are killed. More than 150 abortion clinics are firebombed. A church is vandalized by gay prostitutes. A pro-choice activist calls for "massive militant action" against anti-abortionists. In Cease Fire Tom Sine takes up the concerns of millions of Christians -- evangelical and mainline Protestants, Catholics, and Orthodox -- who feel uneasy with some of the excesses of the politically correct left but who recoil at the stance taken by Pat Robertson, Jerry Falwell, and Ralph Reed and the Christian Coalition that the extreme religious right, with its quest for political power, is the only place to turn. Sine looks at the tactics and agendas of extremists on both sides and asks what society would look like if their particular visions were to win out. He then argues that the positions of the religious right and of the left are not the only available choices. The Bible offers a third choice, God's "better way" -- a biblical center represented by neither right nor left in the current debate. Cease Fire is written to enable readers to understand why America's culture wars are so adversarial, polarizing, and increasingly violent; to anticipate which side is likely to gain the upper hand in these contentious conflicts and how it is likely to shape our common future; and to offer a third way -- a radical biblical alternative to the political ideologies of the religious right and the left -- for those searching for a new place to stand in a new millennium.

The surprising history behind a ubiquitous facet of the United States: the gridded landscape. Seen from an airplane, much of the United States appears to be a gridded land of startling uniformity. Perpendicular streets and rectangular fields, all precisely measured and perfectly aligned, turn both urban and rural America into a checkerboard landscape that stretches from horizon to horizon. In evidence throughout the country, but especially the West, the pattern is a hallmark of American life. One might consider it an administrative convenience--an easy way to divide land and lay down streets--but it is not. The colossal grid carved into the North American continent, argues historian and writer Amir Alexander, is a plan redolent with philosophical and political meaning. In 1784 Thomas Jefferson presented Congress with an audacious scheme to reshape the territory of the young United States. All western lands, he proposed, would be inscribed with a single rectilinear grid, transforming the natural landscape into a mathematical one. Following Isaac Newton and John Locke, he viewed mathematical space as a blank slate on which anything is possible and where new Americans, acting freely, could find liberty. And if the real America, with its diverse landscapes and rich human history, did not match his vision, then it must be made to match it. From the halls of Congress to the open prairies, and from the fight against George III to the Trail of Tears, Liberty's Grid tells the story of the battle between grid makers and their opponents. When Congress endorsed Jefferson's plan, it set off a struggle over American space that has not subsided. Transcendentalists, urban reformers, and conservationists saw the grid not as a place of possibility but as an artificial imposition that crushed the human spirit. Today, the ideas Jefferson associated with the grid still echo through political rhetoric about the country's founding, and competing visions for the nation are visible from Manhattan avenues and Kansan pastures to Yosemite's cliffs and suburbia's cul-de-sacs. An engrossing read, Liberty's Grid offers a powerful look at the ideological conflict written on the landscape.