White Crow

One of School Library Journal's Best Fiction Books of 2011 Some secrets are better left buried; some secrets are so frightening they might make angels weep and the devil crow. Thought provoking as well as intensely scary, Marcus Sedgwick's White Crow unfolds in three voices. There's Rebecca, who has come to a small, seaside village to spend the summer, and there's Ferelith, who offers to show Rebecca the secrets of the town...but at a price. Finally, there's a priest whose descent into darkness illuminates the girls' frightening story. White Crow is as beautifully written as it is horrifically gripping. This title has Common Core connections.

Thomas H. Leforge was "born an Ohio American" and chose to "die a Crow Indian American." His association with his adopted tribe spanned some of the most eventful years of its history--from the Indian Wars to the reservation period?and as interpreter, agency employee, chief of Crow scouts for the 1876 campaign (he was with Terry at the Little Big Horn), bona fide Crow "wolf," and husband of a Crow woman, he was usually in the midst of the action. His story, first published in 1928, remains a remarkably accurate source of historical and ethnological information on this relatively little known tribe.

McMullen's groundbreaking work in psychic archaeology alongside one of Canada's most respected archaeologists.

Based on material from the newly opened Russian archives, this is the first biography of Nicholas Mikhailovich Romanov (1859-1919), the only intellectual in the Russian Imperial Family. This unique study provides insight into the last six decades of tsarist Russia through the experiences of the odd ball member of the clan. An historian and a biologist, the Grand Duke made major contributions in both these fields. A political liberal, he fought tirelessly for reform from within the system. His reformist views made him a pariah within his own family, and contemporary recognition of his accomplishments came more from abroad than at home. Entering the military, as all Romanovs did, the Grand Duke eventually became hostile toward it and was in fact the only family member ever to formally leave military service. He received honorary doctorates from the Universities of Berlin and Moscow and even won election to the French Academy—one of only two Russians to do so. As the political situation in Russia worsened, he urged the tsar to implement reforms, and he even participated in discussions of a palace coup. Exiled to Vologda after the Communist seizure of power, he was later imprisoned by the police and shot in January 1919.

This multilayered study of the representation of black masculinity in musical and cultural performance takes aim at the reduction of African American male culture to stereotypes of deviance, misogyny, and excess. Broadening the significance of hip-hop culture by linking it to other expressive forms within popular culture, Miles White examines how these representations have both encouraged the demonization of young black males in the United States and abroad and contributed to the construction of their identities. From Jim Crow to Jay-Z traces black male representations to chattel slavery and American minstrelsy as early examples of fetishization and commodification of black male subjectivity. Continuing with diverse discussions including black action films, heavyweight prizefighting, Elvis Presley's performance of blackness, and white rappers such as Vanilla Ice and Eminem, White establishes a sophisticated framework for interpreting and critiquing black masculinity in hip-hop music and culture. Arguing that black music has undeniably shaped American popular culture and that hip-hop tropes have exerted a defining influence on young male aspirations and behavior, White draws a critical link between the body, musical sound, and the construction of identity.

Step into the freedom of nature with this collection of nineteen haiku written by J. Patrick Lewis and the vibrant woodcuts by Christopher Manson accompanying each poem. Escape the pages of this book into the magic of the outdoors through the haiku and woodcut illustrations that fill the pages of Black Swan/White Crow. With themes of nature and the outdoors in each poem, young readers will feel as if they are watching bison during winter storms, crows resting on a phone wire, and grizzly bears fishing in a stream with their own eyes.

"These tales capture the humor and themes of traditional Diné literature. . . . The collection resonates with deep cultural authenticity."--Enrique Lamadrid, author of Juan the Bear and the Water of Life: La Acequia de Juan del Oso

The White Crow, one-time Soldier-Scholar of the Invisible College and a practioner of Hermetic science and magic, and Baltazar Casaubon, architect and lover, a man not too particular about his personal hygiene, are two of Mary Gentle¿s finest creations. The worlds they stride across range from the Renaissance city where aristocratic rats rule the human servant class, to a near-future London where chaos is come again. They are two of the most powerful players in the games of magic and politics, and the most colourful. This volume brings together three brilliantly imaginative, powerful and disturbing tales - Rats and Gargoyles, The Architecture of Desire and Left to His Own Devices - and the linked short fiction and confirms Mary Gentle as one of the foremost writers of dark and visionary fantasy.