We Weren T Modern Enough

Meskimmon asks why women artists were left out of the canon of German modernism, tracing the reasons to the construction of a unified (male) history of art that in effect denied women a voice. The book is an effort to reconceive the period's art history and the perspective of the Weimar woman artist.

Meskimmon asks why women artists were left out of the canon of German modernism, tracing the reasons to the construction of a unified (male) history of art that in effect denied women a voice. The book is an effort to reconceive the period's art history and the perspective of the Weimar woman artist.

Based on hitherto overlooked archival material, this book reveals Nell Walden’s significant impact on the Sturm organisation through a feminist reading of supportive labour that highlights the centrality of collaborative work within the modern art world. This book introduces Walden as an ardent collector of modern and indigenous art and critically contextualises her own art production in relation to expressionist concepts of art and to gendered ideas on abstraction and decoration. Visual analyses highlight how she collaborated with professional and experimental women photographers during the Weimar era and how the circulation of these photographs served as a means to intervene in the public sphere of culture in interwar Germany. Finally, the book provides an analysis of Walden’s continuing work for Der Sturm after her voluntary exile from Germany to Switzerland in 1933 and highlights the importance of women’s supportive labour for the canonisation and institutionalisation of modern art in museums and archives. The book will be of interest to scholars working in art history, visual studies, and gender studies.

They'd give up everything to dance on stage, but could they lose each other? London's East End, 1934.Eighteen-year-old twins Marie and Vesta Haskins work at the local shoe factory to bring in a few pennies for the family, but they've never given up on their dream of treading the boards in the West End. When a brand new East End club opens its doors, the girls audition for the show and are over the moon to land two nights a week with their cabaret act. But little do they realise that the villainous Scoresby brothers are using the club as a front for a very different line of business. Seeing what is going on behind the smoke and lights of the stage, sensible Marie vows to leave her job at the club before it is too late, but headstrong Vesta has fallen for the Scoresby's handsome right-hand man, Teddy, and unwittingly leads her whole family into the Scoresby's clutches. Will Marie be able to save her family from disaster? Or will Vesta's determination to become a star tear the Haskins family apart?

When modern poison doctors fought the ancient evil kings, they relied on tactics and wily tactics. Let's see who could tame who.

When Scott Brooks saw the sign directing him to the Prairie Valley Railway Museum, he had no idea what was in store for him. Discovering a haven for preserved antique trains, he is enraptured by what he finds, and before he quite realizes it, he has signed up to join the ranks of the volunteers. Taking part in the staffing, maintenance, and restoration of historic trains is certainly an adventure for him as he learns new skills and new things about railroad history. Along the way, he meets the most eclectic and interesting group of people ever in his fellow volunteers. But his new hobby doesn't sit well with everyone. His girlfriend feels neglected, his parents think he is being irresponsible, and he seems to rub some of the volunteers the wrong way namely, museum president Larry Chadwicke, who has gone beyond the point of a railfan to being a railfanatic. It's non-stop adventure in railway preservation, as Scott tries to balance volunteering with school, his romantic life and his friends, all the while trying to prove his suspicions that Chadwicke is causing the museum a lot of trouble. Get ready to be gripped into the struggle as Scott Brooks goes head-to-head with the railfanatic!

The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)