What We Both Know

2022 Scotiabank Giller Prize Longlist For readers of My Dark Vanessa, a mesmerizing, disturbing, and thoroughly compelling novel about one woman’s role in preserving—or destroying—her famous father’s legacy. In front of me are hundreds of pages of work. Already I feel it leaving me. He will obliterate what is there, replace it, deny I ever wrote a word. But, he cannot take the words I write on my own. Hillary Greene’s father, once a celebrated author and public figure, is now losing his memory and, with it, his ability to write. As her father’s primary caretaker, each day begins with two eggs, boiled and Charlie Rose or some other host on the iPad screen. Her father compulsively watches himself in old interviews, memorizing his own speech, trying to hang on to who he was. An aspiring author herself, Hillary impulsively agrees to ghost-write his final work—a memoir spanning his career—and release it in his name. Diving deep into her father’s past, and in turn her own, a horrifying truth begins to piece itself together. With full control over her father’s memoir, Hillary is faced with a stark choice: reveal her father as a monster or preserve his legacy as a respected literary figure. But she wonders what writing the truth will do to her and if it will damage her own prospects for a career. Whichever option she chooses, Hillary has to deal with the significant pain writing the memoir has re-surfaced—specifically, how the truth about her father adds to her grief over the death of her enigmatic sister, Pauline. For the first time in her life, Hillary holds the power. Set in the wake of the #MeToo and Time’s Up movements, What We Both Know is a visceral, intimate, and complex novel about confronting the personal and professional consequences—and potentially devastating fallout—of revealing the truth about a famous man.

Set-Point is a novel about personal, sexual, and physical identity. A voice that is at once brutally honest and humorous follows Luck Frank, a mid-20s aspiring screenwriter living in Montreal who begins work as a digital sex worker, selling data recorded on interactive erotic consoles. She keeps her work separate from her artistic and personal life until a user threatens to release her identity. Lucy struggles with body image, her mother's illness, and her feelings about her new line of work, while trying to sell a series of scripts parodying Karl Ove Knausgaard's My Struggle series. Segments of the novel take place inside of U:3D, a massive multiplayer online world-building game in which Lucy's project is produced. Unfolding in Montreal youth culture, this debut explores intellectual parody, mental and physical illness, and the relationship between technology and sex.

#1 NATIONAL BESTSELLER SHORTLISTED FOR THE 2019 HILARY WESTON WRITERS' TRUST PRIZE FOR NONFICTION NAMED ONE OF THE BEST BOOKS OF 2019 BY THE GLOBE AND MAIL • CBC • CHATELAINE • QUILL & QUIRE • THE HILL TIMES • POP MATTERS A bold and profound meditation on trauma, legacy, oppression and racism in North America from award-winning Haudenosaunee writer Alicia Elliott. In an urgent and visceral work that asks essential questions about the treatment of Native people in North America while drawing on intimate details of her own life and experience with intergenerational trauma, Alicia Elliott offers indispensable insight into the ongoing legacy of colonialism. She engages with such wide-ranging topics as race, parenthood, love, mental illness, poverty, sexual assault, gentrifcation, writing and representation, and in the process makes connections both large and small between the past and present, the personal and political—from overcoming a years-long battle with head lice to the way Native writers are treated within the Canadian literary industry; her unplanned teenage pregnancy to the history of dark matter and how it relates to racism in the court system; her childhood diet of Kraft Dinner to how systemic oppression is directly linked to health problems in Native communities. With deep consideration and searing prose, Elliott provides a candid look at our past, an illuminating portrait of our present and a powerful tool for a better future.

Adam Silvera reminds us that there’s no life without death and no love without loss in this devastating yet uplifting story about two people whose lives change over the course of one unforgettable day. #1 New York Times bestseller * 4 starred reviews * A School Library Journal Best Book of the Year * A Kirkus Best Book of the Year * A Booklist Editors' Choice * A Bustle Best YA Novel * A Paste Magazine Best YA Book * A Book Riot Best Queer Book * A Buzzfeed Best YA Book of the Year * A BookPage Best YA Book of the Year On September 5, a little after midnight, Death-Cast calls Mateo Torrez and Rufus Emeterio to give them some bad news: They’re going to die today. Mateo and Rufus are total strangers, but, for different reasons, they’re both looking to make a new friend on their End Day. The good news: There’s an app for that. It’s called the Last Friend, and through it, Rufus and Mateo are about to meet up for one last great adventure—to live a lifetime in a single day. In the tradition of Before I Fall and If I Stay, They Both Die at the End is a tour de force from acclaimed author Adam Silvera, whose debut, More Happy Than Not, the New York Times called “profound.” Plus don't miss The First to Die at the End: #1 New York Times bestselling author Adam Silvera returns to the universe of international phenomenon They Both Die at the End in this prequel. New star-crossed lovers are put to the test on the first day of Death-Cast’s fateful calls.

Tom Taylor is more than just the son of one of the world-s most popular authors and the namesake of his most beloved creation, the boy wizard Tommy Taylor. He-s a living weapon in a literal war of words, in which a shadowy cabal uses the power of storytelling itself to shape the world according to their own dark designs. And he was born and bred to close the book on them forever. But now his own story is headed for it-s most dangerous twist yet - a real whale of a tale. In order to harness his extraordinary powers, Tom must sail the seas of one of the greatest stories ever told, and hunt the white whale that has left countless stories of myth and madness in its wake. Meanwhile, his friends are hunted by a dangerous new enemy and facing identity crises of their own. Will Tom-s voyage lead them all to the answer they seek? Or will he drown in the depths of a thousand and one unhappy endings? In The Unwritten: Leviathan, acclaimed storytellers Mike Carey and Peter Gross delve deeper than eve r before into their frightening, fascinating world!

A satirical campus novel, Dumb-Show shrewdly confronts the cultural politics of masculinity through a narrative that twists the structure of Henry IV. A controversial Canadian professor of political science at a Toronto university rises to power when his political views divide the student body. Two siblings, one a student at the university, develop isolated personal relationships with the professor, and find themselves spiralling to infamy alongside him. Parker?s second novel shadows the rise and fall of a corrupt king, observes a young and lazy boy?s attempt to make a name for himself, and, tearing a hole in the hyper-masculine power narrative, interrogates a woman?s internal search to power. Expanding from the brutal introspection first seen in Parker's Set-Point, Dumb-Show takes brilliant aim