Who Wants Candy

Third-generation candy-maker Jane Sharrock shares here some 400 recipes for mouth-watering candies, chocolates, pralines, crèmes, fudges, cookies, toffee, and holiday treats. This step-by-step candy bible covers everything from the traditional to the exotic. Complete with instructional chapters on the basics of candymaking, it deserves a place on every cookbook shelf. This collection features such irresistable treats as: Marry Me Toffee € Pistol Pete's Peanut Brittle € Grace's Walnut Butter Fudge € Cherry Almond Bark € Panache Penuche € Raspberry-Fudge Truffles € and something called Aunt Bill's Brown Candy... Plus:€ No-bake cookies € Practical and fascinating information about ingredients and candy chemistry € Dipping candies in chocolate € A basic candy glossary

Presents a collection of recipes featuring a variety of chocolates, candies, pralines, cráemes, fudges, cookies, toffee, and special holiday treats, along with instructions on the basics of candy making, a candy glossary, information about ingredients and candy chemistry, and tips on dipping.

Since its first appearance as a series of cartoon vignettes in 1987 and its debut as a weekly program in 1990, The Simpsons has had multiple, even contradictory, media identities. Although the show has featured biting political and social satire, which often proves fatal to mass public acceptance, The Simpsons entered fully into the mainstream, consistently earning high ratings from audiences and critics alike. Leaving Springfield addresses the success of The Simpsons as a corporate-manufactured show that openly and self-reflexively parodies the very consumer capitalism it simultaneously promotes. By exploring such topics as the impact of the show's satire on its diverse viewing public and the position of The Simpsons in sitcom and television animation history, the commentators develop insights into the ways parody intermixes with mass media to critique post modern society. In spite of the longevity and high cultural profile of the show, The Simpsons has so far attracted only scattered academic attention. Leaving Springfield will be of importance to both scholars of media and fans of the show interested in the function of satire in popular culture in general and television in particular.

Fourteen-year-old Candace Ong is wasting away in wonderland—Eggroll Wonderland, the restaurant where her under-Americanized family toils in San Francisco. She loves rock candy and rock music, jelly beans and jelly shoes—and hangs with her best friend Ruby, whose wild life she envies. Candace wants more than another stifling summer stuck in the kitchen. So when a new opportunity arises, she leaps at the chance—even though it means leaving home to experience a tantalizing, dangerous life far beyond the dim sum ho hum. But the waiting world may be a lot more than one brainiac Chinese Lolita can safely handle.

The Blue Planet: An Introduction to Earth System Sciences, 3rd Edition is an innovative text for the earth systems science course. It treats earth science from a systems perspective, now showing the five spheres and how they are interrelated. There are many photos and figures in the text to develop a strong understanding of the material presented. This along with the new media for instructors makes this a strong text for any earth systems science course.

“A balls-out joyride through eighties pop culture that enlightens as much as it exhilarates.” —Armistead Maupin, New York Times bestselling author of Michael Tolliver Lives From the critically acclaimed author of I Am Not Myself These Days comes the very odd adventures of a starry-eyed young man from the Midwest seeking fame and fortune in the flamboyant surreality of New York, Los Angeles . . . and everywhere in between. Jayson Blocher is tired of worshiping pop culture; he wants to be part of it. So he's off, accompanied by an ever-changing cast of quirky extended family members, on an extremely bumpy journey from rural Wisconsin to a New York escort agency for Broadway chorus boys, to a Hollywood sitcom set. Somewhere out there his destiny awaits—along with the discovery of first love, some unusual coincidences, a kidnapping mystery . . . and the sobering truth that being America's sweetheart can leave a very sour aftertaste.

It's snowing. Kitty has never seen snow. So Kitty looks it up on the computer. Snow is wet. Snow is cold. Snow is slippery. Okay. Bad Kitty can handle this. She'll just put on her snow gear and try. . .in Nick Bruel's Bad Kitty Does Not Like Snow.