What Disappears

A dazzling new collection by this well-known poet/traveler from the American Southwest.

Nancy investigates the disappearance of the bride while attending the wedding of her friends Bess and George's cousin Veronica's wedding to the owner of local extreme sports complex in Las Vegas.

What Disappears is a gripping multi-generational tale that begins in 1880s Tsarist Russia and ends in Paris at the start of World War I. Jeannette Dupres, one of two identical twins born to a Jewish family in dire financial straits, is spirited out of an orphanage as an infant by a couple from France. The other twin, Sonya Luria, raised to believe her sister died at birth, has her life upended by the 1903 pogrom in Kishinev. The sisters are reunited in the doorway of Anna Pavlova's dressing-room, when they both get jobs in Paris with Sergei Diaghilev's Ballets Russes, Sonya as a seamstress and Jeannette as an extra ballerina. In a relationship that ebbs and flows as it evolves, the twins' deepest, darkest secrets are revealed, affecting not only them but also leaving their mark on the lives and fates of Sonya's three daughters. Peopled by the greatest dancers, artists, writers, designers, and trend-setters of the Belle Époque, What Disappears explores the ways in which girls and women define their identity and search for meaning in a world that tries at every turn to hold them back.

Taking a panoramic view of Korea's dynamic literary production in the final decade of Japanese rule, When the Future Disappears locates the imprint of a new temporal sense in Korean modernism: the impression of time interrupted, with no promise of a future. As colonial subjects of an empire headed toward total war, Korean writers in this global fascist moment produced some of the most sophisticated writings of twentieth-century modernism. Yi T'aejun, Ch'oe Myongik, Im Hwa, So Insik, Ch'oe Chaeso, Pak T'aewon, Kim Namch'on, and O Changhwan, among other Korean writers, lived through a rare colonial history in which their vernacular language was first inducted into the modern, only to be shut out again through the violence of state power. The colonial suppression of Korean-language publications was an effort to mobilize toward war, and it forced Korean writers to face the loss of their letters and devise new, creative forms of expression. Their remarkable struggle reflects the stark foreclosure at the heart of the modern colonial experience. Straddling cultural, intellectual, and literary history, this book maps the different strategies, including abstraction, irony, paradox, and even silence, that Korean writers used to narrate life within the Japanese empire.

Wilson, one of our foremost authorities on race and poverty, challenges decades of liberal and conservative pieties to look squarely at the devastating effects that joblessness has had on our urban ghettos. Marshaling a vast array of data and the personal stories of hundreds of men and women, Wilson persuasively argues that problems endemic to America's inner cities--from fatherless households to drugs and violent crime--stem directly from the disappearance of blue-collar jobs in the wake of a globalized economy. Wilson's achievement is to portray this crisis as one that affects all Americans, and to propose solutions whose benefits would be felt across our society. At a time when welfare is ending and our country's racial dialectic is more strained than ever, When Work Disappears is a sane, courageous, and desperately important work. "Wilson is the keenest liberal analyst of the most perplexing of all American problems...[This book is] more ambitious and more accessible than anything he has done before." --The New Yorker