Where I End And You Begin

Two sworn enemies suddenly switch bodies in this witty and heartfelt novel of romantic relationships, gender identity, and the joy of being yourself. Ezra Slevin is an anxious, neurotic insomniac who spends his nights questioning his place in the universe and his days obsessing over Imogen, a nerdy girl with gigantic eyebrows and a heart of gold. For weeks, Ezra has been working up the courage to invite Imogen to prom. The only problem is Imogen's protective best friend, Wynonna Jones. Wynonna has blue hair, jams to '80s rock, and has made a career out of tormenting Ezra for as long as he can remember. Then, on the night of a total solar eclipse, something strange happens to Ezra and Wynonna, and they wake up in each other's bodies. Not only that, they begin randomly swapping back and forth every day! Ezra soon discovers Wynonna's huge crush on his best friend, Holden, a five-foot-nothing girl magnet with anger management problems. With no end to their curse in sight, Ezra makes Wynonna a proposition: While swapping bodies, he will help her win Holden's heart, but only if she helps him woo Imogen. Forming an uneasy alliance, Ezra and Wynonna embark on a collision course of mistaken identity, hurt feaelings, embarrassing bodily functions, and a positively byzantine production of Twelfth Night. Ezra wishes he could be more like Wynonna's badass version of Ezra -- but he also realizes he feels more like himself while being Wynonna than he has in a long time. Wildly entertaining and deeply heartfelt, Where I End and You Begin is a brilliant, unapologetic exploration of what it means to be your best self.

The author of Where to Draw the Line defines interpersonal boundaries, explains why they should not be crossed, and explains how to avoid having one's personal boundaries violated. Reissue.

“Fans of Sonali Dev and Helen Hoang will find this just their style.”—The New York Times Star-crossed lovers get a second chance at romance when they’re reunited at a wedding in Nigeria, in a heartfelt novel from the acclaimed author of The Sweetest Remedy. Dunni hasn’t seen her high school boyfriend, Obinna, since she left Nigeria to attend college in America. Before their devastating separation, they vowed to find their way back to each other one day. Twelve years later, and their vow is a thing of the past. Dunni works as a geneticist in Seattle and is engaged to a man she doesn’t love but one her parents approve of. Her future is laid out for her, and everything is going according to plan until she returns to Nigeria for a friend’s wedding and runs into Obinna. The shy, awkward boy she loved as a teenager is now a sophisticated, confident man. Things have changed, but there’s still an undeniable connection between them. As they rediscover each other, their days filled with desire and passion, Dunni is reminded of the beautiful future she once planned with Obinna. But when devastating secrets are revealed and the reckless actions of their past bring new challenges, she’s left questioning everything, including if the love that consumed her as a teenager is still worth holding on to.

THIS IS HOW YOU DESTROY ANGELS. Where I End And You Begin is the new collection of dark art and poetry by A.X. Salvo inspired by Edgar Allan Poe, Sylvia Plath, Neil Gaiman and the horror manga of Junji Ito. In this fourth collection of poems, Salvo takes you deeper into the shadows and delivers another brutally emotional experience with even more of what readers loved from his popular book The Teeth Of The World Are Sharp with more than 150 pages of new poems and hauntingly beautiful black and white drawings that blend dark fantasy, myth, and horror. Where I End And You Begin is an expression of suffering created during total isolation that explores themes of trauma, abuse, death, regret, grief, and loss. A.X. Salvo's writings and art have appeared in USA Today, MISC, Studio Visit Magazine, Bete Noir, The Adroit Journal, and The Anthologist. Salvo is also the recipient of a Vermont Studio Center grant for Poetry.

In Japan, they say there's a red thread of fate that binds people who are destined to meet, regardless of time, place, or circumstance. It may tangle, it may knot, it may stretch or fray, but it will never break. It is a future as indelible as the past. I hope that isn't true. I pity anyone destined to meet me.---------------------For Bianca Ray, the past is always catching up, one way or another. Now in her third semester at college, it's doing it again. Too much drinking has led to plummeting grades and rising absences, putting her scholarships in peril. When she makes it clear that she needs help--all over the floor of her history class--she's given one last chance to shape up: seek therapy and bring her grades up by the end of the semester, or she's out.Enter Catholic seminarian Daniel McGuire. The last thing Bianca wants is an aspiring priest to counsel her on how to live her life, but the handsome graduate student is different from the holy rollers she fled from at home. Gentle and unobtrusive, he helps her pick up the pieces and find a new way to live: not running from the past, but facing it head on. But opening up her heart to release the pain means that something else can come in. As Bianca and Daniel grow closer, their relationship moves onto dangerous ground. When they finally cross the line, the fragile courage Bianca has built up threatens to fail her. Can she exorcise the ghosts of her past, or will they catch hold and drag her down where not even Daniel can reach her?

Winner of the Gold Dagger for Best Crime Novel from the Crime Writers’ Association (UK) Winner for Best International Crime Fiction from Australian Crime Writers Association An Instant New York Times Bestseller “A vibrant, engrossing, unputdownable thriller that packs a serious emotional punch. One of those rare books that surprise you along the way and then linger in your mind long after you have finished it.” —Kristin Hannah, #1 New York Times bestselling author of The Nightingale and The Four Winds Right. Wrong. Life is lived somewhere in between. Duchess Day Radley is a thirteen-year-old self-proclaimed outlaw. Rules are for other people. She is the fierce protector of her five-year-old brother, Robin, and the parent to her mother, Star, a single mom incapable of taking care of herself, let alone her two kids. Walk has never left the coastal California town where he and Star grew up. He may have become the chief of police, but he’s still trying to heal the old wound of having given the testimony that sent his best friend, Vincent King, to prison decades before. And he's in overdrive protecting Duchess and her brother. Now, thirty years later, Vincent is being released. And Duchess and Walk must face the trouble that comes with his return. We Begin at the End is an extraordinary novel about two kinds of families—the ones we are born into and the ones we create.

"Where do I end and you begin? / Asked the cat of its tail, / Asked the shell of the snail." From animals and plants to natural phenomena and sensory images, this rhythmic poem employs a thought-provoking refrain to introduce the concept of interconnectedness in life. By exploring the relationships the parts have to the whole, author Shulamith Oppenheim underscores that where things come together represent the strongest points of connection—and that the connections we make with one another bring everything full circle.

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.