Why The Possum Has No Hair On His Tail

Illustrated full color children's book of a traditional Choctaw story.

Epossumondas has a very important question: "Mama, why don't I have hair on my tail?" And wouldn't you know it, Mama can tell him exactly why possum tails are all pink and naked and funny looking. Her story's a doozy! It goes way back to Epossumondas's great-great-grandpa, Papapossum. When hungry Papapossum and his growly ol' stomach meet up with wily Hare, cranky Bear, and a persimmon tree . . . well, it's one hair-raisin' adventure! Renowned storyteller Coleen Salley and Caldecott Honor illustrator Janet Stevens team up again, drawing on the Uncle Remus tradition and their own wild imaginations to expose a hilarious--and important!--moment in possum history.

Animal Stories, Songs and Folklore from the American South “You can't run away from trouble. Ain't no place that far.” ― Uncle Remus, Joel Chandler Harris Uncle Remus is a collection of African-American stories, songs and oral folklore collected by Joel Chandler Harris. Uncle Remus is a fictional storyteller who shares stories about Br'er Rabbit, a trickster who is often opposed by Br'er Fox and Br'er Bear. Uncle Remus was adapted in the controversial Disney film, The Song of the South and the story characters are still feature in the Disney ride, Splash Mountain. This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This eBook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it.

"UNCLE REMUS," said the little boy one evening, when he had found the old man with little or nothing to do, "did the fox kill and eat the rabbit when he caught him with the Tar-Baby?" "Law, honey, ain't I tell you 'bout dat?" replied the old darkey, chuckling slyly. "I 'clar ter grashus I ought er tole you dat, but old man Nod wuz ridin' on my eyeleds 'twel a leetle mo'n I'd a dis'member'd my own name, en den on to dat here come yo mammy hollerin' atter you. "W'at I tell you w'en I fus' begin? I tole you Brer Rabbit wuz a monstus soon creetur; leas'ways dat's w'at I laid out fer ter tell you. Well, den, honey, don't you go en make no udder calkalashuns, kaze in dem days Brer Rabbit en his fambly wuz at de head er de gang w'en enny racket wuz on han', en dar dey stayed. 'Fo' you begins fer ter wipe yo' eyes 'bout Brer Rabbit, you wait en see whar'bouts Brer Rabbit gwineter fetch up at. But dat's needer yer ner dar. "W'en Brer Fox fine Brer Rabbit mixt up wid de Tar-Baby, he feel mighty good, en he roll on de groun' en laff. Bimeby he up'n say, sezee: "'Well, I speck I got you dis time, Brer Rabbit, sezee; 'maybe I ain't, but I speck I is. You been runnin' roun' here sassin' atter me a mighty long time, but I speck you done come ter de een' er de row. You bin cuttin' up yo' capers en bouncin''roun' in dis neighberhood ontwel you come ter b'leeve yo'se'f de boss er de whole gang. En den you er allers somers whar you got no bizness,' sez Brer Fox, sezee. 'Who ax you fer ter come en strike up a 'quaintance wid dish yer Tar-Baby? En who stuck you up dar whar you iz? Nobody in de roun' worl'. You des tuck en jam yo'se'f on dat Tar-Baby widout waitin' fer enny invite,' sez Brer Fox, sezee, en dar you is, en dar you'll stay twel I fixes up a bresh-pile and fires her up, kaze I'm gwineter bobby-cue you dis day, sho,' sez Brer Fox, sezee.

Stella Brewer Brookes's study of the life and work of Joel Chandler Harris was published in 1950. Brookes examines how Harris drew on his extensive knowledge of African American folklore and culture to create the characters in his work. Brookes classifies the Uncle Remus books under seven major categories: trickster tales, other "creeturs," myths, supernatural tales, proverbs, dialect, and songs.