Who One Is

Five years ago, I gave myself to him. Now he's back to claim me. My family hates him, but I don't care. This time, he's not getting away. I never should have slept with Leah. She was hot, she was begging for it... She was my best friend's little sister. If he finds out he'll destroy me, But Leah's worth destruction. I still remember her curves, her kisses... The way her body melted against mine. One taste just wasn't enough. I want more. Her family thinks I'm a spoiled rich boy who likes to play with motorcycles. All I want to play with is Leah. She thinks I don't know about the child she's carrying inside her. But I know everything, and I protect what's mine. I'll prove to her and everyone else that this time, I'm playing for keeps.

Both volumes of this work have as their central concern to sort out who one is from what one is. In this Book 1, the focus is on transcendental-phenomenological ontology. When we refer to ourselves we refer both non-ascriptively in regard to non-propertied as well as ascriptively in regard to propertied aspects of ourselves. The latter is the richness of our personal being; the former is the essentially elusive central concern of this Book 1: I can be aware of myself and refer to myself without it being necessary to think of any third-personal characteristic; indeed one may be aware of oneself without having to be aware of anything except oneself. This consideration opens the door to basic issues in phenomenological ontology, such as identity, individuation, and substance. In our knowledge and love of Others we find symmetry with the first-person self-knowledge, both in its non-ascriptive forms as well as in its property-ascribing forms. Love properly has for its referent the Other as present through but beyond her properties. Transcendental-phenomenological reflections move us to consider paradoxes of the “transcendental person”. For example, we contend with the unpresentability in the transcendental first-person of our beginning or ending and the undeniable evidence for the beginning and ending of persons in our third-person experience. The basic distinction between oneself as non-sortal and as a person pervaded by properties serves as a hinge for reflecting on “the afterlife”. This transcendental-phenomenological ontology of necessity deals with some themes of the philosophy of religion.

ONE WHO COMES AND GOES is a collection of short stories based on real life events and written in that spirit. When John Silver came home from Vietnam he was suffering from PTSD but he didn’t know. For 46 years he dealt with PTSD. Yes, there was something wrong with his life but no clues. There was no one to talk to, not even his wife. Alcohol became his only friend. He found no shortage of co-horts to comfort him. In reality PTSD is a debilitating mental disorder and affects men returning from combat zones. They are then thrown into a civilian population that is not aware of PTSD. Not a good situation. One Who Comes and Goes is a small effort to try and alert and/or make aware a population who does not know what PTSD is.

Marilyn McCullough has had two husbands, five children, two stepchildren, six dogs, three cats, and two goldfish. In this memoir, she provides a humorous look at all aspects of her lifefrom the everyday trials and tribulations of family, friends, relationships, and aging to the not-so-ordinary topics of toe fungus, flatulence, gargling, and moth killing. In this, her second published book, McCullough has gathered articles previously published in an Illinois newspaper and has combined them with reflections about events both current and past. In addition to her uncanny and often comedic essays on at life, she has included a collection of short stories geared toward children. Through the stories, observations, and experiences presented in One Brick LooseNot Missing, But Who Cares? McCullough communicates her lifes philosophylive life with a certain amount of gusto, enjoy the good, and accept the bad.

This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Contents: Riders of the Purple Sage (Zane Grey) The Rainbow Trail The Spirit of the Border The Untamed (Max Brand) The Night Horseman The Seventh Man The Virginian (Owen Wister) The Last of the Mohicans (James F. Cooper) The Prairie Chip, of the Flying U (B. M. Bower) The Flying U Ranch The Flying U's Last Stand Cabin Fever Rimrock Trail (J. Allan Dunn) The 'Breckinridge Elkins' Series (Robert E. Howard) The Last of the Plainsmen (Zane Grey) The Outcasts of Poker Flat (Bret Harte) The Wolf Hunters (James Oliver Curwood) The Gold Hunters The Border Legion The Country Beyond (Curwood) The Lone Star Ranger (Grey) Riders of the Silences (Brand) The Call of the Wild (Jack London) Heart of the West (O. Henry) White Fang (London) The Lure of the Dim Trails (Bower) The Luck of Roaring Camp (Harte) The Rustlers of Pecos County (Grey) O Pioneers! (Willa Cather) My Ántonia Roughing It (Mark Twain) The Log of a Cowboy (Andy Adams) The Two-Gun Man (Charles Alden Seltzer) The Law of the Land (Emerson Hough) The Short Cut (Jackson Gregory) Astoria (Washington Irving) The Valley of Silent Men (James Oliver Curwood) "Drag" Harlan (Charles Alden Seltzer) Whispering Smith (Frank H. Spearman) The Outlet (Andy Adams) Reed Anthony, Cowman A Texas Cow Boy (Charles Siringo) The Boss of the Lazy Y (Charles Alden Seltzer) The Golden Dream (R.M. Ballantyne) The Blue Hotel (Stephen Crane) The Long Shadow (B. M. Bower) The Girl from Montana (Grace Livingston Hill) The Hidden Children (Robert W. Chambers) The Way of an Indian (Frederic Remington) The Bridge of the Gods (Frederic Homer Balch) Where the Trail Divides (Will Lillibridge) The Desert Trail (Dane Coolidge) The Bride Comes to Yellow Sky (Stephen Crane) That Girl Montana (Marah Ellis Ryan)...