Whispers Between The Lines

"Fine and Turner present a wonderful exploration into what our seemingly mundane rumor-sharing means for race in our society. Filled with examples that we all can recognize, and superbly written and argued, Whispers on the Color Line will be a classic in the study of race and culture."—Mary Pattillo-McCoy, author of Black Picket Fences: Privilege and Peril among the Black Middle Class "Fine and Turner have written a disturbing, yet important book. Taking racially tinged (or drenched, as the case may be) rumors as an unobtrusive measure of the state of black-white relations in the U.S., the authors document the yawning social-cultural chasm in the nation. Contradicting the tepid national narrative that celebrates the "before" and "after" racial transformation achieved by the civil rights struggle, Whispers on the Color Line reminds us that the "peculiar dilemma" Gunnar Myrdal wrote about fifty-seven years ago is still very much with us. Until the "whispers" grow into a far more open and honest dialogue, nothing will change."—Doug McAdam, author of Freedom Summer "Whispers on the Color Line is a logical and necessary extension of the authors' earlier books (Fine's Manufacturing Tales and Turner's I Heard It Through the Grapevine), which work in tandem to explore racial issues through everyday narratives. The authors themselves represent an American cultural dialectic."—Janet Langlois, author of Belle Gunness, The Lady Bluebeard "Whispers on the Color Line is insightful and thought-provoking, powerfully underscoring the social significance of hearsay, rumors, and legends in everyday life. This rich and poignant narrative reveals and educates--an important contribution to social science understanding and to the ongoing discourse about race matters in this country."—Elijah Anderson, author of Code of the Street: Decency, Violence, and the Moral Life of the Inner City "This book speaks loudly to our most troubling contemporary problem: interactions among the "races" that are carried out in secret. The development of media such as the Internet (with its various aspects, from personal email to screeds sent out through listserves) has helped us recognize that rumors have gone public--and that we need to become involved in managing this process."—Roger Abrahams, author of Singing the Master: The Emergence of African-American Culture in the Plantation South

Tuscany, 1096 AD. Luca, young heir to the title of Conte de Falconi, sees demons. Since no one else can see them, Luca must keep quiet about what he sees, or risk another exorcism by the nefarious priest Ramberti. Luca also has dreams—dreams that sometimes predict the future. Night after night Luca sees his father murdered, and vows to stop it coming true. Even if he has to go against his father's wishes and follow him on the great pilgrimage to capture the Holy Lands. Far away in Cappadocia, Suzan has dreams too. Consigned with her mute mother to a life in an underground convent, she has a vision of a brown-haired boy riding through the desert. A boy with an ancient book that holds some inscrutable power. A boy who will take her on an adventure that will lead to places beyond both their understanding. Together, Luca and Suzan will realise their true quest: to defeat the forces of man and demon that wish to destroy the world. Kimberley Starr is a teacher and author based in Melbourne. Her debut novel, The Kingdom Where Nobody Dies, won the 2003 Queensland Premier's Literary Award for Best Emerging Author. She has a degree in mediaeval literature, and travelled through Turkey and Israel to research The Book of Whispers. ‘The Book of Whispers combines history, fantasy, romance and the brutality of the Middle Ages in a satisfyingly epic novel.’ Books+Publishing ‘The Book of Whispers is fast paced and bloody in parts, not shying away from the brutality of the period and the atrocities committed during the Crusades; but it also shrewdly challenges the reader to think about religion, extremism and tolerance—particularly in relation to a region where those topics have particular significance.’ Lamont Books ‘One of my favourites of this year.’ Tea in the Treetops ‘This fast paced and well developed story has a little bit of everything to provide you with an interesting foray into a historical journey through time. Grief, love, chaos, adventure, magic, and the Christian crusades into Jerusalem all melded together into a beguiling and beautiful novel.’ Artistic Bent ‘The Book of Whispers embraces its fantastical aspects without sacrificing the concrete, and offers an introspective glance into human nature.’ Foreword Reviews ‘An epic novel that merges history, make-believe, romance and the harshness of the Middle Ages.’ PS News

Art&D considers changes in art practice due to media, to that new branch of art making known primarily as electronic art. Use of radio and video came first, about 25 years ago, but over the last ten years digital media and network technology have reigned. This new discipline embraces a heterogeneous collection of artistic, technological, and scientific disciplines and is also characterized by inter- and trans-disciplinary collaborations. Electronic art proved a troublesome fit for existing art institutions, necessitating the founding of specialized organizations for the funding and creation of relatively expensive, process-based projects. And they were: digital art laboratories were established around the world with the financial support of governments, arts foundations, industry, scientific programs, and so on. Art&D is a critical consideration of the many artistic, technical and theoretical aspects of making electronic art in such interdisciplinary collaborations. It sets out to describe, in layman's terms, the cultural, social, and political-economic transformations that are the result of the widespread propagation of digital techniques.

#1 New York Times bestselling author Dean Koontz “pulls out all the stops” (Publishers Weekly) in this haunting psychological thriller... For thirty-five years, Bruno Frye has lived in the shadow of the adopted mother who made his heart beat with constant fear. And even though she died five years ago, the whispers still haunt him in the dark...enough to make him kill—and kill again. Hilary Thomas is one of his intended victims. And she’s about to learn that even death can’t keep a bad man down...

A captivating picture book about a very soft-spoken little girl’s ultimately successful struggle to find her own voice.

‘Brave and beautiful.’ Stylist Magazine ‘Social media’s answer to Carol Ann Duffy’ Sunday Times STYLE ‘Divine.’ Cecelia Ahern

Sixteen-year-old Prince Oliver, who wants to break free of his fairy tale existence, and fifteen-year-old Delilah, a loner obsessed with Prince Oliver and the book in which he exists, work together to seek Oliver's freedom.

Sixteen-year-old Whisper, who has a cleft palate, lives in an encampment with three other young rejects and their caregiver, Nathanael. They are outcasts from a society (in the not-too-distant future) that kills or abandons anyone with a physical or mental disability. Whisper’s mother visits once a year. When she dies, she leaves Whisper a violin, which Nathanael teaches her to play. Whisper’s father comes to claim her, and she becomes his house slave, her disfigurement hidden by a black veil. But when she proves rebellious, she is taken to the city to live with other rejects at a house called Purgatory Palace, where she has to make difficult decisions for herself and for her vulnerable friends.