When The Traveler Stands Still

Some events change the course of the world, but do people know, when they’re living through such events, that they will become part of history? Sent ahead to secure her merchant caravan a place in the next village, Sedra took a shortcut through the familiar ruins she used to play in as a child -- but found a magical attack waiting for her instead of memories. No trace of her encounter remains except the strange dancing lights that only she can see and the debilitating headaches she’s had ever since, but she can’t go back to her normal life and pretend it didn’t happen. The Travelers, who have dedicated their lives to roaming the world and helping those in need, are Sedra’s only hope of finding out who attacked her and why. They may be her people’s only hope in the dark days yet to come. Sorcery isn’t practiced anymore in the Land of Sunsets, but there is a rising power in the Circle of the World and those who can bend it to their will are willing to go to any lengths to get more power. The attack on Sedra is just the beginning.

In this latest book of the Traveler’s Tale series, Jack Castro again encounters his friend, Yeshua, just after the Crucifixion, staying with him at the Resurrection, and remaining with the Followers for fifty days until their awakening. The series is a readable and thought-provoking work of spiritual fiction, yet these four books are not traditionally “Christian”. They remain a continuing effort, using story, to lead readers into personally encountering and connecting with the Divine, by whatever name they know Him/Her.

Stories of scholars, writers, artists, and explorers woven together in a narrative of Greek travel

The Time of the Crime interrogates the relationship between time and vision as it emerges in five Italian films from the sixties and seventies: Antonioni's Blow-Up and The Passenger, Bertolucci's The Spider's Stratagem, Cavani's The Night Porter, and Pasolini's Oedipus Rex. The center around which these films revolve is the image of the crime scene—the spatial and temporal configuration in which a crime is committed, witnessed, and investigated. By pushing the detective story to its extreme limits, they articulate forms of time that defy any clear-cut distinction between past, present, and future—presenting an uncertain temporality that can be made visible but not calculated, and challenging notions of visual mastery and social control. If the detective story proper begins with a death that has already taken place, the death that seems to count the most in these films is the one that is yet to occur—the investigator's own death. In a time of relentless anticipation, what appears in front of the investigator's eyes is not the past as it was, but the past as it will have been in relation to the time of his or her search.

Christian poetry, Poems from scripture, Stories of inspiration told in poetic form, Poems of love and friendship.