Washington Black

Winner of the 2018 Scotiabank Giller Prize A dazzling, original novel of slavery and freedom, from the author of the international bestseller Half-Blood Blues When two English brothers arrive at a Barbados sugar plantation, they bring with them a darkness beyond what the slaves have already known. Washington Black – an eleven year-old field slave – is horrified to find himself chosen to live in the quarters of one of these men. But the man is not as Washington expects him to be. His new master is the eccentric Christopher Wilde – naturalist, explorer, inventor and abolitionist – whose obsession to perfect a winged flying machine disturbs all who know him. Washington is initiated into a world of wonder: a world where the night sea is set alight with fields of jellyfish, where a simple cloth canopy can propel a man across the sky, where even a boy born in chains may embrace a life of dignity and meaning – and where two people, separated by an impossible divide, can begin to see each other as human. But when a man is killed one fateful night, Washington is left to the mercy of his new masters. Christopher Wilde must choose between family ties and young Washington's life. What follows is a flight along the eastern coast of America, as the men attempt to elude the bounty that has been placed on Washington's head. Their journey opens them up to the extraordinary: to a dark encounter with a necropsicist, a scholar of the flesh; to a voyage aboard a vessel captained by a hunter of a different kind; to a glimpse through an unexpected portal into the Underground Railroad. This is a novel of fraught bonds and betrayal. What brings Wilde and Washington together ultimately tears them apart, leaving Washington to seek his true self in a world that denies his very existence. From the blistering cane fields of Barbados to the icy plains of the Canadian Arctic, from the mud-drowned streets of London to the eerie deserts of Morocco, Washington Black teems with all the strangeness of life. This inventive, electrifying novel asks, What is Freedom? And can a life salvaged from the ashes ever be made whole?

The brilliant, bestselling, Giller Prize–winning novel Esi Edugyan’s Half-Blood Blues took the literary world by storm when it was first published, captivating readers and reviewers with its audacity, power, and sheer brilliance. The novel won or was nominated for every literary prize in Canada—and many international ones, too, including the prestigious Man Booker Prize. It was hailed as one of the best books of the year by Oprah, The Globe and Mail, Amazon, The San Francisco Chronicle and The Vancouver Sun, and it was named a New York Times Editor’s Choice. From the smoky bars of pre-war Berlin to the salons of Paris, the narrator of Half-Blood Blues, musician Sid Griffiths, leads the reader through a fascinating, little-known world and into the heart of his own guilty conscience. The bestselling, award-winning Half-Blood Blues is an entrancing, electric story about jazz, race, love and loyalty, and the sacrifices we ask of ourselves—and demand of others—in the name of art.

Samuel Tyne always believed he was destined for greatness. Emigrating to Canada from Ghana in the 1960'S was the first step on this path, but fifteen years later his grand plans have stalled. He now has a wife Maud, twin thirteen year old daughters Chloe and Yvette, and a mind-numbing job. But then he is thrown a life line. His uncle Jacob dies, leaving him a grand but crumbling house in the town of Aster, and Samuel persuades his reluctant family to seize this chance for a new beginning. At first Aster seems perfect, but soon the town's faultlines are revealed, and the family begins to feel the strain. Samuel opens an electrical shop, but the business falters as he falls victim to his own outlandish ambitions, trying to build computers when all the townspeople want is lightbulbs and radios. His wife is unhappy, and as for his daughters - they are drifting into a private world of two, their behaviour becoming ever more sinister and disturbing to everyone around them. When their school friend Ama comes to stay and nearly drowns in mysterious circumstances, and then a series of fires around the town go unexplained, Samuel and Maud must face up to the secrets within their own family, secrets that threaten to completely tear apart the life they have built.

NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • The first full history of Black America’s shocking mistreatment as unwilling and unwitting experimental subjects at the hands of the medical establishment. No one concerned with issues of public health and racial justice can afford not to read this masterful book. "[Washington] has unearthed a shocking amount of information and shaped it into a riveting, carefully documented book." —New York Times From the era of slavery to the present day, starting with the earliest encounters between Black Americans and Western medical researchers and the racist pseudoscience that resulted, Medical Apartheid details the ways both slaves and freedmen were used in hospitals for experiments conducted without their knowledge—a tradition that continues today within some black populations. It reveals how Blacks have historically been prey to grave-robbing as well as unauthorized autopsies and dissections. Moving into the twentieth century, it shows how the pseudoscience of eugenics and social Darwinism was used to justify experimental exploitation and shoddy medical treatment of Blacks. Shocking new details about the government’s notorious Tuskegee experiment are revealed, as are similar, less-well-known medical atrocities conducted by the government, the armed forces, prisons, and private institutions. The product of years of prodigious research into medical journals and experimental reports long undisturbed, Medical Apartheid reveals the hidden underbelly of scientific research and makes possible, for the first time, an understanding of the roots of the African American health deficit. At last, it provides the fullest possible context for comprehending the behavioral fallout that has caused Black Americans to view researchers—and indeed the whole medical establishment—with such deep distrust.

An insightful exploration and moving meditation on identity, art, and belonging from one of the most celebrated writers of the last decade. What happens when we begin to consider stories at the margins, when we grant them centrality? How does that complicate our certainties about who we are, as individuals, as nations, as human beings? Through the lens of visual art, literature, film, and the author’s lived experience, Out of the Sun examines Black histories in art, offering new perspectives to challenge us. In this groundbreaking, reflective, and erudite book, two-time Scotiabank Giller Prize winner and internationally bestselling author Esi Edugyan illuminates myriad varieties of Black experience in global culture and history. Edugyan combines storytelling with analyses of contemporary events and her own personal story in this dazzling first major work of non-fiction.

This novel of sorrow and suspense, set in rural Montana, is “a complex and powerful story—put Black River on the must-read list” (The Seattle Times). Wes Carver returns to his hometown—Black River, Montana—with two things: his wife’s ashes and a letter from the parole board. The convict who once held him hostage during a prison riot is up for release. For years, Wes earned his living as a correction officer and found his joy playing the fiddle. But the uprising shook Wes’s faith and robbed him of his music; now he must decide if his attacker should walk free. With “lovely rhythms, spare language, tenderness, and flashes of rage,” S. M. Hulse shows us the heart and darkness of an American town, and one man’s struggle to find forgiveness in the wake of evil (Los Angeles Review of Books).

For fans of Sorry to Bother You and The Wolf of Wall Street comes a blazing, satirical debut novel about a young man given a shot at stardom as the lone black salesman at a mysterious, cult-like, and wildly successful startup where nothing is as it seems.

"Before chain coffeeshops and luxury high-rises, before even the beginning of desegregation and the 1968 riots, Washington's Greater U Street was known as Black Broadway. From the early 1900s into the 1950s, African Americans plagued by Jim Crow laws in other parts of town were free to own businesses here and built what was often described as a "city within a city." Local author and journalist Briana A. Thomas narrates U Street's rich and unique history, from the early triumph of emancipation to the days of civil rights pioneer Mary Church Terrell and music giant Duke Ellington, through the recent struggle of gentrifiction" --