When God Was King

A never-before published tale by the author of the best-selling Hittite Warrior, carries the reader back to Ancient Egypt and biblical Jerusalem. It is 701 B.C-rule of the Kushite dynasty in ancient Egypt. Young Prince Taharka, a very minor royal son, succeeds unexpectedly to the throne of Kush and Egypt-a divine rulership. It's not long, however, before a treacherous plot pushes him into sudden exile and into the hands of Amos, an emissary of King Hezekiah seeking help against the Assyrians. Posing as a medical assistant, Taharka journeys with Amos to Judea where he encounters two kings in conflict. His true identity suddenly uncovered, he must choose with whom he will fight-the mighty Assyrian, Sennacherib, promising alliance or Hezekiah, the Jew who trusts in Yahweh. A novel inspired by research on the historical King Taharka and his period.

'It has been slowly dawning on me over many years that there is a fundamental problem deep at the heart of Christian faith and practice as I have known them . . . we have all forgotten what the four Gospels are about.' With that surprising assertion, Tom Wright launches this ground-breaking work in which he helps us to see the gospel story in radically a new light, and to acknowledge that, for many generations, the Church has been avoiding its full impact and holding back from proclaiming its full meaning. 'Classic Wright: clear, accessible, robust, engaging and challenging.' Paula Gooder in Third Way 'Scholarly, accessible, insightful and provocative.' Christianity 'Wright argues compellingly that the twin themes of kingdom and cross are inseparably linked. . . This is a much-needed reorientation. The book makes its case for 'rethinking' cogently and deserves widespread attention.' Theology

This is the first attempt in biblical studies to apply the tools developed by theoreticians of metaphor to the common biblical metaphor of God as king. The extent to which elements of human kingship are projected onto God is investigated, and several significant conclusions emerge: 1. Royal characteristics that have a diminutive connotation are generally not projected onto God. 2. God's nature as greatest king is emphasized through use of superlatives. For example, his garb is enormous and he has a large number of royal attendants. God is not limited by the metaphor. 3. When the entailments of the metaphor would have conflicted with Israelite proscriptions, such as the iconic prohibition, the metaphor is avoided. 4. The metaphor is predominant enough to influence Israel's depiction of human kingship. For example, the term gadol ('great', 'majestic') is appropriated by God the king and is not used of the Israelite king. 5. There is no single metaphor 'God is king'; as Israelite kingship changes, the metaphor undergoes parallel changes. Also, biblical authors emphasize different aspects of God's kingship in specific contexts. The lack of a complete fit between human kingship (the vehicle) and God as king (the tenor) is consistent with the tensive view of metaphor, which predominates in contemporary scholarship. The literary study has other benefits. By enumerating the parallels between human and heavenly messengers, it finds that 'angels' should be construed as projections of royal officials. The analysis of human enthronement rituals as they are projected onto God suggests that there was no annual 'enthronement festival' which celebrated God becoming king. The systematic study of the metaphor also opens new avenues for exploring a number of issues in the study of Israelite religion.

Judea has always been the crossroads and battlefield of contending nations. It is no less so in this biblical time of the Judges. Uriah Tarhund's Hittite home is destroyed by invading Greeks. His dying father tells him to go south to seek a Canaanite named Sisera. "He will help you. For my sake. . . ." Uriah is plunged into the tumult of an uneasy Judea. When he saves a young boy from being sacrificed to Moloch, he is given succor for a time by the Hebrews. Later, he finds Sisera and joins him in war against these same people. When the Canaanites are defeated, the young Hittite has the opportunity to come to peace with himself, the Hebrew people and their God.

By recovering a largely forgotten English Renaissance mindset that regarded sovereignty and Providence as being fundamentally entwined, Alexander Haskell reconnects concepts historians had before treated as separate categories and argues that the first English planters in Virginia operated within a deeply providential age rather than an era of early modern entrepreneurialism. These men did not merely settle Virginia; they and their London-based sponsors saw this first successful English venture in America as an exercise in divinely inspired and approved commonwealth creation. When the realities of Virginia complicated this humanist ideal, growing disillusionment and contention marked debates over the colony. Rather than just "selling" colonization to the realm, proponents instead needed to overcome profound and recurring doubts about whether God wanted English rule to cross the Atlantic and the process by which it was to happen. By contextualizing these debates within a late Renaissance phase in England, Haskell links increasing religious skepticism to the rise of decidedly secular conceptions of state power. Haskell offers a radical revision of accepted narratives of early modern state formation, locating it as an outcome, rather than as an antecedent, of colonial endeavor.

"A masterpiece of contemporary Bible translation and commentary."—Los Angeles Times Book Review, Best Books of 1999 Acclaimed for its masterful new translation and insightful commentary, The David Story is a fresh, vivid rendition of one of the great works in Western literature. Robert Alter's brilliant translation gives us David, the beautiful, musical hero who slays Goliath and, through his struggles with Saul, advances to the kingship of Israel. But this David is also fully human: an ambitious, calculating man who navigates his life's course with a flawed moral vision. The consequences for him, his family, and his nation are tragic and bloody. Historical personage and full-blooded imagining, David is the creation of a literary artist comparable to the Shakespeare of the history plays.

A profound exploration of how to hold on to hope when our unchanging faith collides with a changing culture, from two respected Christian storytellers and thought leaders. “Offers neither spin control nor image maintenance for the evangelical tribe, but genuine hope.”—Russell Moore, president of ERLC As the pressures of health warnings, economic turmoil, and partisan politics continue to rise, the influence of gospel-focused Christians seems to be waning. In the public square and popular opinion, we are losing our voice right when it’s needed most for Christ’s glory and the common good. But there’s another story unfolding too—if you know where to look. In Gospelbound, Collin Hansen and Sarah Eekhoff Zylstra counter these growing fears with a robust message of resolute hope for anyone hungry for good news. Join them in exploring profound stories of Christians who are quietly changing the world in the name of Jesus—from the wild world of digital media to the stories of ancient saints and unsung contemporary activists on the frontiers of justice and mercy. Discover how, in these dark times, the light of Jesus shines even brighter. You haven’t heard the whole story. And that’s good news.

You know Him as Abba, Father, God, the Lord, the Almighty, or even as Daddy. But do you know Him as Friend? Do you love to spend time with Him? Do you look forward to your conversations, to your quiet times together? David sought God's company morning and night, Moses spoke with Him daily, and Abraham, believing and obeying the Father, "was called the Friend of God" (James 2:23). You, too, can have dynamic fellowship with the Father, with greater purpose and power than ever before. Experience the closeness of a friendship with God. Learn the joys of Being God's Friend today.