We Are Who We Think We Were

Conley calls into question the outdated historical methodologies in use in Christian social ethics and outlines the consequences stemming from them. By adopting the postmodern post-structuralist position of historian Elizabeth Clark, Conley calls ethicists to learn to read for the gaps, silences, and aporias existent in historical texts as well as in the histories represented by them. The book calls ethicists to a critical self-reflexive historiography. This self-criticism allows the ability to construct new histories and formulate new ethical norms for the world in which we now live.

#1 NEW YORK TIMES BESTSELLER • A modern, sophisticated suspense novel from National Book Award finalist, and Printz Award honoree E. Lockhart. Don't miss the #1 New York Times bestselling prequel, Family of Liars. A beautiful and distinguished family. A private island. A brilliant, damaged girl; a passionate, political boy. A group of four friends—the Liars—whose friendship turns destructive. A revolution. An accident. A secret. Lies upon lies. True love. The truth. Read it. And if anyone asks you how it ends, just LIE. "Thrilling, beautiful, and blisteringly smart, We Were Liars is utterly unforgettable." —John Green, #1 New York Times bestselling author of The Fault in Our Stars

Winner of the 2015 Book Prize for the Promotion of Social and Personality Science (Society for Personality and Social Psychology) Why are we sometimes blind to the minds of others, treating them like objects or animals instead? Why do we talk to our cars, or the stars, as if there is a mind that can hear us? Why do we so routinely believe that others think, feel, and want what we do when, in fact, they do not? And why do we think we understand our spouses, family, and friends so much better than we actually do? In this illuminating book, leading social psychologist Nicholas Epley introduces us to what scientists have learned about our ability to understand the most complicated puzzle on the planet—other people—and the surprising mistakes we so routinely make. Mindwise will not turn others into open books, but it will give you the wisdom to revolutionize how you think about them—and yourself.

Stories that follow the lives of Jewish characters from the Midwest to the Middle East and beyond: “A profound debut from a writer of great talent.” —Adam Johnson, New York Times–bestselling author of The Orphan Master’s Son The characters of The Worlds We Think We Know are swept up by forces beyond their control: war, adulthood, family—and their own emotions, as powerful as the sandstorm that gusts through these stories. In Ohio, a college student cruelly enlists the help of the boy who loves her to attract the attention of her own crush. In Israel, a young American woman visits an uncommunicative Holocaust survivor and falls in love with a soldier. And from an unnamed Eastern European country, a woman haunts the husband who left her behind for a new life in New York City. The Worlds We Think We Know is a dazzling fiction debut—fiercely funny and entirely original. “Outstanding . . . Set in locales including present-day Jerusalem, the permafrost region of Russia and the streets of Manhattan, Rosenfeld’s best stories focus not only on loss, but on its aftermath: living in the presence of absence.” —Haaretz “Funny and poignant . . . The lush melancholy of this collection is bolstered by the characters’ deep intelligence and wit . . . Jewish history is shredded through with displacement, and many of Rosenfeld’s characters are caught in the position of a having a long cultural history and no sense of home.” —Electric Literature

Despite their mutual attraction, Marques Williams and Armin Jahani agreed a long time ago that they were better off as friends. They don’t want to risk their friendship, and they definitely don’t want things getting awkward at the art gallery where they work. But even as they’ve moved on with their lives, they’ve both quietly regretted that decision. When Armin’s father scores the gallery a collection of sculptures from a renowned and reclusive artist, he sends Armin and Marques on the road to pick them up. As the two friends embark on a multi-state trip, they each assume the other is still with his longtime partner. Armin doesn’t know that Marques’s now-ex-boyfriend is moving out. Marques doesn’t know that the last fraying threads of Armin’s relationship have snapped. Secretly, they pine for each other from across the console of their rental car, each wishing they hadn’t missed the chance to be together years ago. But maybe they haven’t missed that chance after all. I Think We Missed Our Turn is a short and fun ~36,000-word novella with a happy ending and no cheating.

“Maurice Bloch is so ferociously smart that one can always enjoy tangling with his ideas, even when—perhaps especially when—one doesn’t agree with him. This is an important and provocative book.” —Sherry Ortner Columbia University These essays by one of anthropology’s most original theorists consider such fundamental questions as: Is cognition language-based? How reliable a guide to memory are people’s narratives about themselves? What connects the “social recalling” studied by anthropologists to the “autobiographical memory” studied by psychologists? Now gathered in accessible form for the first time and drawing frequently upon the author’s fieldwork among the Zafimaniry of Madagascar for ethnographic examples, the twelve closely linked essays of How We Think They Think pose provocative challenges not only to conventional cognitive models but to the basic assumptions that underlie much of ethnography. This book will be read with interest by those who study culture and cognition, ethnographic theory and practice, and the peoples and cultures of Africa.

In this timely and well-argued book, author Philip Nicholson offers a provocative explanation of the force and place of race in modern history, showing that race and nation have a linked history. Using the deliberately ironic metaphor of the double helix, the author shows the close historical connection of race and nation as each interrelates with the other in shaping and carrying social and institutional practices over many centuries. Five themes recur throughout the work: modernity is built on the twin pillars of race and nation; national instability, rivalry, and imperial conquest -- outside of dynastic, religious, or feudal disputes -- evoke differential (i.e., racial) human social categories, loyalties, and mythologies; racial vilification emerges out of material and cultural expropriation; racial degradation is typically the inverse projection of dominant national normative values, beliefs, or ideals; and race and nation share in the twists and turns of modern history and are inseparably linked and interdependent.