We Ll Never Have Paris

Fiction and essays inspired by Paris from more than 70 Anglophone writers -- A MoveableFeast for the twenty-first century. "When good Americans die, they go to Paris", wrote the Irish playwright Oscar Wilde in 1894. The French capital has always radiated an unmatched cultural, political and intellectual brilliance in the anglophone imagination, maintaining its status as the modern cosmopolitan city par excellence through the twentieth century to today. We'll Never Have Paris explores this enduring fascination with this myth of a bohemian and literary Paris (that of the Lost Generation, Joyce, Beckett and Shakespeare and Company) which also happens to be a largely anglophone construct -- one which the Eurostar and Brexit only seem to have exacerbated in recent years. Edited by Andrew Gallix, this collection brings together many of the most talented and adventurous writers from the UK, Ireland, USA, Australia and New Zealand to explore this theme through short stories, essays and poetry, in order to build up a captivating portrait of Paris as viewed by English speakers today -- A Moveable Feast for the twenty-first century. We'll Never Have Paris includes contributions from seventy-nine authors, including Tom McCarthy, Will Self, Brian Dillon, Joanna Walsh, Eley Williams, Max Porter, Sophie Mackintosh and Lauren Elkin.

As a bored, moody teenager, Emma Beddington came across a copy of French ELLE in the library of her austere Yorkshire school. As she turned the pages, full of philosophy, sex and lipstick, she realized that her life had one purpose and one purpose only: she needed to be French. Instead of skulking in her bedroom listening to The Smiths or trudging to Betty's Tea Room to buy fondant fancies, she would be free and solitary, sitting outside the Café de Flore with a Scottie dog at her feet, a Moleskine on the table and a Gauloise trembling on her lower lip. And so she set about becoming French: she did a French exchange, albeit in Casablanca; she studied French history at university, and spent the holidays in France with her French boyfriend. Eventually, after a family tragedy, she found herself living in Paris, with the same French boyfriend and two half-French children. Her dream had come true, but how would reality match up? Gradually Emma realized that she might have found Paris, but what she really needed to find was home. Written with enormous wit and warmth, We'll Always Have Paris is a memoir for anyone who has ever worn a Breton T-shirt and wondered, however fleetingly, if they could pass for une vraie Parisienne.

'fizzes with warmth, humour and tenderness, from the first page to the last. . . I adored it' Cathy Bramley, author of Appleby Farm Does first love deserve a second chance? When she was almost seventeen, Rosie Draper locked eyes with a charismatic student called Peter during their first week at art college, changing the course of her life forever. Now, on the cusp of sixty-five and recently widowed, Rosie is slowly coming to terms with a new future. And after a chance encounter with Peter, forty-seven years later, they both begin to wonder 'what if' . . . Told with warmth, wit and humour, We'll Always Have Paris is a charming, moving and uplifting novel about two people; the choices they make, the lives they lead and the love they share.

How her daughter and her passport taught Jennifer to live like there's no tomorrow Jennifer Coburn has always been terrified of dying young. So she decides to save up and drop everything to travel with her daughter, Katie, on a whirlwind European adventure before it's too late. Even though her husband can't join them, even though she's nervous about the journey, and even though she's perfectly healthy, Jennifer is determined to jam her daughter's mental photo album with memories—just in case. From the cafés of Paris to the top of the Leaning Tower of Pisa, Jennifer and Katie take on Europe one city at a time, united by their desire to see the world and spend precious time together. In this heartwarming generational love story, Jennifer reveals how their adventures helped vanquish her fear of dying...for the sake of living. "Brimming with joie de vivre!"—Jamie Cat Callan, author of Ooh La La! French Women's Secrets to Feeling Beautiful Every Day "Coburn proves as adept at describing the terrain of the human heart as she is the gardens of Alcázar or the streets of Paris."—Claire and Mia Fontaine, authors of the bestselling Come Back and Have Mother, Will Travel

Thirty-two writers share their observations and revelations about the world's most seductive city. "Whether you have lived in Paris or not, this captivating collection will transport you there." —National Geographic Traveler Paris is “the world capital of memory and desire,” concludes one of the writers in this intimate and insightful collection of memoirs of the city. Living in Paris changed these writers forever. In thirty-two personal essays—more than half of which are here published for the first time—the writers describe how they were seduced by Paris and then began to see things differently. They came to write, to cook, to find love, to study, to raise children, to escape, or to live the way it’s done in French movies; they came from the United States, Canada, and England; from Iran, Iraq, and Cuba; and—a few—from other parts of France. And they stayed, not as tourists, but for a long time; some are still living there. They were outsiders who became insiders, who here share their observations and revelations. Some are well-known writers: Diane Johnson, David Sedaris, Judith Thurman, Joe Queenan, and Edmund White. Others may be lesser known but are no less passionate on the subject. Together, their reflections add up to an unusually perceptive and multifaceted portrait of a city that is entrancing, at times exasperating, but always fascinating. They remind us that Paris belongs to everyone it has touched, and to each in a different way.

Liberté? Egalité? Fraternité? Or just plain gall? In this provocative and brilliantly researched history of how the French have dealt with the United States, John J. Miller and Mark Molesky demonstrate that the cherished idea of French friendship has little basis in reality. Despite the myth of the “sister republics,” the French have always been our rivals, and have harmed and obstructed our interests more often than not. This history of French hostility goes back to 1704, when a group of French and Indians massacred American settlers in Deerfield, Massachusetts. The authors also debunk the myth of French aid during the Revolution: contrary to popular notions, the French did not enter the war until very late and were mainly interested in hurting their rivals, the British. After the war, the French continued to see themselves as major players in the Western hemisphere and shaped their policies to limit the growth and power of the new nation. The notorious XYZ affair, involving French efforts to undermine the government of George Washington, led to an undeclared naval war with France in 1798. During the Civil War, the French supported the Confederacy and installed a puppet emperor in Mexico. In the twentieth century, Americans clashed with the French repreatedly. The French victory over President Wilson at Versailles imposed a short-sighted and punitive settlement on Germany that paved the way for the rise of fascism in the 1930s. During World War II, Vichy French troops killed hundreds of American soldiers in North Africa, and diehard French fascist units fought against the Allies in the rubble of Berlin. During the Cold War, Charles DeGaulle yanked France out of NATO and obstructed our efforts to roll back Soviet expansion. The legacy of French imperial power has been no less disastrous. The French left Haiti in a shambles, got us into Vietnam, and educated many of the world’s worst tyrants at their elite universities, including Pol Pot, the genocidal Cambodian dictator. The fascist Baath regimes in Iraq and Syria are another legacy of failed French colonialism. Americans have been particularly irritated by French cultural arrogance—their crusades against American movies, McDonalds, Disney, and the exclusion of American words from their language have always rubbed us the wrong way. This irritation has now blossomed into outrage. Our Oldest Enemy shows why that outrage is justified.