Who Is An African

This book addresses the conceptual difficulties and political contestations surrounding the applicability of the term "African-Canadian". In the midst of this contested terrain, the volume focuses on first generation, Black Continental Africans who have immigrated to Canada in the last four decades, and have traceable genealogical links to the continent.

Who is an African? At face value, the answer seems obvious. Surely, everyone knows who the African is, it would seem. But the answer becomes less obvious once other probing qualifiers are added to the question. How is the African identity constructed in the face of the mosaic of identities that people of African ancestry living within and beyond the continent bear? Do all categorised as Africans or as having an African pedigree perceive themselves as Africans? Are all who perceive themselves as Africans accepted as such? Are there levels of "e;Africanness"e;, and are some more African than others? How does African identity interface with other levels of identity and citizenship in Africa? And what are the implications of the contentious nature of African identity and citizenship for the projects of pan-Africanism, the making of the Africa-nation, and Africa's development trajectories? Contributors to the volume, including Ali Mazrui, Kwesi Prah, Gamal Nkrumah, Helmi Sharawy and Marcel Kitissou, address these questions and more. They examine the issues of African identity and citizenship, the politics spurned by the co-existence of peoples of different Africanities in the same country, and the prospects of constructing an Africa-Nation in which Africans of all hues are as sentimentally attached to, as say, the Europeans are attached to Europe. Though the projects of pan-Africanism and the making of the Africa-nation have not achieved the desired levels of success, some of the contributors found sufficient grounds for optimism: These grounds include the deepening democratic ethos in the continent, which is believed will unleash a love of freedom that will supersede the fissiparous tendencies that underlie the various notions of Africanity; and the rise of new economic powers such as India and China, which are increasingly looking towards Africa as the next big destination. The emergence of Barrack Obama, whose father is Kenyan, as the President of the United States of America, also appears to be unleashing a new wave of can-do attitude. It is argued that for many Africans, Obama is both an African name they can relate to, and a metaphor expressing that anything is possible if you strive hard for it with the 'right attitude.' This 'right attitude' is an attitude that is post-chauvinism, for it is only by being post-racial and a reconciler that a Blackman, with an African Muslim father, who was not born into privilege, could emerge president of the most powerful country in the world. This lesson is not lost on Africans and it is a powerful boost to the African unity project.

The nineteenth-century American Colonization Society (ACS) project of persuading all American free blacks to emigrate to the ACS colony of Liberia could never be accomplished. Few free blacks volunteered, and greater numbers would have overwhelmed the meager resources of the ACS. Given that reality, who supported African colonization and why? No...

Intended for those interested in the African continent and the diversity of human history, this work looks at Africa's past and reflects on the changing ways it has been imagined and represented. It illustrates key themes in modern thinking about Africa's history with a range of historical examples.

From one of Africa’s most influential and eloquent essayists, a posthumous collection that highlights his biting satire and subversive wisdom on topics from travel to cultural identity to sexuality “A fierce literary talent . . . [Wainaina] shines a light on his continent without cliché.”—The Guardian “Africa is the only continent you can love—take advantage of this. . . . Africa is to be pitied, worshipped, or dominated. Whichever angle you take, be sure to leave the strong impression that without your intervention and your important book, Africa is doomed.” Binyavanga Wainaina was a pioneering voice in African literature, an award-winning memoirist and essayist remembered as one of the greatest chroniclers of contemporary African life. This groundbreaking collection brings together, for the first time, Wainaina’s pioneering writing on the African continent, including many of his most critically acclaimed pieces, such as the viral satirical sensation “How to Write About Africa.” Working fearlessly across a range of topics—from politics to international aid, cultural heritage, and redefined sexuality—he describes the modern world with sensual, emotional, and psychological detail, giving us a full-color view of his home country and continent. These works present the portrait of a giant in African literature who left a tremendous legacy.

Antonio Olliz Boyd is an emeritus professor of Latin American literature at Temple University. He holds a PhD from Stanford University, an MS from Grorgetown University, and a BA from Long Island University. Dr. Olliz Boyd has published various essays on Afro Latino aesthetics in literature in volumes, such as the Dictionary of Literary Biography: Modern Latin-American Fiction Writers; Singular Like a Bird: The Art of Nancy Morejon; Imagination, Emblems and Expressions: Essays on Latin American, Caribbean, and Continental Culture and Identity; Blacks in Hispanic Literature: Critical Essays among others, as well as articles on Afro Latino literary criticism in various refereed journals. --Book Jacket.

The subject of race and identity is a burning issue which continues to occupy the attention not only of South Africans but also the wider residents of the continent of Africa and those who are Africans in the Diaspora. The outburst of xenophobic attacks against foreigners mostly of Black African origins in some communities of Kwa-Zulu Natal and areas of Johannesburg during 2008 and 2015 has raised questions about the social cohesion of South African society linked to unresolved structural identity issues bequeathed by the nation's past colonial and apartheid legacy. This publication argues that there is an embedded schizophrenic identity crisis within the society that requires scholarly interrogation. The chapters assemble scholarly voices from different ethnic groups that examine the central research question of this study: Who is an African? Within the wider Southern African context, identity and ethnicity politics are framing nationalist economic policies and are impacting on social cohesion within many countries. Writing from different social and racial locations the authors have critically engaged with the central question and offer some important insights that can serve as a resource for all nations grappling with issues of race, ethnicity, identity constructed politics, and social cohesion.

A comprehensive evaluation of how to read African history. Writing African History is an essential work for anyone who wants to write, or even seriously read, African history. It will replace Daniel McCall's classic Africa in Time Perspective as the introduction to African history for the next generation and as a reference for professional historians, interested readers, and anyone who wants to understand how African history is written. Africa in Time Perspective was written in the 1960s, when African history was a new field of research. This new book reflects the development of African history since then. It opens with a comprehensive introduction by Daniel McCall, followed by a chapter by the editor explainingwhat African history is [and is not] in the context of historical theory and the development of historical narrative, the humanities, and social sciences. The first half of the book focuses on sources of historical data while thesecond half examines different perspectives on history. The editor's final chapter explains how to combine various sorts of evidence into a coherent account of African history. Writing African History will become the most important guide to African history for the 21st century. Contributors: Bala Achi, Isaac Olawale Albert, Diedre L. Badéjo, Dorothea Bedigian, Barbara M. Cooper, Henry John Drewal, Christopher Ehret, Toyin Falola, David Henige, Joseph E. Holloway, John Hunwick, S. O. Y. Keita, William G. Martin, Daniel McCall, Susan Keech McIntosh, Donatien Dibwe Dia Mwembu, Kathleen Sheldon, John Thornton, and Masao Yoshida. John Edwards Philips is professor of international society, Hirosaki University, and author of Spurious Arabic: Hausa and Colonial Nigeria [Madison, University of Wisconsin African Studies Center, 2000].