Wicked Shreveport

In the rough-and-tumble days of the nineteenth century, Shreveport was on the very edge of the countrys western frontier. It was a city struggling to tame lawlessness, and its streets were rocked by duels, lynchings and shootouts. A new century and Prohibition only brought a fresh wave of crime and scandal. The port city became a haunt for the likes of notorious bank robbers Bonnie and Clyde and home to the influential socialite and Madam Annie McCune. From Fred Lockhart, aka the Butterfly Man, to serial killers Nathanial Code and Danny Rolling, Shreveport played reluctant host to an even deadlier cast of characters. Their tales and more make up the devilish history of the Deep South in Wicked Shreveport.

In the autumn of 1873, one of the worst yellow fever epidemics in U.S. history swept through Shreveport. As the deadly scourge claimed a quarter of the town's population, the dedicated efforts of five missionary priests offered a call to hope, even as they laid down their own lives in the struggle. True martyrdom is vanishingly rare, extolled as the highest possible sacrifice, yet Shreveport bore abundant witness through these five saintly priests. Their heroism in the midst of this tragic chapter is captured here by a trio of authors, winding a narrative that transcends history to reveal complex themes of virtue, sacrifice and response in times of human crisis and suffering.

Nearly as old as the city itself, Oakland Cemetery is one of Shreveport's most significant historical landmarks. Notable residents were laid to rest here as early as 1842. In a mass grave lie nearly eight hundred victims of a virulent yellow fever epidemic that struck the city in 1873. Others interred include Annie McCune, the famous Shreveport madam who operated a brothel in the city's red-light district, as well as hundreds of Civil War soldiers, city founders and the first African American physician, Dr. Dickerson Alphonse Smith. Some souls are said to haunt the grounds still. Join authors Gary D. Joiner and Cheryl White and discover some of Shreveport's oldest stories.

Pause for a spell to visit with the remarkable inhabitants of Greenwood Cemetery. Greenwood Cemetery is resplendent in its gardenlike setting, gently rolling hills, sharply edged bluffs, impressively carved monuments and row after row of military gravestones. It is a social laboratory that helps those get to know who was here before and what their families wish future generations to remember about them. Visitors can find heroes and villains, mayors, bankers, industrialists, the well-to-do, and the forgotten. Some monuments are fascinating simply for their carved angels, others poignant in their descriptions of lives cut short. Indeed, all the markers have a story to tell. The most notable among them are included in this book. Stroll through Greenwood with Dr. Gary Joiner and learn a thing or two about those who rest here.

In this work of curriculum theory, Ed Douglas McKnight addresses and explores the intersections between place (with specific discussion of Kincheloe’s and Pinar’s conceptualization of place and identity) and race (specifically Winthrop Jordan’s historical analysis of race as an Anglo-European construction that became the foundation of a white mythos). To that end, he employs a form of narrative construction called curriculum vitae (course of life)—a method of locating and delineating identity formation which addresses how theories of place, race and identity formation play out in a particular concrete life. By working through how place racializes identity and existence, the author engages in a long Southern tradition of storytelling, but in a way that turns it inside out. Instead of telling his own story as a means to romanticize the sins of the southern past, he tells a new story of growing up within the "white" discourse of the Deep South in the 1960s and 70s, tracking how his racial identity was created and how it has followed him through life. Significant in this narrative is how the discourse of whiteness and place continues to express itself even within the subject position of a curriculum theorist teaching in a large Deep South university. The book concludes with an elaboration on the challenges of engaging in the necessary anti-racist complicated conversation within education to begin to work through and cope with heavy racialized inheritances.

This book has been named an NYC Big Book Awards Distinguished Favorite in Literary Fiction

The history of Louisiana from slavery until the Civil Rights Act of 1964 shows that unique influences within the state were responsible for a distinctive political and social culture. In New Orleans, the most populous city in the state, this was reflected in the conflict that arose on segregated streetcars that ran throughout the crescent city. This study chronologically surveys segregation on the streetcars from the antebellum period in which black stereotypes and justification for segregation were formed. It follows the political and social motivation for segregation through reconstruction to the integration of the streetcars and the white resistance in the 1950s while examining the changing political and social climate that evolved over the segregation era. It considers the shifting nature of white supremacy that took hold in New Orleans after the Civil War and how this came to be played out daily, in public, on the streetcars. The paternalistic nature of white supremacy is considered and how this was gradually replaced with an unassailable white supremacist atmosphere that often restricted the actions of whites, as well as blacks, and the effect that this had on urban transport. Streetcars became the 'theatres' for black resistance throughout the era and this survey considers the symbolic part they played in civil rights up to the present day.

Known worldwide as Lead Belly, Huddie Ledbetter (1889–1949) is an American icon whose influence on modern music was tremendous – as was, according to legend, the temper that landed him in two of the South's most brutal prisons, while his immense talent twice won him pardons. But, as this deeply researched book shows, these stories were shaped by the white folklorists who 'discovered' Lead Belly and, along with reporters, recording executives, and radio and film producers, introduced him to audiences beyond the South. Through a revelatory examination of arrest, trial, and prison records; sharecropping reports; oral histories; newspaper articles; and more, author Sheila Curran Bernard replaces myth with fact, offering a stunning indictment of systemic racism in the Jim Crow era of the United States and the power of narrative to erase and distort the past.