When Kambia Elaine Flew In From Neptune

An ALA Best Book for Young Adults 2001 Shayla Dubois lives in a Houston neighborhood known as the Bottom, where life is colorful but never easy. She wants only two things out of life: to become a writer and to have a nice, peaceful home. Instead, her life has been turned upside down. Shayla's mama kicked her sister, Tia, out of the house for messing around with an older guy. And Shayla's father has been spending a lot of time at the house with mama. And there's her strange new neighbor, Kambia Elaine, who tells the most fantastic stories. Then Shayla begins to suspect that something is wrong. This title is an Accelerated Reader® Title

Shayla, a twelve-year-old African American girl growing up in Houston, reveals her troubled world through her writing notebooks, telling of her sister's misdeeds with boys, a neighbor girl's tales of abuse, and her father's sudden reappearance.

The acclaimed author of "When Kambia Elaine Flew in from Neptune" now delivers the story of one girl's excruciating struggle to beat the odds. Williams imbues this narrative with an unshakable sense of hope that transcends China's bleak reality.

Thirteen-year-old Shayla is upset when her estranged father's new baby is born on her birthday, but she learns that her problems are nothing compared to those faced by her friends Kambia and Lemm.

Female empowerment--especially among girls--is one of the most significant issues to come out of the 90's, and one that will continue to play a significant role in the new millennium. But how do we define empowerment? And more importantly, how do we identify its characteristics within literature? With problems like teenage eating disorders and pregnancy still very much at the core of American society, it is no surprise that a book as important as Declarations of Independence is the latest addition to Scarecrow Press's Studies in Young Adult Literature. Authors Brown and St. Clair use their collective expertise to uncover and trace the development of the young female protagonist from the role of submissive fairy-tale maiden to the spunkier more independent girls who now appear with increasing frequency in young adult literature. This next generation of heroines is the model with which today's readers can readily identify and who the authors believe, become agents of social change for young women. Through careful research that draws on recent scholarship about female adolescent development, situates this shift to stronger female protagonists within a larger cultural context. The empowered girls of this title are defined through close reading of a variety of stories and genres in which they appear-historical and multicultural fiction, social realism, romance and adventure, fantasy, and memoir--with emphasis on books published after 1990. The result is a collection of essays on literature about adolescent girls who have real feelings, passions, and sometimes, rebellious attitudes, and who act upon those feelings, passions, and attitudes to take control of their lives--unlike most of their predecessors, whose fulfillment lay mainly in achieving beauty and suitors. With an annotated list of titles for suggested reading following each chapter Declarations of Independence is the ideal resource for middle and high school teachers, for school and public librarians, a

Radical young adult fiction can be edgy and raw, which is why young adults who read it find it to be very relevant to their lives. Teens struggling with issues in today's society can often recognize themselves and identify their problems in the fictional lives they read about. There are no easy answers or pat endings in these books. They often are accused of being dark, gritty, and bleak because they deal with subjects like incest, teenage pregnancy, dysfunctional families, gangs, prejudice, violence, drugs, or other complex problems. Central characters can be quite mature and multidimensional and plot lines are complex. These books break boundaries in various ways, from the challenge they present to the reader to the voice they give to their young protagonists. Radical YA fiction is frequently more complex and better written than many adult bestsellers. Bodart, long known as the reigning queen of booktalking, has identified 101 engaging, tough, and well-written books and presents them in a way that will help the librarian defend their presence in the library or classroom, the parent who wants to know what their child is reading, and the teen who is looking for a "Rad Read." Naturally, there is a booktalk to pique interest and give away just enough of the story. Entries also include character lists and sections on subject areas and major themes. Bodart also provides a number of booktalk and book report ideas. Her section on "risks" will alert adults to mature themes, while her section on "strengths" will help defend these books against their critics. The author has also included awards won and a section of book reviews, which will be useful for both adult and student. All the books listed are accessible to readers of middle school ability and up. This is truly a multipurpose book from an expert who knows her stuff and essential for any library serving a teen audience and handy for parents as well.

Larry McMurtry declares, "Texas itself doesn't have anything to do with why I write. It never did." Horton Foote, on the other hand, says, "I've just never had a desire to write about any place else." In between those figurative bookends are hundreds of other writers—some internationally recognized, others just becoming known—who draw inspiration and often subject matter from the unique places and people that are Texas. To give everyone who is interested in Texas writing a representative sampling of the breadth and vitality of the state's current literary production, this volume features conversations with fifty of Texas's most notable established writers and emerging talents. The writers included here work in a wide variety of genres—novels, short stories, poetry, plays, screenplays, essays, nonfiction, and magazine journalism. In their conversations with interviewers from the Writers' League of Texas and other authors' organizations, the writers speak of their apprenticeships, literary influences, working habits, connections with their readers, and the domestic and public events that have shaped their writing. Accompanying the interviews are excerpts from the writers' work, as well as their photographs, biographies, and bibliographies. Joe Holley's introductory essay—an overview of Texas writing from Cabeza de Vaca's 1542 Relación to the work of today's generation of writers, who are equally at home in Hollywood as in Texas—provides the necessary context to appreciate such a diverse collection of literary voices. A sampling from the book: "This land has been my subject matter. One thing that distinguishes me from the true naturalist is that I've never been able to look at land without thinking of the people who've been on it. It's fundamental to me." —John Graves "Writing is a way to keep ourselves more in touch with everything we experience. It seems the best gifts and thoughts are given to us when we pause, take a deep breath, look around, see what's there, and return to where we were, revived." —Naomi Shihab Nye "I've said this many times in print: the novel is the middle-age genre. Very few people have written really good novels when they are young, and few people have written really good novels when they are old. You just tail off, and lose a certain level of concentration. Your imaginative energy begins to lag. I feel like I'm repeating myself, and most writers do repeat themselves." —Larry McMurtry "I was a pretty poor cowhand. I grew up on the Macaraw Ranch, east of Crane, Texas. My father tried very hard to make a cowboy out of me, but in my case it never seemed to work too well. I had more of a literary bent. I loved to read, and very early on I began to write small stories, short stories, out of the things I liked to read." —Elmer Kelton

When seventeen-year-old Maxine Banks from Houston, Texas convinces her boyfriend to marry her, she finds out that marriage isn’t quite what she had in mind.