When We Walk By

Captivating and heart-wrenching from start to finish When Emily was a little girl, all she wanted to be when she grew up was a Full-Time Pioneer; in her Jehovah’s Witness family, the only imaginable future is a life of knocking on doors and handing out Watchtower magazines. But Emily starts to challenge her upbringing. She becomes closer to her closeted uncle, Tyler, as her older sister, Lenora, hangs out with boys, wears makeup, and gets a startling new haircut. After Lenora disappears, everything changes for Emily, and as she deals with her mental devastation she is forced to consider a different future. Alternating between Emily’s life as a child and her adult life in the city, Watch How We Walk offers a haunting, cutting exploration of “disfellowshipping,” proselytization, and cultural abstinence, as well as the Jehovah’s Witness attitude towards the “worldlings” outside of their faith. Sparse, vivid, suspenseful, and darkly humorous, Jennifer LoveGrove’s debut novel is an emotional and visceral look inside an isolationist religion through the eyes of the unforgettable Emily.

A moving story of father-son reconciliation told by a charismatic aboriginal star When his father was given a diagnosis of terminal cancer, Winnipeg broadcaster and musician Wab Kinew decided to spend a year reconnecting with the accomplished but distant aboriginal man who’d raised him. The Reason You Walk spans that 2012 year, chronicling painful moments in the past and celebrating renewed hopes and dreams for the future. As Kinew revisits his own childhood in Winnipeg and on a reserve in Northern Ontario, he learns more about his father's traumatic childhood at residential school. An intriguing doubleness marks The Reason You Walk, itself a reference to an Anishinaabe ceremonial song. Born to an Anishinaabe father and a non-native mother, he has a foot in both cultures. He is a Sundancer, an academic, a former rapper, a hereditary chief and an urban activist. His father, Tobasonakwut, was both a beloved traditional chief and a respected elected leader who engaged directly with Ottawa. Internally divided, his father embraced both traditional native religion and Catholicism, the religion that was inculcated into him at the residential school where he was physically and sexually abused. In a grand gesture of reconciliation, Kinew's father invited the Roman Catholic bishop of Winnipeg to a Sundance ceremony in which he adopted him as his brother. Kinew writes affectingly of his own struggles in his twenties to find the right path, eventually giving up a self-destructive lifestyle to passionately pursue music and martial arts. From his unique vantage point, he offers an inside view of what it means to be an educated aboriginal living in a country that is just beginning to wake up to its aboriginal history and living presence. Invoking hope, healing and forgiveness, The Reason You Walk is a poignant story of a towering but damaged father and his son as they embark on a journey to repair their family bond. By turns lighthearted and solemn, Kinew gives us an inspiring vision for family and cross-cultural reconciliation, and for a wider conversation about the future of aboriginal peoples.

How to end homelessness in America: a must-read guide to understanding housing instability, supporting our unhoused neighbors, and reclaiming our humanity. A deeply humanizing analysis that will change the way you think about poverty and homelessness—for the socially engaged reader of Isabel Wilkerson's Caste and Matthew Desmond's Evicted. Think about the last time that you saw or interacted with an unhoused person. What did you do? What did you say? Did you offer money or a smile, or did you avert your gaze? When We Walk By takes an urgent look at homelessness in America, showing us what we lose—in ourselves and as a society—when we choose to walk past and ignore our neighbors in shelters, insecure housing, or on the streets. And it brilliantly shows what we stand to gain when we embrace our humanity and move toward evidence-based people-first, community-driven solutions, offering social analysis, economic and political histories, and the real stories of unhoused people. Authors Kevin F. Adler and Donald W. Burnes, with Amanda Banh and Andrijana Bilbija, recast chronic homelessness in the U.S. as a byproduct of twin crises: our social services systems are failing, and so is our humanity. Readers will learn: Why our brains have been trained to overlook our unhoused neighbors The social, economic, and political forces that shape myths like “all homeless people are addicts” and “they’d have a house if they got a job” What conservative economics gets wrong about housing insecurity What relational poverty is, and how to shift away from “us versus them” thinking That for many Americans, housing insecurity is just one missed paycheck away Who “the homeless” really are—and why that might surprise you What you can do to help, starting today A necessary, deeply humanizing read that goes beyond theory and policy analysis to offer engaged solutions with compassion and heart, When We Walk By is a must-read for anyone who cares about homelessness, housing solutions, and their own humanity.

"For We Walk by Faith--Motivation and Inspiration to Get Physically Fit" contains 31 devotions that will take the reader on a journey examining their own life and health, their call from God, the obstacles they face, their relationship with the Lord, the tools they need to change their life, the importance of establishing values, the need for friends and mentors, and ways to find strength and motivation. (Practical Life)

"We Walk combines personal narrative, interviews, and research to examine social issues like inclusion, religion, therapeutics, and friendship through the lens of severe autism"--

A breathtaking, suspenseful story of one man’s obsessive search to find the truth of another man’s downfall, from the author of The King Is Always Above the People, which was longlisted for the 2017 National Book Award for Fiction. Nelson’s life is not turning out the way he hoped. His girlfriend is sleeping with another man, his brother has left their South American country, leaving Nelson to care for their widowed mother, and his acting career can’t seem to get off the ground. That is, until he lands a starring role in a touring revival of The Idiot President, a legendary play by Nelson’s hero, Henry Nunez, leader of the storied guerrilla theater troupe Diciembre. And that’s when the real trouble begins. The tour takes Nelson out of the shelter of the city and across a landscape he’s never seen, which still bears the scars of the civil war. With each performance, Nelson grows closer to his fellow actors, becoming hopelessly entangled in their complicated lives, until, during one memorable performance, a long-buried betrayal surfaces to force the troupe into chaos. Nelson’s fate is slowly revealed through the investigation of the narrator, a young man obsessed with Nelson’s story—and perhaps closer to it than he lets on. In sharp, vivid, and beautiful prose, Alarcón delivers a compulsively readable narrative and a provocative meditation on fate, identity, and the large consequences that can result from even our smallest choices.

We Walk by Faith, is a continuation of the story Pastor Angie. This story tells of how Angie is still recovering from her stroke but, still with the love of her family, friends ,and congregation and her stead fast faith in the Lord she is still able to gradually recover and realize her true value and worth to the kingdom of God. This story shows that one can get through anything if they just have a little bit of faith.

The 1950s queer-life groundbreaker by “a literary pioneer . . . [who] forever changed perceptions of same-sex love and desire” (Advocate.com). Ann Aldrich flung a provocative assertion at her readers in 1955 when she opened her landmark account of lesbian life in New York City by saying this book was the “result of fifteen years of participation in society as a female homosexual.” After the release of We Walk Alone, Aldrich became both a heroine and a scapegoat in some of the period’s most contentious public debates over what exactly “lesbian culture” was. Her non-fiction pulp literally transformed the landscape overnight, and “the effect on women was electric. From every corner of creation, they wrote wrenching letters of relief and gratitude” (Ann Bannon, author of The Beebo Brinker Chronicles). Part Kinsey-esque portraits of real people, part you-are-there reports on the scene in bars and offices and at clubs and house parties, We Walk Alone is revealing and compelling composite of an alienated yet amazingly self-aware community—one that Aldrich would revisit three years later in We, Too, Must Love. Today, “these essential cultural artifacts” (UTNE Magazine), as Stephanie Foote explains in her afterword, are “as rich and conflicted a look at the formation of lesbian urban culture as that of any contemporary queer historian.”