Who Will Cry For The Soldiers Tears From Distant Wars

An Anthology of Modern War Poetry and Prose written by contributors (veterans, veterans families, and supporters) to the International War Veterans Poetry Archives (IWVPA). This book is dedicated to the Men and Women of the Armed Forces of the Free World who have been, are now, and will be placed in harm's way. For many of those who find it difficult to come to terms with personal war experiences, whether it is first hand or as a loved one or friend, writing is almost like a magical pill. Within the structured framework of the written word, emotions can be haltered and led to a point where the writer is enabled to manifest and relate to the gamut of emotions engendered by the experiences and consequences of war.

Pearls of Wisdom is a story about life and death. It is a story of one man's path to finding love, happiness and a fulfilled life. Aaron Long had died of terminal lung cancer. His loving wife Caitlin was grief stricken and had delayed gathering his personal belongings. Finally, after two weeks of grieving, she decided it was time to complete this task. While she was going through his personal belongings, she found an envelope with a note and safe deposit key. The note described a journal he had written, just before his death, and placed in a safe deposit box. Caitlin Long went to the safe deposit box and retrieved her husband's journal. As she began reading the journal, she soon realized it was his final gift to her. Pearls of Wisdom is about self discovery and self fulfillment. The importance of human relationships cannot be understated when attempting to have a happy and fulfilled life. The story deals with topics that people face during their lifetime. They may face some or all of the following topics: parental influence, success and failure, love, race, war, suicide, marriage and children, education, health and eventually death. Pearls of Wisdom is a story of love, hope and living life to its fullest.

Filariasis never used gold coins or silver coins, and even never used copper coins several times before he was 20 years old. Liuhuo has never seen famous mountains and rivers, eaten delicious food, and even seen beautiful women. He doesn't even know that there are several countries in Zhongzhou mainland.

In 1953 Margaret Mead and Rhoda Metraux produced The Study of Culture at a Distance, a compilation of research from this period. This work, long unavailable, presents a rich and complex methodology for the study of cultures through literature, film, informant interviews, focus groups, and projective techniques.

Walk with America's generals, grunts, and Green Berets through the maze of unconventional wars and unsettled peace. Four-star generals who lead the military during wartime reign like proconsuls abroad in peacetime. Secretive Green Berets trained to hunt down terrorists are assigned to seduce ruthless authoritarian regimes. Pimply young soldiers taught to seize airstrips instead play mayor, detective, and social worker in a gung-ho but ill-fated attempt to rebuild a nation after the fighting stops. The Mission is a boots-on-the-ground account of America's growing dependence on our military to manage world affairs, describing a clash of culture and purpose through the eyes of soldiers and officers themselves. With unparalleled access to all levels of the military, Dana Priest traveled to eighteen countries—including Uzbekistan, Colombia, Kosovo, Indonesia, Nigeria, and Afghanistan—talking to generals, admirals, Special Forces A-teams, and infantry troops. Blending Ernie Pyle's worm's-eye view with David Halberstam's altitude, this book documents an historic and thought-provoking trend, one even more significant in the aftermath of September 11 as the country turns to its warriors to solve the complex international challenges ahead.

Something More by Alexander Kalenak, M.D. is a remarkable personal history of a WW II childhood, a pioneering career in sports medicine, and a life seeking the true meanings of medical care and spiritual faith. As a young boy hungry for knowledge, Alexander Kalenak played dirt lot baseball, shined shoes, delivered newspapers, and worshipped his older brothers speeding along in the family's 1940 Buick. All this and more took place in a quintessential American landscape: a Pennsylvania coal mining town. In this memoir, Kalenak describes how his love of learning carried him into a career as a modern physician-scientist. He became an orthopedic surgeon just as sports medicine emerged as a field of specialty and he moved his young family to Hershey, Pennsylvania, to pursue the dream of being team physician for the Penn State Nittany Lions. For twenty-two years, he pioneered new surgical techniques and cared for countless football players and other athletes. Dr. K, or Coach K, as he was called, describes how he listened to all his patients with his surgeon's mind and with his human heart. Stories of fishing, biking in France, playing golf, and enjoying the beach with his family reveal the balance of a well-lived life. In his final illness, pancreatic cancer, Kalenak was a role model of perseverance and patience, seeking new treatments that might ultimately help others. He was named a member of the Hall of Fame of the American Orthopedic Society for Sports Medicine in 2006 and was cited as one of the Best Doctors in America. From the book: On my way to the training room where players were suiting up for the game, I would stop to think about what kinds of emergencies I might have to deal with. I would think about neck injuries, head injuries, broken legs, dislocated hips and what would have to be done quickly. I knew that for the next six or seven hours, I would be in a world of semi-controlled chaos, and I wanted to be sure I was in a frame of mind to deal with any major crisis in front of a hundred thousand people. I would pray that there would be no serious injuries, but if there were, that I would be able to apply my knowledge and my skills to take care of the players. This was my mental preparation for the game. Throughout my life I have been certain that the central thing we have been put upon earth to do is to develop and nurture relationships. If you nurture relationships, many rewards will come to you. It's just that simple.

The idea for this book began with David Lavery’s 2007 column for flowtv.org. “The Crying Game: Why Television Brings Us to Tears” asked us to consider that “age-old mystery”: tears. The respondents to David’s initial survey—Michele Byers among them—didn’t agree on anything ... Some cried more over film, some television, some books; some felt their tears to be a release, others to be a manipulation. They did agree, however, as did the readers who responded to the column, that crying over stories, and even “things,” is something that is a shared and familiar cultural practice. This book was born from that moment of recognition. On the Verge of Tears is not the first book to think about crying. Tom Lutz’s Crying: The Natural & Cultural History of Tears, Judith Kay Nelson’s Seeing Through Tears: Crying and Attachment, Peter Schwenger’s The Tears of Things: Melancholy and Physical Objects, and Henry Jenkins’ The Wow Climax: Tracing the Emotional Impact of Popular Culture also offer forays into this familiar, if not always entirely comfortable, emotional space. This book differs markedly from each of these others, however. As a collection of essay by diverse hands, its point of view is multi-vocal. It is not a history of tears (as is Lutz’s superb book); nor is its approach psychological/sociological (as is Nelson’s). It does not limit itself to very contemporary popular culture (as does Jenkins’ book) or material culture (as does Schwenger’s study). What On the Verge of Tears offers are personal, cultural, and political ruminations on the tears we shed in our daily engagements with the world and its artifacts. The essays found within are often deeply personal, but also have broad implications for everyday life. The authors included here contemplate how and why art, music, film, literature, theatre, theory, and material artifacts make us weep. They consider the risks of tears in public and private spaces; the way tears implicate us in tragedy, comedy, and horror. On the Verge of Tears does not offer a unified theory of crying, but, instead, invites us to imagine tears as a multi-vocal language we can all, in some manner, understand.