What The Dead Leave Behind

For fans of HBO’s The Gilded Age, explore the dark side of the alluring world of America’s 19th century elite in this gripping series of riveting mysteries… Set amidst the opulent mansions and cobblestone streets of Old New York, this enthralling historical mystery by Rosemary Simpson brings the Gilded Age to life—in a tantalizing tale of old money, new love, and grave suspicion . . . As the Great Blizzard of 1888 cripples New York City, heiress Prudence MacKenzie sits anxiously within her palatial Fifth Avenue home waiting for her fiancé’s safe return. But the fearsome storm rages through the night. With daylight, more than two hundred people are found to have perished in the icy winds and treacherous snowdrifts. Among them is Prudence’s fiancé—his body frozen, his head crushed by a heavy branch, his fingers clutching a single playing card, the ace of spades . . . Close on the heels of her father’s untimely demise, Prudence is convinced Charles’s death was no accident. The ace of spades was a code he shared with his school friend, Geoffrey Hunter, a former Pinkerton agent and attorney from the South. Wary of sinister forces closing in on her, Prudence turns to Geoffrey as her only hope in solving a murder not all believe in—and to help protect her inheritance from a stepmother who seems more interested in the family fortune than Prudence’s wellbeing . . . “Simpson vividly recreates the world of nineteenth-century New York City in this exciting debut mystery.” —Victoria Thompson, bestselling author of Murder on St. Nicholas Avenue

“A documentary filmmaker and daughter of the late, great New York Times columnist David Carr celebrates and wrestles with her father’s legacy in a raw, redemptive memoir.”—O: The Oprah Magazine “A breathtaking read . . . a testimony equal parts love and candor. David would have had it no other way.”—Ta-Nehisi Coates, bestselling author of Between the World and Me NAMED ONE OF THE BEST BOOKS OF THE YEAR BY GLAMOUR AND MARIE CLAIRE Dad: What will set you apart is not talent but will and a certain kind of humility. A willingness to let the world show you things that you play back as you grow as an artist. Talent is cheap. Me: OK I will ponder these things. I am a Carr. Dad: That should matter quite a bit, actually not the name but the guts of what that name means. A celebrated journalist, bestselling author (The Night of the Gun), and recovering addict, David Carr was in the prime of his career when he suffered a fatal collapse in the newsroom of The New York Times in 2015. Shattered by his death, his daughter Erin Lee Carr, at age twenty-seven an up-and-coming documentary filmmaker, began combing through the entirety of their shared correspondence—1,936 items in total—in search of comfort and support. What started as an exercise in grief quickly grew into an active investigation: Did her father’s writings contain the answers to the question of how to move forward in life and work without her biggest champion by her side? How could she fill the space left behind by a man who had come to embody journalistic integrity, rigor, and hard reporting, whose mentorship meant everything not just to her but to the many who served alongside him? All That You Leave Behind is a poignant coming-of-age story that offers a raw and honest glimpse into the multilayered relationship between a daughter and a father. Through this lens, Erin comes to understand her own workplace missteps, existential crises, and relationship fails. While daughter and father bond over their mutual addictions and challenges with sobriety, it is their powerful sense of work and family that comes to ultimately define them. This unique combination of Erin Lee Carr’s earnest prose and her father’s meaningful words offers a compelling read that shows us what it means to be vulnerable and lost, supported and found. It is a window into love, with all of its fierceness and frustrations. “Thank you, Erin, for this beautiful book. Now I am going to steal all of your father’s remarkable advice and tell my kids I thought of it.”—Judd Apatow

Once a police detective in St. Paul, Minnesota, Rushmore McKenzie has become not only an unlikely millionaire, but an occasional unlicensed private investigator, doing favors for friends and people in need. When his stepdaughter Erica asks him for just such a favor, McKenzie doesn’t have it in him to refuse. Even though it sounds like a very bad idea right from the start. The father of Malcolm Harris, a college friend of Erica’s, was found murdered a year ago in a park in New Brighton, a town just outside the Twin Cities. With no real clues and all the obvious suspects with concrete alibis, the case has long since gone cold. As McKenzie begins poking around, he soon discovers another unsolved murder that’s tangentially related to this one. And all connections seem to lead back to a group of friends the victim was close with. But all McKenzie has is a series of odd, even suspicious, coincidences—until someone decides to make it all that more serious and personal.

Winner of the British Columbia National Award for Canadian Non-Fiction Finalist for the Shaughnessy Cohen Prize for Political Writing Finalist for the Governor General’s Literary Award for Non-fiction Finalist for the Hilary Weston Writers’ Trust Prize for Nonfiction An incredible work of non-fiction that reads like a thriller, All We Leave Behind is the true story of a family fleeing the death sentence of a ruthless warlord, written by the journalist who broke all her own rules to get them to safety. In 2002, Carol Off and a CBC TV crew encountered an Afghan man with a story to tell. Asad Aryubwal became a key figure in their documentary on the terrible power of thuggish warlords who were working arm in arm with Americans and NATO troops. When Asad publicly exposed the deeds of one of the warlords, General Abdul Rashid Dostum, it set off a chain of events from which there was no turning back. Asad, his wife, Mobina, and their five children had to flee their home. The family faced an uncertain future. But their dilemma compelled a journalist to cross the lines of disinterested reporting and become deeply involved. Together, they navigated the Byzantine international bureaucracy and the decidedly unwelcoming policies of Stephen Harper's government until the family finally found a new home. Carol Off's powerful account traces not only one family's journey and fraught attempts to immigrate to a safe place, it also illustrates what happens when a journalist becomes irrevocably caught up in the lives of the people in her story and finds herself unable to leave them behind.

An award-winning exploration of the presence of the dead in the lives of the living A common remedy after suffering the loss of a loved one is to progress through the “stages of grief,” with “acceptance” as the final stage in the process. But is it necessary to leave death behind, to stop dwelling on the dead, to get over the pain? Vinciane Despret thinks not. In her fascinating, elegantly translated book, this influential thinker argues that, in practice, people in all cultures continue to enjoy a lively, inventive, positive relationship with their dead. Through her unique storytelling woven from ethnographic sources and her own family history, Despret assembles accounts of those who have found ways to live their daily lives with their dead. She rejects the idea that one must either subscribe to “complete mourning” (in a sense, to get rid of the dead) or else fall into fantasy and superstition. She explores instead how the dead still play an active, tangible role through those who are living, who might assume their place in a family or in society; continue their labor or art; or thrive from a shared inheritance or an organ donation. This is supported by dreams and voices, novels, television and popular culture, the work of clairvoyants, and the everyday stories and activities of the living. For decades now, in the West, the dead have been discreet and invisible. Today, especially as a result of the Covid-19 pandemic, Despret suggests that perhaps we will be willing to engage with the dead in ways that bring us happiness despite our loss. Despret’s unique method of inquiry makes her book both entertaining and instructive. Our Grateful Dead offers a new, pragmatic approach to social and cultural research and may indeed provide compassionate therapy for those of us coping with death.

Now a Netflix film starring Julia Roberts, Mahershala Ali, Ethan Hawke, Myha'la, Farrah Mackenzie, Charlie Evans and Kevin Bacon. Written for the Screen and Directed by Sam Esmail. Executive Producers Barack and Michelle Obama, Tonia Davis, Daniel M. Stillman, Nick Krishnamurthy, Rumaan Alam A Read with Jenna Today Show Book Club Pick! Finalist for the 2020 National Book Award in Fiction One of Barack Obama's Summer Reads A Best Book of the Year From: The Washington Post * Time * NPR * Elle * Esquire * Kirkus * Library Journal * The Chicago Public Library * The New York Public Library * BookPage * The Globe and Mail * EW.com * The LA Times * USA Today * InStyle * The New Yorker * AARP * Publisher's Lunch * LitHub * Book Marks * Electric Literature * Brooklyn Based * The Boston Globe A magnetic novel about two families, strangers to each other, who are forced together on a long weekend gone terribly wrong. From the bestselling author of Rich and Pretty comes a suspenseful and provocative novel keenly attuned to the complexities of parenthood, race, and class. Leave the World Behind explores how our closest bonds are reshaped—and unexpected new ones are forged—in moments of crisis. Amanda and Clay head out to a remote corner of Long Island expecting a vacation: a quiet reprieve from life in New York City, quality time with their teenage son and daughter, and a taste of the good life in the luxurious home they’ve rented for the week. But a late-night knock on the door breaks the spell. Ruth and G. H. are an older couple—it’s their house, and they’ve arrived in a panic. They bring the news that a sudden blackout has swept the city. But in this rural area—with the TV and internet now down, and no cell phone service—it’s hard to know what to believe. Should Amanda and Clay trust this couple—and vice versa? What happened back in New York? Is the vacation home, isolated from civilization, a truly safe place for their families? And are they safe from one other?

“An artful exercise in melancholy…Every reader will love openhearted Will.” —Booklist (starred review) “Haunting, introspective.” —Kirkus Reviews (starred review) “Emotionally raw…[A] piercing narrative.” —Publishers Weekly (starred review) “McGhee artfully illustrates the tangled web wherein grief intertwines with the mundane.” —BCCB After his dad dies of suicide, Will tries to overcome his own misery by secretly helping the people around him in this exquisitely crafted story made up of one hundred chapters of one hundred words each, by award-winning and bestselling author Alison McGhee. Sixteen-year-old Will spends most of his days the same way: Working at the Dollar Only store, trying to replicate his late father’s famous cornbread recipe, and walking the streets of Los Angeles. Will started walking after his father committed suicide, and three years later he hasn’t stopped. But there are some places Will can’t walk by: The blessings store with the chest of 100 Chinese blessings in the back, the bridge on Fourth Street where his father died, and his childhood friend Playa’s house. When Will learns Playa was raped at a party—a party he was at, where he saw Playa, and where he believes he could have stopped the worst from happening if he hadn’t left early—it spurs Will to stop being complacent in his own sadness and do some good in the world. He begins to leave small gifts for everyone in his life, from Superman the homeless guy he passes on his way to work, to the Little Butterfly Dude he walks by on the way home, to Playa herself. And it is through those acts of kindness that Will is finally able to push past his own trauma and truly begin to live his life again. Oh, and discover the truth about that cornbread.

The success of this book -- with 150,000 sold -- speaks to our aging population and an increased interest in writing wills, preparing medical care directives, preplanning funerals and making it easier for surviving family members to manage the details at the passing of loved ones. Elegantly designed and tastefully illustrated, When I'm Gone is a fill-in record book and a resource manual to record all the little details of life so that, when someone is absent, for whatever reason, those left behind can cope. The book provides a place to give instructions concerning the issues we think of first -- legal and financial -- but also all of the day-to-day details of the household and the personal notes and information we usually never get around to writing down. The book includes useful information and space to write in instructions on how to contact key people and where to locate essential documents, such as wills, powers of attorney, medical care directives and living wills. It also provides a space to jot down important information like banking details, home and car maintenance records, PINs, passwords, the location of keys, phone numbers, addresses and so much more. Important matters that can be recorded here include: Insurance, lawyers, bank, investment and pension details, deeds and mortgages Healthcare and medical records and directives Funeral arrangements and last wishes Setting up trusts and choosing guardians for children and dependant adults Care of pets Maintenance of homes and vehicles Access to digital records and operation of computers and other devices Instructions for favorite belongings. This new edition of When I'm Gone has been updated to reflect changes in laws, customs and technology over the past decade, touching on everything from digital storage of family photos to green funerals to medically assisted dying. Space has been added for writing more of your own information. Everyone wants to keep better track of their records, and author Kathleen Fraser has designed the perfect way to do so with as little effort as possible.