Whosoever Has Let A Minotaur Enter Them Or A Sonnet

How does a love poet fall out of her marriage and back in love with the world? What happens when you grow up to be the "kind of person who..."? These fairytales are for the heartbreakers as much as the heartbroken, for those smitten with wanderlust, for those who believe in loving this world through art. A singular flow of bewildered brilliance, Emily Carr's swiftly flowing sequence of love poems--divorce poems, really--engages the very real problem of falling out of love because (admit it!) you never think you will. No matter how many times it's happened before. Imagine it: not limiting love to the erotic but embracing endeavor, struggle, social change, and political action. Love as consciousness, inventiveness, and intention. In a world that hurts as much as it holds. Carr's swell of gorgeous psychedelia is presented in a lavish book-object befitting the work's interconnected, page-defying sweep of line upon line: between her thighs, the buffalo holding sky. saucers of mountain sway. deities spill, shining & suffering ... not forgetting we can't ever--whose fury sings like eagles-- skeletons unlean from fruit trees, falling like white gunsmoke, we want/ to be here. listen. the wind has blown all the birds from our hair.

A landmark literary anthology of poems, stories, and essays, Choice Words collects essential voices that renew our courage in the struggle to defend reproductive rights. Twenty years in the making, the book spans continents and centuries. This collection magnifies the voices of people reclaiming the sole authorship of their abortion experiences. These essays, poems, and prose are a testament to the profound political power of defying shame. Contributors include Ai, Amy Tan, Anne Sexton, Audre Lorde, Bobbie Louise Hawkins. Camonghne Felix, Carol Muske-Dukes, Diane di Prima, Dorothy Parker, Gloria Naylor, Gloria Steinem, Gwendolyn Brooks, Jean Rhys, Joyce Carol Oates, Judith Arcana, Kathy Acker, Langston Hughes, Leslie Marmon Silko, Lindy West, Lucille Clifton, Mahogany L. Browne, Margaret Atwood, Molly Peacock, Ntozake Shange, Ruth Prawer Jhabvala, Sharon Doubiago, Sharon Olds, Shirley Geok-lin Lim, Sholeh Wolpe, Ursula Le Guin, and Vi Khi Nao.

Jay Hopler's second collection, a mourning song for his father, is an elegy of uproar, a careening hymn to disaster and its aftermath. In lyric poems by turns droll and desolate, Hopler documents the struggle to live in the face of great loss, a task that sends him ranging through Florida's torrid subtropics, the mountains of the American West, the streets of Rome, and the Umbrian countryside. Vivid, dynamic, unrestrained: The Abridged History of Rainfall is a festival of glowing saints and fighting cocks, of firebombs and birdsong.

A poignant new novel that combines humour and heartache, from the brilliant mind of Governor General’s Award finalist Claudia Dey Seventeen years after falling from a stolen car into a remote northern town, Billie Jean Fontaine is still an outsider. She may follow the stifling rules of this odd place, but no one will forget that she came from elsewhere. When Billie Jean vanishes one cold October night in her bare feet and track suit with only her truck keys, those closest to her begin a frantic search. Her daughter, Pony, a girl struggling against being a teen in the middle of nowhere; her killer dog to whom she cannot tell a lie; her husband, The Heavy, a man haunted by his past; and the charismatic Supernatural, a teenage boy longing only to be average. Each holding a different piece of the puzzle, they must come together to understand the darkest secrets of their beloved, and lay bare the mysteries of the human heart. With her luminous prose, wry humour and dead-on cultural observations, Claudia Dey has created a storytelling tour de force about what it means to love, no matter the consequences.

A mosaic of interrelated stories exploding with personality, myth, and geohistorical weight, Morning in Serra Mattu is a profound, joyful meditation on life in modern Sudan. Arif Gamal seamlessly blends large-scale political realities with the local and the traditional: “old villages/whose ancient way is so composed/each single blade of grass is known/and in its place.” Epic in scope, spellbinding in its intimacy, generosity, and wisdom, Morning in Serra Mattu is the book we didn’t know we needed. how thrilling it was in the earliest morning to race barefoot down the sandy slopes and dunes with all the bellowing goats and dogs and sheep and other animals for their first morning drink and to swim in the fresh waters of the flowing river while the thousand upon thousand of high unhindered Nubian stars began to fall away before a tinge of milky line along the hills until light grew from nearly nothing to an immensity —from “Return to Serra Mattu”

Winner of the 2010 Donald Hall Prize in Poetry In her third poetry collection, Quan Barry explores the universal image of war as evidenced in Afghanistan and Iraq as well as Vietnam, the country of her birth. In the long poem “meditations” Barry examines her own guilt in initially supporting the invasion of Iraq. Throughout the manuscript she investigates war and its aftermath by negotiating between geographically disparate landscapes—from the genocide in the Congo—to a series of pros poem “snapshots” of modern day Vietnam. Despite the gravity of war, Barry also turns her signature lyricism to other topics such as the beauty of Peru or the paintings of Ana Fernandez.