Whitechapel Noise

Archive material from the London Yiddish press, songbooks, and satirical writing offers a window into an untold cultural life of the Yiddish East End. Whitechapel Noise: Jewish Immigrant Life in Yiddish Song and Verse, London 1884–1914 by Vivi Lachs positions London’s Yiddish popular culture in historical perspective within Anglo-Jewish history, English socialist aesthetics, and music-hall culture, and shows its relationship to the transnational Yiddish-speaking world. Layers of cultural references in the Yiddish texts are closely analyzed and quoted to draw out the complex yet intimate histories they contain, offering new perspectives on Anglo-Jewish historiography in three main areas: politics, sex, and religion. The acculturation of Jewish immigrants to English life is an important part of the development of their social culture, as well as to the history of London. In part one of the book, Lachs presents an overview of daily immigrant life in London, its relationship to the Anglo-Jewish establishment, and the development of a popular Yiddish theatre and press, establishing a context from which these popular came. The author then analyzes the poems and songs, revealing the hidden social histories of the people writing and performing them. For example, how Morris Winchevsky’s London poetry shows various attempts to engage the Jewish immigrant worker in specific London activism and political debate. Lachs explores themes of marriage, relationships, and sexual exploitation appear regularly in music-hall songs, alluding to the changing nature of sexual roles in the immigrant London community influenced by the cultural mores of their new location. On the theme of religion, Lachs examines how ideas from Jewish texts and practice were used and manipulated by the socialist poets to advance ideas about class, equality, and revolution, and satirical writings offer glimpses into how the practice of religion and growing secularization was changing immigrants’ daily lives in the encounter with modernity. The detailed and nuanced analysis found in Whitechapel Noise offers a new reading of Anglo-Jewish, London, and immigrant history. It is a must-read for Jewish and Anglo-Jewish historians and those interested in Yiddish, London, and migration studies.

In April 1917, Lenin arrived at Petrograd's Finland Station and set foot on Russian soil for the first time in over a decade. For most of the past seventeen years, the Bolshevik leader had lived in exile, moving between Europe's many "Russian colonies"--large and politically active communities of émigrés in London, Paris, and Geneva, among other cities. Thousands of fellow exiles who followed Lenin on his eastward trek in 1917 were in a similar predicament. The returnees plunged themselves into politics, competing to shape the future of a vast country recently liberated from tsarist rule. Yet these activists had been absent from their homeland for so long that their ideas reflected the Russia imagined by residents of the faraway colonies as much as they did events on the ground. The 1917 revolution marked the dawn of a new day in Russian politics, but it also represented the continuation of decades-long conversations that had begun in emigration and were exported back to Russia. Faith Hillis examines how émigré communities evolved into revolutionary social experiments in the heart of bourgeois cities. Feminists, nationalist activists, and Jewish intellectuals seeking to liberate and uplift populations oppressed by the tsarist regime treated the colonies as utopian communities, creating new networks, institutions, and cultural practices that reflected their values and realized the ideal world of the future in the present. The colonies also influenced their European host societies, informing international debates about the meaning of freedom on both the left and the right. Émigrés' efforts to transform the world played crucial roles in the articulation of socialism, liberalism, anarchism, and Zionism across borders. But they also produced unexpected--and explosive--discontents that defined the course of twentieth-century history. This groundbreaking transnational work demonstrates the indelible marks the Russian colonies left on European politics, legal cultures, and social practices, while underscoring their role during a pivotal period of Russian history.

For much of the 20th century the modernist city was articulated in terms of narratives of progress and development. Today the neoliberal city confronts us with all the cultural 'noise' of disorder and excess meaning. As this book demonstrates, for more than 40 years London-based writer, film-maker and 'psychogeographer' Iain Sinclair has proved to be one of the most incisive commentators on the contemporary city: tracing the emerging contours of a metropolis where the meeting of global and local is never without incident. Iain Sinclair: Noise, Neoliberalism and the Matter of London explores Sinclair's investigations into the nature of conflicting urban realities through an examination of the ways in which the noise of neoliberal excess intersects with the noise of literary experiment. In this way, the book casts new light on theorisations of the city in the contemporary era.

Traversing London's musical culture, this book boldly illuminates the emergence of Edwardian London as a beacon of musical innovation. The dawning of a new century saw London emerge as a hub in a fast-developing global music industry, mirroring Britain's pivotal position between the continent, the Americas and the British Empire. It was a period of expansion, experiment and entrepreneurial energy. Rather than conservative and inward-looking, London was invigorated by new ideas, from pioneering musical comedy and revue to the modernist departures of Debussy and Stravinsky. Meanwhile, Elgar, Holst, Vaughan Williams, and a host of ambitious younger composers sought to reposition British music in a rapidly evolving soundscape. Music was central to society at every level. Just as opulent theatres proliferated in the West End, concert life was revitalised by new symphony orchestras, by the Queen's Hall promenade concerts, and by Sunday concerts at the vast Albert Hall. Through innumerable band and gramophone concerts in the parks, music from Wagner to Irving Berlin became available as never before. The book envisions a burgeoning urban culture through a series of snapshots - daily musical life in all its messy diversity. While tackling themes of cosmopolitanism and nationalism, high and low brows, centres and peripheries, it evokes contemporary voices and characterful individuals to illuminate the period. Challenging issues include the barriers faced by women and people of colour, and attitudes inhibiting the new generation of British composers - not to mention embedded imperialist ideologies reflecting London's precarious position at the centre of Empire. Engagingly written, Simon McVeigh's groundbreaking book reveals the exhilarating transformation of music in Edwardian London, which laid the foundations for the century to come.

Incorporating HC 837-xlviii to lxiii, session 2005-06. The Crossrail Bill was originally published as HCB 2, session 2006-07 (ISBN 9780215707871) and was carried over into session 2007-08 as HCB 5 (ISBN 9780215709202). The first volume of the report is available separately as HC 235-I, session 2006-07 (ISBN 9780215036810), as is Vol. 2 (ISBN 9780215037169), Vol. 3 (ISBN 9780215037176) and Vol. 4 (ISBN 9780215037183)

The East End is an iconic area of London, from the transient street art of Banksy and Pablo Delgado to the exhibitions of Doreen Fletcher and Gilbert and George. Located east of the Tower of London and north of the River Thames, it has experienced a number of developmental stages in its four-hundred-year history. Originating as a series of scattered villages, the area has been home to Europe's worst slums and served as an affluent nodal point of the British Empire. Through its evolution, the East End has been the birthplace of radical political and social movements and the social center for a variety of diasporic communities. This reference work, with its alphabetically organized cross-referenced entries and its original and historical photography, serves as a comprehensive guide to the social and cultural history of this global hub.

This volume explores the idea of decadence through readings of major modernist writers such as Ezra Pound and T. S. Eliot.

A real-life murder mystery in turn-of-the-century London, and Scotland Yard’s “greatest detective of all time” who was determined to discover whodunit. By 1919, Det. Chief Inspector Fred Wensley was already a legend, having investigated the Jack the Ripper slayings, busted crime syndicates, and risked his life at the notorious Siege of Sidney Street. But the brutal murder of kindly fifty-four-year-old widow and shopkeeper Elizabeth Ridgley was an unexpected challenge in a storied career. Elizabeth and her dog were both found dead in her blood-spattered shop in Hitchin. But even in the early days of forensics, Wensley was stunned by the inept conclusion of local Hertfordshire police: it was a freak, tragic accident that had somehow felled Elizabeth and her Irish terrier. At Wensley’s urging, Scotland Yard proceeded with a second investigation. It led to the arrest of an Irish war veteran. The only real evidence: a blood-stained shirt. But the Ridgley case was far from over. Drawing on primary sources and newly-discovered material, Paul Stickler exposes the frailties of county policing in the years after WWI, reveals how Ridgley’s murder led to fundamental changes in methods of investigation, and attempts to solve a seemingly unsolvable crime.