Watching War Films With My Dad

Al Murray's (AKA The Pub Landlord) musing on his childhood where his fascination with history and all things war began. Have you ever watched a film with someone who, at the most dramatic scene, argues that the plane on screen hasn't been invented yet? Or that the tank rumbling towards the hero at the end of the film is the wrong tank altogether? Al Murray is that someone. Try as he might, he can’t help himself. Growing up in the 1970s, Al, with the help of his dad, became fascinated with the history of World War Two. They didn’t go to football; they went to battlefields. Because like so many of his generation whose childhood was all about Airfix, Action Man and Where Eagles Dare, he grew up in the cultural wake of the Second World War. Part memoir, part life obsession, this is Al Murray musing on what he knows best. And he’s sure to tell you things about history that you were never taught at school.

A guide to learning more about your relatives’ experience serving in the U.S. Army during World War II. In this fully revised edition of Finding Your Father’s War, military historian Jonathan Gawne has written an easily accessible handbook for anyone seeking greater knowledge of their relatives’ experience in World War II, or indeed anyone seeking a better understanding of the U.S. Army during World War II. With over 470 photographs, charts, and an engaging narrative with many rare insights into wartime service, this book is an invaluable tool for understanding our “citizen soldiers,” who once rose as a generation to fight the greatest war in American history. “Jonathan's Gawne’s book is a 5-star blueprint, well-written and beautifully illustrated, to deciphering a loved one’s WW2 U.S. Army service.” —The Commander’s Voice “A great read not only for genealogists wishing to research an ancestor, but also for those who simply have an interest in the United States Army during World War II . . . written so that anyone, even those with no military background, can understand, yet also includes more advanced information . . . detail is phenomenal . . . a must read reference book for any professional genealogist or military historian.” —APG Quarterly

SYNOPSIS OF A CONVOCATION OF FIVE What is the value of an ordinary guy’s life and who assesses that value? As Tom Albright approaches the end of his days on earth, five individuals meet to evaluate his life. They begin with hearing and commenting on a baby boomer who grew up with illusions of battlefield glory only to lose those illusions during the turbulence of the 60’s. Likewise, Tom immersed himself in idealized visions of athletic glory, academic success, racial harmony, romantic love, and religious faith. Like many of his generation, his life story centers on the clash of untested ideal concepts with the blunt, inescapable forces of reality. In this examination of Tom’s life, the five who form the convocation will learn as much about themselves as they do about Tom. Like the subject of their study, some will pass on to a new life.

“An essential book for courses on Native film, indigenous media, not to mention more general courses . . . A very impressive and useful collection.” —Randolph Lewis, author of Navajo Talking Picture The film industry and mainstream popular culture are notorious for promoting stereotypical images of Native Americans: the noble and ignoble savage, the pronoun-challenged sidekick, the ruthless warrior, the female drudge, the princess, the sexualized maiden, the drunk, and others. Over the years, Indigenous filmmakers have both challenged these representations and moved past them, offering their own distinct forms of cinematic expression. Native Americans on Film draws inspiration from the Indigenous film movement, bringing filmmakers into an intertextual conversation with academics from a variety of disciplines. The resulting dialogue opens a myriad of possibilities for engaging students with ongoing debates: What is Indigenous film? Who is an Indigenous filmmaker? What are Native filmmakers saying about Indigenous film and their own work? This thought-provoking text offers theoretical approaches to understanding Native cinema, includes pedagogical strategies for teaching particular films, and validates the different voices, approaches, and worldviews that emerge across the movement. “Accomplished scholars in the emerging field of Native film studies, Marubbio and Buffalohead . . . focus clearly on the needs of this field. They do scholars and students of Native film a great service by reprinting four seminal and provocative essays.” —James Ruppert, author of Meditation in Contemporary Native American Literature “Succeed[s] in depicting the complexities in study, teaching, and creating Native film . . . Regardless of an individual’s level of knowledge and expertise in Native film, Native Americans on Film is a valuable read for anyone interested in this topic.” —Studies in American Indian Literatures

The Searing Portrayal Of War That Has Stunned And Galvanized Generations Of Readers An immediate bestseller upon its original publication in 1939, Dalton Trumbo?s stark, profoundly troubling masterpiece about the horrors of World War I brilliantly crystallized the uncompromising brutality of war and became the most influential protest novel of the Vietnam era. Johnny Got His Gun is an undisputed classic of antiwar literature that?s as timely as ever. ?A terrifying book, of an extraordinary emotional intensity.?--The Washington Post "Powerful. . . an eye-opener." --Michael Moore "Mr. Trumbo sets this story down almost without pause or punctuation and with a fury amounting to eloquence."--The New York Times "A book that can never be forgotten by anyone who reads it."--Saturday Review

Terminal Abstraction is the story of a struggling young artist, Harry Murphy, who can't catch any breaks in life. He alienates everyone around him, and has little hope of ever amounting to much in the world. Harry must also cope with his father's illness, along with constant battles with the rest of his family. Terminal Abstraction will make you feel glad to know that you aren't a struggling artist named Harry Murphy. The author's self-narrative style is very similar to that of J.D. Salinger's.

After World War II, Henry misses his father who died a war hero, but learns to cope with his loss when he discovers an old film camera and unravels the mystery behind its contents.

A powerful collection of personal essays on displacement, being different and living between two worlds, told with humour and self-reflection. 'A book for our times, written with wit, lyricism, cynicism and tenderness.' Rachel House Based on Ghazaleh Golbakhsh's experience as an Iranian immigrant growing up in New Zealand, these essays range from a childhood in war-torn Iran, including the trauma of a night spent in prison as a six-year-old, to learning English so she could make friends, to dating in the days of Corona. This is about growing up as a young woman torn between her immigrant roots and her desire to be like everyone else. The humour is sometimes offset with the more sombre reminder of the racism that has always existed in this country, from misguided quips to more serious stories of harassment. The impact of recent world events shows that, more than ever, marginalised voices are needed in our cultural discourse.