Wed To The Wrong Wayne

What do you do when you are in the private chapel of an Irish castle ready and willing to marry the man of your dreams, but the groom is missing? Well you do what any other reality star marrying a rock star does in those circumstances when the world is watching and waiting for you to fall from grace and him to fall on his arse, drunk. You fake it. This is what you do. It is the only way out of a bad situation if you do not want the humiliation of being ‘jilted at the altar’. Not to mention a potential lawsuit from the magazine deal and Callie Temples does not want any of it, so she is truly grateful when the perfect replacement is on hand to stand-in for her absent partner. At least this way, it buys them some time to find the real Rocco and switch the husbands on honeymoon before anyone outside of a select few is any the wiser. Sounds like a plan and it just might work a treat, if it were not for Callie having doubts that she wed the wrong Wayne. Callie later learns a secret that puts their very future in jeopardy. What makes it more upsetting is the fact that her long lost father wants to have his say and he will go to any lengths to make that happen. While her new hubby has a real life girlfriend that they are trying to keep in the dark so as not to hurt her, but will she hurt him if the truth comes out. Will Callie get the fairy-tale ending to her story? Even a psychic pet pig cannot predict that one. Why not read this British, heart-warming and humorous chick-lit novel to find out if it all turns to tears or cheers for the bride.

NATIONAL BESTSELLER "An absolutely unforgettable novel."—Ian Williams A masterwork from one of the country’s most critically acclaimed and beloved writers that grapples with male violence, sexual abuse, and madness. Complusively readable and heartstopping. Wade Jackson, a young man from a Newfoundland outport, wants to be a writer. In the university library in St. John’s, where he goes every day to absorb the great books of the world, he en­counters the fascinating, South African-born Rachel van Hout, and soon they are lovers. Rachel is the youngest of four van Hout daugh­ters, each in their own way a wounded soul. The old­est, Gloria, has a string of broken marriages behind her. Carmen is addicted to every drug her Afrikaner dealer husband can lay his hands on. Betha­ny, the most sardonic of the sisters, is fighting a los­ing battle with anorexia. And then there is Rachel, who reads The Diary of Anne Frank obsessively, and diarizes her days in a secret language of her own invention, writing to the point of breakdown and beyond—an obsession that has deeper and more dis­turbing roots than Wade could ever have imagined. Confronting the central mystery of his character Rachel’s life—and his own—Wayne Johnston has created a brilliant and searing tour de force that pulls the reader toward a conclusion both inevitable and impossible to fore­see.

NEW YORK TIMES BESTSELLER The “paradigm-influencing” book (Christianity Today) that is fundamentally transforming our understanding of white evangelicalism in America. Jesus and John Wayne is a sweeping, revisionist history of the last seventy-five years of white evangelicalism, revealing how evangelicals have worked to replace the Jesus of the Gospels with an idol of rugged masculinity and Christian nationalism—or in the words of one modern chaplain, with “a spiritual badass.” As acclaimed scholar Kristin Du Mez explains, the key to understanding this transformation is to recognize the centrality of popular culture in contemporary American evangelicalism. Many of today’s evangelicals might not be theologically astute, but they know their VeggieTales, they’ve read John Eldredge’s Wild at Heart, and they learned about purity before they learned about sex—and they have a silver ring to prove it. Evangelical books, films, music, clothing, and merchandise shape the beliefs of millions. And evangelical culture is teeming with muscular heroes—mythical warriors and rugged soldiers, men like Oliver North, Ronald Reagan, Mel Gibson, and the Duck Dynasty clan, who assert white masculine power in defense of “Christian America.” Chief among these evangelical legends is John Wayne, an icon of a lost time when men were uncowed by political correctness, unafraid to tell it like it was, and did what needed to be done. Challenging the commonly held assumption that the “moral majority” backed Donald Trump in 2016 and 2020 for purely pragmatic reasons, Du Mez reveals that Trump in fact represented the fulfillment, rather than the betrayal, of white evangelicals’ most deeply held values: patriarchy, authoritarian rule, aggressive foreign policy, fear of Islam, ambivalence toward #MeToo, and opposition to Black Lives Matter and the LGBTQ community. A much-needed reexamination of perhaps the most influential subculture in this country, Jesus and John Wayne shows that, far from adhering to biblical principles, modern white evangelicals have remade their faith, with enduring consequences for all Americans.

Please note: This is a companion version & not the original book. Sample Book Insights: #1 In 1975, the CIA admitted doping Olson with LSD that led to his suicide, and they settled out of court with the Olson family for $750,000 precluding further investigation. #2 The death of Olson was a clear-cut case of National Security homicide. He had been interviewed by Military Intelligence, and he had informed his boss that he was quitting his job. He was drugged with LSD without his knowledge or permission, and then interrogated about his plans. #3 The CIA admitted that LSD was given to Olson without his knowledge or permission. The second autopsy found that the first autopsy report intentionally misrepresented the facts to make it appear like a suicide. #4 The CIA has drugged entire villages with LSD, and tested it on unknowing U. S. citizens right in the middle of Manhattan. They also used BW on civilians in North Korea.

Behold the history of a film so scandalous, so outrageous, so explosive it disappeared from print for over a quarter century! A film so dangerous, half its cast and crew met their demise bringing eccentric billionaire Howard Hughes’ final cinematic vision to life! Starring All-American legend John Wayne in full Fu Manchu make-up as Mongol madman Genghis Khan! Featuring sultry seductress Susan Hayward as his lover! This is the true story of The Conqueror (1956), the worst movie ever made. Filmed during the dark underbelly of the 1950s—the Cold War—when nuclear testing in desolate southwestern landscapes was a must for survival, the very same landscapes were where exotic stories set in faraway lands could be made. Just 153 miles from the St. George, Utah, set, nuclear bombs were detonated regularly at Yucca Flat and Frenchman Flat in Nevada, providing a bizarre and possibly deadly background to an already surreal moment in cinema history. This book tells the full story of the making of The Conqueror, its ignominious aftermath, and the radiation induced cancer that may have killed John Wayne and many others.

In this immensely captivating and imaginative novel, perfectly set at the intersection of fact and fiction, Dan Barden superimposes the story of John Wayne on the story of the Bardens, a family very much like his own. Frank Barden, Wayne's contractor, is an Irish Catholic from New York who has come to California in pursuit of the American dream. His wife, Lillian, becomes disappointed in the reality of the dream, and questions her faith in men like Frank and John Wayne. In fictionalized episodes ranging from Wayne's first love at sixteen to his deathbed conversion to Catholicism, this novel offers a surprisingly intimate vision of John Wayne and tells the poignant story of a family struggling to stay intact.

This revelatory biography shows how both the facts and fictions about John Wayne illuminate his singular life.