Welcome To Dystopia
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Welcome to Dystopia
Author | : K. G. Anderson,Richard Bowes,Elizabeth Bourne,Scott Bradfield,J. S. Breukelaar,Jennifer Marie Brissett,Becca Caccavo,Don D'Ammassa,Stephanie Feldman,Eric James Fullilove,Ron Goulart,Eileen Gunn,Leslie Howle,Matthew Hughes,Janis Ian,Michael Kandel,Heather Lindsley,Lisa Mason,Barry N. Malzberg,David Marusek,Marry Anne Mohanraj,James Morrow,Ruth Nestvold,Deji Bryce Olukotun,Marguerite Reed,Robert Reed,Madeleine E. Robins,Jay Russell,Geoff Ryman,James Sallis,J. M. Sidorova,Brian Francis Slattery,Harry Turtledove,Deepak Unnikrishnan,TS Vale,Leo Vladimirsky,Ray Vukcevich,Ted White,Paul Witcover,N. Lee Wood,Jane Yolen,Thomas Kaufsek,Paul La Farge,Yoon Ha Lee,Michael Libling |
Publsiher | : OR Books |
Total Pages | : 402 |
Release | : 2018-01-23 |
Genre | : Fiction |
ISBN | : 9781682191279 |
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In this diverse and vigorous mix of stories by newcomers and luminaries, writers offer their takes on what life might hold for us in the next few years. The resulting visions of war, oppression, and daily struggle are sometimes humorous, sometimes terrifying (and occasionally both), but always thought-provoking.
Welcome to Hell World
Author | : Luke O'Neil |
Publsiher | : OR Books |
Total Pages | : 244 |
Release | : 2019-10-01 |
Genre | : Biography & Autobiography |
ISBN | : 9781682192153 |
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When Luke O’Neil isn’t angry, he’s asleep. When he’s awake, he gives vent to some of the most heartfelt, political and anger-fueled prose to power its way to the public sphere since Hunter S. Thompson smashed a typewriter’s keys. Welcome to Hell World is an unexpurgated selection of Luke O’Neil’s finest rants, near-poetic rhapsodies, and investigatory journalism. Racism, sexism, immigration, unemployment, Marcus Aurelius, opioid addiction, Iraq: all are processed through the O’Neil grinder. He details failings in his own life and in those he observes around him: and the result is a book that is at once intensely confessional and an energetic, unforgettable condemnation of American mores. Welcome to Hell World is, in the author’s words, a “fever dream nightmare of reporting and personal essays from one of the lowest periods in our country in recent memory.” It is also a burning example of some of the best writing you’re likely to read anywhere.
Welcome to Dystopia
![Welcome to Dystopia](https://youbookinc.com/wp-content/uploads/2024/06/cover.jpg)
Author | : Gordon Van Gelder |
Publsiher | : Unknown |
Total Pages | : 392 |
Release | : 2017-12-25 |
Genre | : Science fiction |
ISBN | : 1682191265 |
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"Writers offer their takes on what life might hold for us in the next few years. The resulting visions of war, oppression, and daily struggle are sometimes humorous, somethimes terrifying (and occasionally both), but always thought provoking." --page 4 of cover.
Welcome to Dystopia
![Welcome to Dystopia](https://youbookinc.com/wp-content/uploads/2024/06/cover.jpg)
Author | : Gordon Van Gelder |
Publsiher | : Unknown |
Total Pages | : 265 |
Release | : 2019 |
Genre | : Electronic Book |
ISBN | : 1949017079 |
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Self Sovereign Identity
Author | : Alex Preukschat,Drummond Reed |
Publsiher | : Simon and Schuster |
Total Pages | : 502 |
Release | : 2021-06-08 |
Genre | : Computers |
ISBN | : 9781617296598 |
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"With Christopher Allen, Fabian Vogelsteller, and 52 other leading identity experts"--Cover.
Playing Dystopia
Author | : Gerald Farca |
Publsiher | : transcript Verlag |
Total Pages | : 435 |
Release | : 2018-11-30 |
Genre | : Social Science |
ISBN | : 9783839445976 |
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Video games permeate our everyday existence. They immerse players in fascinating gameworlds and exciting experiences, often inviting them in various ways to reflect on the enacted events. Gerald Farca explores the genre of dystopian video games and the player's aesthetic response to their nightmarish gameworlds. Players, he argues, will gradually come to see similarities between the virtual dystopia and their own ›offline‹ environment, thus learning to stay wary of social and political developments. In his analysis, Farca draws from a variety of research fields, such as literary theory and game studies, combining them into a coherent theory of aesthetic response to dystopian games.
Between Dystopia and Utopia
Author | : Kōnstantinos Apostolou Doxiadēs |
Publsiher | : Unknown |
Total Pages | : 116 |
Release | : 1966 |
Genre | : City planning |
ISBN | : UOM:39015006756038 |
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Violence and Dystopia
Author | : Daniel Cojocaru |
Publsiher | : Cambridge Scholars Publishing |
Total Pages | : 335 |
Release | : 2015-09-18 |
Genre | : Literary Criticism |
ISBN | : 9781443883528 |
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Violence and Dystopia is a critical examination of imitative desire, scapegoating and sacrifice in selected contemporary Western dystopian narratives through the lens of René Girard’s mimetic theory. The first chapter offers an overview of the history of Western utopia/dystopia with a special emphasis on the problem of conflictive mimesis and scapegoating violence, and a critical introduction to Girard’s theory. The second chapter is devoted to J.G. Ballard’s seminal novel Crash (1973), Chuck Palahniuk’s Fight Club (1996) and Rant (2007), and Brad Anderson’s film The Machinist (2004). It is argued that the car crash functions as a metaphor for conflictive mimetic desire and leads to a quasi-sacrificial crisis as defined by Girard for archaic religion. The third chapter focuses on the psychogeographical writings of Iain Sinclair and Peter Ackroyd. Walking the streets of London the pedestrian represents the excluded underside of the world of Ballardian speed. The walking subject is portrayed in terms of the expelled victim of Girardian theory. The fourth chapter considers violent crowds as portrayed by Ballard’s late fiction, the writings of Stewart Home, and David Peace’s GB84 (2004). In accordance with Girard’s hypothesis, the discussed narratives reveal the failure of scapegoat expulsion to restore peace to the potentially self-destructive violent crowds. The fifth chapter examines the post-apocalyptic environments resulting from failed scapegoat expulsion and mimetic conflict out of control, as portrayed in Sinclair’s Radon Daughters (1994), Margaret Atwood’s The Handmaid’s Tale (1985) and Oryx and Crake (2003), and Will Self’s The Book of Dave (2006).