Who S Laughing Now

Exploring feminist social media tactics that use humor and laughter as a form of resistance to misogyny, rewiring feelings of shame into shamelessness. Online sexism, hate, and harassment aim to silence women through shaming and fear. In Who's Laughing Now? Jenny Sundén and Susanna Paasonen examine a somewhat counterintuitive form of resistance: humor. Sundén and Paasonen argue that feminist social media tactics that use humor, laughter, and a sense of the absurd to answer name-calling, offensive language, and unsolicited dick pics can reroute and rewire shame into a self-assured shamelessness.

From dour old women to buzzkills who can't take a joke, the stereotype of the humourless feminist has repeatedly been deployed to derail and delegitimize the women's rights movement. This collection skips the tired debates that ask whether feminists can be funny—we know the answer to this already—to instead investigate contemporary expressions and functions of humour within international feminist movements and communities. This interdisciplinary volume showcases critical analyses of cultural texts and events, personal accounts of producing and encountering feminist humour, and creative interruptions that pair laughter with insight. As a whole, this work seeks to sideline caricatures of the humourless feminist by promoting a vision of a diverse movement vibrant with innovative, generous, threatening, and, ultimately, triumphant laughter.

Exploring feminist social media tactics that use humor as a form of resistance to misogyny, the affective dynamics of shame, shaming, and shamelessness. Online sexism, hate, and harassment aim to silence women through shaming and fear. In Who's Laughing Now? Jenny Sundén and Susanna Paasonen examine a somewhat counterintuitive form of resistance: humor. Sundén and Paasonen argue that feminist social media tactics that use humor, laughter, and a sense of the absurd to answer name-calling, offensive language, and unsolicited dick pics can rewire the affective circuits of sexual shame and acts of shaming. Using laughter as both a theme and a methodological tool, Sundén and Paasonen explore examples of the subversive deployment of humor that range from @assholesonline to the Tumblr “Congrats, you have an all-male panel!” They consider the distribution and redistribution of shame, discuss Hannah Gadsby's Nanette, and describe tactical retweeting and commenting (as practiced by Stormy Daniels, among others). They explore the appropriation of terms meant to hurt and insult—for example, self-proclaimed Finnish “tolerance whores”—and what effect this rerouting of labels may have. They are interested not in lulz (amusement at another's expense)—not in what laughter pins down, limits, or suppresses but rather in what grows with and in it. The contagiousness of laughter drives the emergence of networked forms of feminism, bringing people together (although it may also create rifts). Sundén and Paasonen break new ground in exploring the intersection of networked feminism, humor, and affect, arguing for the political necessity of inappropriate laughter.

Emma St. Claire has a passion for photography. She loves looking through a lens to capture the beauty the world has to offer. At least she did...until the grainy view exposed the foot of a dead woman in red high heels. Emma knew what she saw, but with the fuzziness of the photo, finding someone who would take her seriously would be just about impossible. She was certain that no one would believe her, not even the gorgeous, serious-minded attorney next door. There was no one else to turn to, though, so she approached him with the photo. Sam Barrington had little patience for drama, even if it came packaged up in a pint-sized fireball who he had the misfortune to have as a neighbor. Having just made partner in his law firm, he did not have time to get involved with anyone, much less the hapless woman next door who appeared at his doorstep, shaken but resolved to drag him into her theories and assumptions. After more bodies are found, though, it quickly becomes clear that Pittsburgh has a serial killer in their midst. Worse, Emma has garnered the attention of the killer and has now put her life in danger. Unfortunately, Sam’s protective instinct rears its persistent head and he soon finds himself working harder at protecting her than he does in trying his cases. His main concern now becomes...can he save Emma before the killer makes her his next victim?

"Who's Laughing Now?" In 1972 Private Martelli arrived home from the Vietnam War where he was a POW. Al moved in with his mother Rose) who resided in Ocean View Florida. Al suffers from flashbacks filled with torture and mayhem. A 180 miles away in Orlando was a ten-year-old boy named Joseph Columbo. Joey was blind in one eye from a bow and arrow-accident. It's an emotional carnage which is made worse when he is brutally teased. Meantime his father(Victor) is consumed with making millions while his mother(Nikki) is busy sexually pleasing her husband. So there was Joey feeling abandoned. Soon Joey would travel to Ocean View to attend a special school. He would live with Grandmother and Uncle. At first Al and Joey despised each other. However over the course of time these two battered souls would come together and heal. Their common dominator was their love for the game of baseball. The summer of 1973 would be a time Al and Joey would reflect back upon as the turning point in their lives.

Reveals how Jessie broke away from her background – a tough area of Essex where stabbings and violent crime were rife – to become the antithesis of the typical Essex girl. Tells of her performance background, taking ballet classes from the age of four and appearing in a string of musicals, including one where she fell off the stage and did a back flip onto the conductor. Reveals how she was on national TV winning singing competitions at age 15 and how she recorded a demo the same year, before studying Musical Theatre at the BRIT School Talks of her ill-fated stint in a girl group, dealing with tears, cat fights and mammoth egos. Recalls how she finally earned a record deal only to suffer a stroke and for her label to go into liquidation the same year. Reveals her yearning for fame, including a string of support slots where she appeared as an unknown artist. She was booed – but often booed back. Her trip to America where she penned a Number One single, but was so desperately lonely and unhappy that she felt suicidal – yet she penned a song about this period that would become the title track of her album/ Interviews with record producers, school classmates, friends, dance tutors and more give the full lowdown on Jessie’s road to fame.

In the story Who's Laughing Now?, Walter Warthog gets a good laugh from going around telling lies and making the other animal friends mad at each other. As the day winds down, Walter Warthog is going to find out what goes around comes around and he may not be the one who's laughing now. In the story Don't Burn Your Bridge, Rudy Rooster never wants to work hard for anything and is always looking to luck up on a handout from the animal friends. As the day unfolds, Rudy Rooster scores big lucking up on a new house from his Uncle Randy Rooster. When his friends Walter Warthog, Cathy Cat and Lydia Ladybug come to congratulate him on the new house, Rudy Rooster runs out and burns the bridge so they can't come over.

The best of the best—stories, one-liners, and jokes from some of today’s funniest Christian speakers and best-selling writers This new book, like its best-selling predecessors, is packed with the kind of smiles and smirks, chuckles and giggles that thousands of readers have come to love and expect. It includes some of the funniest stories from today’s Christian writers like Barbara Johnson, John Ortberg, Mark Buchanan, Patsy Clairmont, Becky Freeman, Chonda Pierce, and more. Whether the topic is kids, marriage, pets, church, parenting, aging, or life’s most embarrassing moments, the writers will help you keep life in perspective by revealing their own foibles, follies, and failings. Realizing that laughter and faith can go hand in hand, they offer real-life anecdotes that will keep your world in balance even—and especially—when life gets tough.