Wild Flowers

"This volume spotlights some of the finest imagery of its kind. It features 120 plates by Mary E. Eaton, who was a staff illustrator of the New York Botanical Garden from 1911 to 1932. Also included are 8 illustrations by botanical illustrator E. J. Geske. The first-rate botanical illustrations remain fresh and attractive to the modern eye"--

"Field Book of Western Wild Flowers" by J. J. Thornber, Margaret Armstrong. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Margaret Erskine Wilson, late President of Kendal Natural History Society, was a keen amateur botanist and water-colourist. In 1999, she donated to the Society 150 sheets of water-colour paintings representing a thousand British and Irish plants in flower and in fruit, painted in situ over many years and in various places. At the time she donated the paintings to Kendal Natural History Society, she wrote: Begun in 1943/4 for a friend who said, 'I might learn the names of flowers if you drew them for me, in the months they're in flower'! The result is this beautiful, previously unpublished book of all her accurate and informative illustrations, painted over a period of 45 years. Over a thousand British and Irish flowers are represented in this book and it still today serves Margaret Erskine Wilson's original purpose -- it is an easy way to learn the names of our delicate and beautiful wild flowers.

Wild Flowers is a collection of Emily Carr's delightfully evocative impressions of native flowers and shrubs. She wrote these short pieces later in life and they rekindled in her strong childhood memories and associations. She delights in the brightness of buttercups that let Spring's secret out, muses over the hardiness of stonecrop (How any plant can grow on bare rock and be so fleshy leafed and fat is a marvel.) and declares that botanical science has un-skunked the skunk cabbage. Carr's playful words often bring a smile to readers. About catnip, she writes: I did think it was kind of God to make a special flower for cats. In a brief Foreword and Afterword, archivist and historian Kathryn Bridge gives context to Wild Flowers within the body of Carr's previously published writings. Wild Flowers is illustrated with beautiful watercolours of wild plants by Emily Henrietta Woods, one of Carr's childhood drawing teachers in Victoria. The originals of Carr's manuscript and Woods' botanical illustrations reside in collections of the BC Archives; neither have been published until now. Woods' paintings fit so well with Carr's text. It's serendipity that Woods taught Carr and that we have her art and Carr's manuscript in the Archives' collection, and that neither have been published before now. - Kathryn Bridge

This bestselling classic, now in its third magnificent edition, lives up to its reputation as the flower-lover's bible. No collection of natural history books is complete without it.