We Are Made Of Diamond Stuff

A 36 year old that looks like Eleven from Stranger Things works in a run-down hotel on an Isle of Wight battered by austerity. Polar bears emerge from t-shirts. Reebok Classics come to life. Blending fiction and critical writing and anarchic joy, this is a rakish, boundary erasing work that collides literary aesthetics with working class cultures and attitudes. Interrogating autobiographical material, it extends the avant-garde tradition to make it an ally for queer migrant experience, questions dreams of national belonging, while celebrating the radical potential of resistance, ingenuity, and friendship.

Like Franz Kafka’s The Trial for the post-truth era, at once “surreal, polemical, and fun” (The Telegraph). Sterling Beckenbauer is plunged into a terrifying and nonsensical world one morning when they are attacked, then unfairly arrested, in their neighborhood in London. With the help of their friends, Sterling hosts a trial of their own in order to exonerate themselves and to hold the powers that be to account. Sterling Karat Gold, in the words of Kamila Shamsie, is “a madly brilliant and deeply sane novel that reveals surrealism as possibly the most effective way of talking about the political moment we find ourselves in.” In it, Isabel Waidner concocts a world replete with bullfighters, high fashion, DIY theater, the Beach Boys, and time-traveling spaceships. The acclaimed winner of the 2021 Goldsmiths Prize for fiction that breaks the mold and extends the possibilities of the form, this novel explores the phantasmagoric nature of contemporary life, especially for nonbinary migrants, and daringly revises how solidarity and justice might be sought and won. Sterling Karat Gold couldn’t be a better North American introduction to a writer with an irresistible style and unforgettable vision.

From the #1 New York Times bestselling author of Anathem, Reamde, and Cryptonomicon comes an exciting and thought-provoking science fiction epic—a grand story of annihilation and survival spanning five thousand years. What would happen if the world were ending? A catastrophic event renders the earth a ticking time bomb. In a feverish race against the inevitable, nations around the globe band together to devise an ambitious plan to ensure the survival of humanity far beyond our atmosphere, in outer space. But the complexities and unpredictability of human nature coupled with unforeseen challenges and dangers threaten the intrepid pioneers, until only a handful of survivors remain . . . Five thousand years later, their progeny—seven distinct races now three billion strong—embark on yet another audacious journey into the unknown . . . to an alien world utterly transformed by cataclysm and time: Earth. A writer of dazzling genius and imaginative vision, Neal Stephenson combines science, philosophy, technology, psychology, and literature in a magnificent work of speculative fiction that offers a portrait of a future that is both extraordinary and eerily recognizable. As he did in Anathem, Cryptonomicon, the Baroque Cycle, and Reamde, Stephenson explores some of our biggest ideas and perplexing challenges in a breathtaking saga that is daring, engrossing, and altogether brilliant.

"If there were a literary avant-garde that were relevant now, it would be what the queers and their allies are doing, at the intersections, across disciplines. This avant-garde would be inclusive, racially and culturally diverse, migrants galore, predominately but not exclusively working-class, transdisciplinary, (gender)queer and politically clued up (left)." Isabel Waidner Liberating the Canon is an edited anthology capturing the contemporary emergence of radically innovative and nonconforming forms of literature in the UK and US. Historically, sociopolitical marginalisation and avant-garde aesthetics have not come together in UK literature, counterintuitively divorcing outsider experience and formal innovation. Bringing together intersectional identity and literary innovation, LTC is designed as an intervention against the normativity of literary publishing contexts and the institution 'Innovative Literature' as such. More widely, if literature, any literature, can act as a mode of cultural resistance and help imagine a more progressive politics in Tory Britain and beyond, it is this. Contributors are Mojisola Adebayo, Jess Arndt (US), Jay Bernard, Richard Brammer, Victoria Brown, SJ Fowler, Juliet Jacques, Sara Jaffe (US), Roz Kaveney, R. Zamora Linmark (US), Mira Mattar, Seabright D.Mortimer, Nat Raha, Nisha Ramayya, Rosie Snajdr, Timothy Thornton, Isabel Waidner, Joanna Walsh and Eley Williams.

"I'm besotted with this beguiling, hilarious, rollocking, language-metamorphosing novel. The future of the queer avant-garde is safe with Isabel Waidner." Olivia Laing Gaudy Bauble stages a glittering world populated by GoldSeXUal StatuEttes, anti-drag kings, Gilbert-&-George-like lesbians, maverick detectives, a transgender army equipped with question-mark-shaped helmets, and birds who have dyke written all over them. Everyone interferes with the plot. No one is in control of the plot. Surprises happen as a matter of course: A faux research process produces actual results. Hundreds of lipstick marks reanimate a dying body. And the Deadwood-to-Dynamo Audience Prize goes to whoever turns deadestwood into dynamost. Gaudy Bauble stages what happens when the disenfranchised are calling the shots. Riff-raff are running the show and they are making a difference.

A wild, experimental, polyphonic novel, recounting a typical day of diminishing returns at a nursing home House Mother Normal, subtitled “A Geriatric Comedy,” is the English writer B. S. Johnson’s fifth novel. Unusual in both its subject and structure, this novel is a remarkable study of old age, stripped of sentimentality and spiked with bizarre language and perceptions. Made up of eight monologues describing a single day at a nursing home, House Mother Normal explores the failing minds of the elderly with precision, humor, and unflagging compassion, and Johnson achieves, with inventiveness and escalating absurdity, a vivid multidimensional effect.

Much more than a history of the material sciences, Stuff brims with interviews with cutting-edge experts in the field, many of whom are building new materials literally atom by atom, and describes such astounding achievements as artificial diamonds created from peanut butter and how nanotechnologists are building new-age, state-of-the-art machines no thicker than a few hundred atoms.

Postbellum America makes for a haunting backdrop in this historical and supernatural tale of moonlit cemeteries, masked balls, cunning mediums, and terrifying secrets waiting to be unearthed by an intrepid crime reporter. Edward Clark is a successful young crime reporter in comfortable circumstances with a lovely, well-connected fiancée. Then an assignment to write a series of exposés on the city’s mediums places all that in jeopardy. In the Philadelphia of 1869, photographs of Civil War dead adorn dim sitting rooms, and grieving families attempt to contact their lost loved ones. Edward’s investigation of the beautiful young medium Lucy Collins has unintended consequences, however. He uncovers her tricks, but realizes to his dismay that Lucy is more talented at blackmail than she is at a medium’s sleights of hand. And since Edward has a hidden past, he reluctantly agrees that they should collaborate in exposing only her rivals. The mysterious murder of noted medium Lenora Grimes Pastor as Lucy and Edward attend her séance results in a plum story for Edward—and a great deal more. The pair want to clear themselves from suspicion, but a search spanning the houses of the wealthy to the underside of nineteenth-century Philadelphia unearths a buzzing beehive of past murder, current danger, and supernatural occurrences that cannot be explained…